Completed Projects
NWO VENI
Faces of Evil: The Figure of the Perpetrator in Contemporary Memory Culture
01-02-2014 to 01-02-2017
The fierce debates surrounding the publication of Jonathan Littell’s novel Les Bienveillantes in 2006 exposed a central tension in public and academic conceptions of witnessing and the Holocaust. A fictional memoir of an SS-officer, the novel was a huge success, but opinion was divided about its artistic merits and ethical implications. Is it acceptable to present a Nazi as the ideal witness to the Holocaust? Is it possible to reconcile the critical imperative to understand the motivations of historical actors with the moral imperative not to rationalise the perpetrators’ acts? Littell’s novel forms part of a broader shift in contemporary culture away from the preoccupation with trauma and victimhood and toward a more nuanced engagement with the figure of the perpetrator. The aim of this project is to provide insight into the recent emergence in contemporary culture of the figure of the perpetrator as a viable perspective on the past, and to help develop a critical vocabulary on perpetratorship that is able to respond to this current shift.
This project traces the figure of the perpetrator through post-1989 memory culture in Germany and Romania, where the joint legacies of Fascism and Communism render questions of perpetration and victimhood inherently ambiguous and complex. I analyse the role of perpetrators in literature, drama, film, and at documentary exhibitions in order to elucidate how these cultures create narratives about their own history through which they negotiate questions of complicity and collaboration in order to ascribe or disavow guilt and responsibility. Through a comparative and interdisciplinary analysis of the figure of the perpetrator across different literary and visual media in these two countries I will shed new light on how questions of perpetratorship and collaboration influence the construction of cultural identity, both at the national level and within the broader framework of European memory.
A further aim of this project is to build an interdisciplinary and transnational research network. For more information about the network, please visit The Perpetrator Studies Network online at http://perpetratorstudies.sites.uu.nl.
EcoViolence is an interdisciplinary, transnational, and comparative study of the cultural imaginary of environmental violence. The project’s aim is to understand how contemporary culture frames and remembers environmental degradation as violence; how it can make visible the deep historical roots that tie eco-violence to other histories of violence, especially colonialism and genocide; and how it articulates and reflects on questions of guilt, responsibility, and implication. EcoViolence will bring together research in cultural memory studies and ecocriticism in order to develop an innovative ecological model for the study of violence, its memory and representation. Furthermore, the project explores how these representations harness affect and emotion to promote critical self-reflection. The project focuses on narrative and visual media and takes a comparative, multilingual, and media-specific approach.