Professor of Inclusive AI Cultures Payal Arora co-wrote a United Nations University report with guidelines for training AI models through artificially generated data.
Methods and Genealogies of New Materialisms, co-edited by Iris van der Tuin, discusses over a decade of work in new materialist theorising and knowledge-making practice.
Doing Digital Migration Studie, edited by Koen Leurs and Sandra Ponzanesi, offers a comprehensive entry into a variety of debates, interventions, and discussions.
In Ecogames: Playful Perspectives on the Climate Crisis, a diverse group of authors explores different aspects of ecocritical engagement in and through games.
Anne Kustritz explores slash fan fiction communities during the late 1990s and early 2000s as the practice transitioned from print to digital circulation.
In The Palgrave Handbook of Music in Comedy Cinema, Emile Wennekes and Emilio Audissino tackle the understudied relationship between music en comedy cinema.
Kiene Brillenburg Wurth, Iris van der Tuin, and Nanna Verhoeff have edited a special section in the minnesota review on Mobilizing Creativity: A Humanities Perspective (part 1 of 2).
By Marijke de Valck and others, ‘Rethinking Film Festivals in the Pandemic Era and After’ was recently published. 25 international authors contributed.
The book, edited by Professor of Musicology Emile Wennekes and others, presents developments in speech and music technology in the domain of audio signal processing.
Edited by Rick Dolphijn and Rosi Braidotti, a series of contributions places the philosophy of Deleuze and Guattari in the context of contemporary fascism.