Publications
2020
Scholarly publications
Kuegle, K. (Accepted/In press). Ulrike Hascher-Burger (14 June 1955 – 21 April 2020). Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 70.
Kuegle, K. (2020). The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and their Choices. In G. Varelli (Ed.), Disiecta Membra Musicae: Studies in Musical Fragmentology (pp. 205-237). (Studies in Manuscript Cultures; Vol. 21). De Gruyter. https://doi.org/10.1515/9783110717884-009
Kuegle, K. (Ed.) (2020). Sounding the Past: Music as History and Memory. (Epitome Musical). Brepols. https://doi.org/10.1484/M.EM-EB.5.120601
Kuegle, K. (2020). Dilemmas of Historicism. In Sounding the Past: Music as History and Memory (pp. 249-255). Brepols. https://doi.org/10.1484/M.EM-EB.5.122015
Kuegle, K. (2020). Towards a New History of the Musical Past. In Sounding the Past: Music as History and Memory (pp. 17-33). Brepols. https://doi.org/10.1484/M.EM-EB.5.122001
Professional publications
Kuegle, K. (Accepted/In press). Review of Lisanne Vroomen, Ik heb mijn lief in eeuwigheid: Functies en thema’s van Middelnederlandse devote liederen, collaties en viten (Hilversum: Verloren, 2017). The Medieval Low Countries, 7.
2019
Scholarly publications
Kuegle, K. (2019). Il codice 115 della Biblioteca Capitolare di Ivrea (“Codex 115 of the Capitular Library, Ivrea”): Introductory Study and Facsimile. (Ars nova; Vol. nuova serie, 5). Libreria Musicale Italiana.
2018
Scholarly publications
Kuegle, K., Slater, L., Murray, D., & Masson, C. (2018). Exploring Music and Late Medieval European Court Cultures: The MALMECC Project at the University of Oxford. Paper presented at International Medieval Congress 2018, Leeds, United Kingdom.
Kuegle, K. (2018). The Koblenz fragments: thirteenth and fourteenth-century music, and fifteenth-century church reform. Paper presented at All Souls seminars in medieval and renaissance music, Oxford, United Kingdom.
Kuegle, K. (2018). Vitry in the Rhineland: New discoveries. Early Music, 46(3), 393-402. https://doi.org/10.1093/em/cay050
Kuegle, K. (2018). Liturgical Polyphony after 1300. In M. Everist, & T. F. Kelly (Eds.), Cambridge History of Medieval Music (pp. 881-906). Cambridge University Press.
2017
Scholarly publications
Kuegle, K. (2017). Review of Catherine Saucier, A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liège (Rochester: University of Rochester Press, 2014). Journal of the American Musicological Society, 70(3), 857-860.
https://dspace.library.uu.nl/bitstream/handle/1874/396391/kuegle.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/396391/kuegle.pdf?sequence=1
Popularising publications
Kuegle, K. (2017). Music and Late Medieval European Court Cultures: Rewriting the cultural history of late medieval Europe. Oxford Musician, 7, 6-7. https://issuu.com/facultyofmusicuniversityofoxford/docs/oxmusician2017_digital
Other output
Kuegle, K. (Author). (2017). Wadham’s 1521 Park Missal. Digital or Visual Products, Wadham College, University of Oxford. https://www.youtube.com/watch?v=-h8RU9qT_IQ
Kuegle, K. (2017). Introducing the MALMECC project. Paper presented at Introducing the MALMECC Project: The Introductory MALMECC Workshop, Oxford, United Kingdom.
Kuegle, K. (2017). Phoebus Re-visited: Re-reading Inter densas/Imbribus irriguis. Paper presented at International Symposium on Late Medieval and Early Renaissance Music, Italy.
Kuegle, K. (2017). New Directions in Medievalist Research: Introducing the MALMECC and SoundMe Projects. Paper presented at Annual UCMS Lecture, Utrecht, Netherlands.
2016
Scholarly publications
Kuegle, K. (2016). Die Fragmente Oxford, All Souls 56 und die mensural notierte Mehrstimmigkeit in Köln um 1400: Ein Zwischenbericht. In F. Kolb (Ed.), Musik der mittelalterlichen Metropole: Räume, Identitäten und Kontexte der Musik in Köln und Mainz, ca. 900-1400 (pp. 301-324). (Beiträge zur rheinischen Musikgeschichte; No. 179). Verlag Merseburger.
https://dspace.library.uu.nl/bitstream/handle/1874/358287/MMM_K_gle_def_21_02_2017.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/358287/MMM_K_gle_def_21_02_2017.pdf?sequence=1
2015
Scholarly publications
Kuegle, K. (2015). 'Ic hadde een lief vercoren…': Muzikale erotiek in de Gruuthuseliederen. In F. Willaert, J. Koldeweij, & J. Oosterman (Eds.), Het Gruuthusehandschrift: Literatuur, muziek, devotie rond 1400 (pp. 111-126 ). Koninklijke Academie voor Nederlandse Taal- en Letterkunde.
