Assistant Professor of History of International Relations Peter Malcontent explains the situation in Israel and the Palestinian Territories in various media. An overview of developments.
Research shows more people in the Netherlands support the farmers’ protests than the climate protests. Liesbeth van de Grift sheds light on these findings.
Hamas was given a deadline by Israel: all hostages must be released before Ramadan. Islamologist Joas Wagemakers explains the dilemma in which Hamas (and Israel) finds itself.
Genocide researcher Iva Vukušić discussed the South Africa-Israel case at the International Court of Justice and ruling with The Guardian and RTL Nieuws.
Johan Schot talks about the Deep Transitions Lab. In the lab, impact investing and the question of how investing could tackle challenges such as climate change is studied.
In New Line Magazine, Assistant Professor in Political History Laura Almagor wrote an article about the Freeland League for Jewish Territorial Colonization.
The idea that the Netherlands is culturally and socio-economically threatened by newcomers was particularly decisive for the outcome of the Dutch elections, says political scientist Koen Damhuis.
A post-revisionist approach on European imperialism: Ozan Ozavci on his research into European interventions in the Ottoman Empire of the 19th century.
On The Conversation, Assistant Professor Frank Gerits writes about the five recent coups in Africa and how the French president Macron comes into play.
In The Conversation, lecturer Morten Byskov, Assistant Professor Jeroen Hopster and Júlia Isern Bennassar write about the recently passed climate law on the Balearic Islands.
In the world of AI regulation, power is not evenly distributed. PhD candidate Arthur Gwagwa writes in Global Policy about Africa’s position in this world.
In Philosophy Now, Assistant Professor Maurits de Jongh discusses the insights of philosopher Hannah Arendt (1906-1975) to help understand the threat of nuclear annihilation.
In the mini-documentary Sancta Maria Succurre Miseris, music scholar Eric Jas explains the underlying message and why the composer chose this printing method.