Kuegle, K. (2015). Senza Vestimenta: The Literary Tradition of Trecento Song, by Lauren McGuire Jennings, Farnham: Ashgate 2014 (Book Review). Early Music History, 34, 229-235.
Kuegle, K. (2015). Conceptualizing and Experiencing Music in the Middle Ages (ca. 500–1500). In A. Classen (Ed.), Medieval Culture - A Handbook: Fundamental Aspects and Conditions of the European Middle Ages (pp. 1184-1204). De Gruyter.
Other output
Kuegle, K. (2015). Vitry in the Rhineland? A provisional report. Paper presented at Philippe de Vitry: An international symposium, New Haven, CT, United States.
Kuegle, K. (2015). Vitry in the Rhineland? A provisional report, and some methodological considerations. Paper presented at Colloquium, Amsterdam, Netherlands.
Kuegle, K. (2015). Of Birds, Fiddles, and Song: Towards a Late-Medieval Eroticon. Paper presented at NIAS Seminar, Wassenaar, Netherlands.
2013
Scholarly publications
Kuegle, K. (2013). "Einundfünfzig Übungen für Klavier, WoO 6". In C. Bockmaier and S. Mauser (Ed.), Johannes Brahms: Interpretationen seiner Werke (pp. 923-924). Laaber Verlag.
Kuegle, K. (2013). Muziek in Brugge rond 1400. In J. Koldeweij, I. Geysen, & E. Tahon (Eds.), Liefde en Devotie: Het Gruuthusehandschrift – kunst en cultuur omstreeks 1400 (pp. 108-123). Ludion.
Kuegle, K. (2013). "Studien für Klavier, Anh. Ia Nr. 1". In C. Bockmaier and S. Mauser (Ed.), Johannes Brahms: Interpretationen seiner Werke (pp. 1020-1025). Laaber Verlag.
Kuegle, K. (2013). Textual Culture Shock, or: The Making and Remaking of (Early) Music ‘Philology’. In T. Dumitrescu, K. Kügle, & M. van Berchum (Eds.), Early Music Editing: Principles, Historiography, Future Directions (pp. 9-19). Brepols.
Kuegle, K. (2013). "Studien für Klavier: Variationen über ein Thema von Niccolò Paganini a-moll, Op. 35". In C. Bockmaier and S. Mauser (Ed.), Johannes Brahms: Interpretationen seiner Werke (pp. 233-241). Laaber Verlag.
Dumitrescu, T., Kügle, K., & van Berchum, M. (2013). Early Music Editing: Principles, Historiography, Future Directions. Brepols.
Professional publications
Kuegle, K. (2013). Johannes Ciconia. In Ciconia - Lassus - Froberger - Muffat # Europa: Early Music Festival Book 2013 (pp. 11-15). Early Music Festival Utrecht.
2012
Scholarly publications
Kuegle, K. (2012). Glorious Sounds for a Holy Warrior: New Light on Codex Turin J.II.9. Journal of the American Musicological Society, 65, 637-690.
Kuegle, K. (2012). Musicology at the Boundaries: About Rokus de Groot. In S. van Maas, C. Hulshof, & P. Oldenhave (Eds.), Liber plurium vocum voor Rokus de Groot (pp. 228-230). Universiteit van Amsterdam.
van Aelst, J. J., Kuegle, K., van der Poel, D. E., & Rose, E. (Eds.) (2012). Ike de Loos - Patronen ontrafeld: Studies over gregoriaanse gezangen en Middelnederlandse liederen [Ike de Loos † - Patterns Unraveled: Studies on Chant and Middle Dutch Songs]. Verloren.
Rose, H. G. E., van Aelst, J. J., Kuegle, K., & van der Poel, D. E. (2012). Bloemlezing Ike de Loos (†): Patronen ontrafeld. Studies over gregoriaanse gezangen en Middelnederlandse liederen. (Middeleeuwse Studies en Bronnen ed.) Verloren.
Kuegle, K., van Aelst, J. J., van der Poel, D. E., & Rose, E. (2012). Inleiding: Patronen ontrafeld [Introduction: Patterns Unraveled]. In J. van Aelst, K. Kügle, D. van der Poel and E. Rose (Ed.), Ike de Loos - Patronen ontrafeld: Studies over gregoriaanse gezangen en Middelnederlandse liederen [Ike de Loos † - Patterns Unraveled: Studies on Chant and Middle Dutch Songs] (pp. 9-22). Verloren.
2011
Scholarly publications
Kuegle, K. (2011). "Liangzuo xiudaoyuan he yizhou xiejuan: Bulusaier xieben 19606 tanxin" [Two Abbots and a Rotulus: New Light on Brussels 19606].". Wenhua yishu yanjiu (Studies in Culture and Art), 4, 237-252.
Kuegle, K. (2011). De ordinatio van het ‘Gruuthuse’-liedboek en de Europese muziek omstreeks 1400 [The ordinatio of the ‘Gruuthuse’ Song Book and European Music Around 1400]. In F. Willaert (Ed.), Het Gruuthuse-handschrift in woord en klank: Nieuwe inzichten, nieuwe vragen (pp. 81-112). Koninklijke Academie voor Nederlandse Taal- en Letterkunde.
Other output
Kuegle, K. (Author). (2011). Music Co-ordinator, Short Movie Der Sucher ["The Seeker"], dir. R. Tillmann and A. E. Zielke (Germany). Digital or Visual Products, .
2009
Scholarly publications
Kuegle, K., & Welker, L. (2009). Borderline Areas in Fourteenth and Fifteenth-Century Music/ Grenzbereiche in der Musik des 14. und 15. Jahrhunderts. (Musicological Studies and Documents ed.) American Institute of Musicology.
2008
Scholarly publications
Kügle, K. (2008). Past Perfect: Richard Taruskin and Music Historiography in the Early Twenty-First Century. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 58, 69-85.
Kügle, K. (2008). Two Abbots and a Rotulus: New Light on Brussels 19606. In D. B. Cannata, G. Ilnitchi Currie, R. C. Mueller, & J. L. Nádas (Eds.), Quomodo cantabimus canticum? Studies in Honor of Edward H. Roesner (pp. 145-185). American Institute of Musicology.
Other output
Kuegle, K. (2008). organisatie congres Early Music Editing: Principles, Techniques, and Future Directions. Paper presented at Unknown event. http://www.earlymusicediting.org/
2007
Scholarly publications
Kügle, K. (2007). The Notation of Codex Ivrea, Biblioteca Capitolare 115. In M. C. Vela, D. Sabiano, & S. Aresi (Eds.), Le notazioni della polifonia vocale dei secoli IX-XVII (pp. 233-239). Edizioni ETS.
Kügle, K. (2007). Vitry, Philippe de. In L. Finscher (Ed.), Die Musik in Geschichte und Gegenwart, Personenteil 17 (pp. 58-67). (Die Musik in geschichte und Gegenwart; No. 17). Bärenreiter.
2006
Scholarly publications
Kügle, K. (2006). Velut, Gilet. In L. Finscher (Ed.), Die Musik in Geschichte und Gegenwart; Personenteil, 16 (pp. 1400-1401). (Die Musik in Geschichte und Gegenwart; No. 16). Bärenreiter.
Other output
Kügle, K. (2006). Over het componeren. Faculteit Geesteswetenschappen.
2005
Scholarly publications
Kügle, K. (2005). Petrus de Cruce. In L. Finscher (Ed.), Die Musik in Geschichte und Gegenwart. Personenteil, vol.13. Second, revised edition (pp. 431-434). Bärenreiter.
2004
Scholarly publications
Kügle, K. (2004). Matheus de Sancto Johanne. In L. Finscher (Ed.), Die Musik in Geschichte und Gegenwart. Personenteil, vol. 11. Second, revised edition (pp. 1308-1310). Bärenreiter.
Professional publications
Kügle, K. (2004). How We Got into Musicology, and How to Get Out (or Can We?). In M.S.J. (Ed.), Musicology and Globalization: Proceedings of the International Congress in Shizuoka - in Celebration of the 50th Anniversary of the Musicological Society of Japan (pp. 48-52). the Musicological Society of Japan.
2003
Scholarly publications
Kügle, K. (2003). Kügle, Karl. In L. Finscher (Ed.), Die Musik in Geschichte und Gegenwart. Personenteil, vol.10. Second, revised edition (pp. 805-805). Bärenreiter.
Kügle, K. (2003). Some Observations Regarding Musico-Textual Relationships in Late Rondeaux by Machaut. Studies in Medieval and Renaissance Music 1. Woodbridge, Suffolk and Rochester. In E. E. Leach (Ed.), Machaut's Music: New Interpretations (pp. 263-276). Boydell and Brewer.
Professional publications
Kügle, K. (2003). Aspects of Composition in the Late Middle Ages: The Rhymed Sequence Basis prebens firmamentum.". In S. Baldi (Ed.), Il Codice I-IV.115 della Biblioteca capitolare di Ivrea: Atti convegno internazionale di studi. (pp. 51-62). Biblioteca dell'Istituto per i Beni Musicali Piemonte in.