Books

2022. Material Cultures of Music Notation: New Perspectives on Musical Inscription, co-edited with Emily Payne. New York: Routledge

2019. The Instant Composers Pool and Improvisation Beyond Jazz. New York: Routledge.

Articles

2023. ‘Talking scores and the dismediation of music notation’. Music Theory Online 29(1): https://www.mtosmt.org/issues/mto.23.29.1/mto.23.29.1.schuiling.html 

2022. ‘Music as Extended Agency: On Notation and Entextualization in Improvised Music’. Music and Letters 103(2): 322-43. https://doi.org/10/1093/ml/gcab109 

2020. ‘(Re-)Assembling Notations in the Performance of Early Music’. Contemporary Music Review 39(5): 580–601.

2019. ‘Notation Cultures: Towards an Ethnomusicology of Notation’. Journal of the Royal Musical Association 144(2): 429-458.

2017. ‘The textility of marking: performers’ annotations as indicators of the creative process in music’. Music & Letters 98 (3): 438-464. Co-authored with Emily Payne

2016. ‘The Instant Composers Pool: Music Notation and the Mediation of Improvising Agency’. Cadernos de Arte e Antropología 5(1): 21-40.

2014. ‘Compositions in Improvisation: The Instant Composers Pool Orchestra’. ACT: Zeitschrift für Musik & Performance 5

Book chapters

2024. ‘Gadamer’s Horizons as Interfaces for Knowing Musical Worlds’ In Gadamer, Music, and Philosophical Hermeneutics, edited by Sam McAuliffe, 141-155. New York: Springer. Co-authored with Michiel Kamp.

2022. 'Introduction: Notation and/as Material Culture'. In Material Cultures of Music Notation: New Perspectives on Musical Inscription, edited by Floris Schuiling and Emily Payne. New York: Routledge. Co-authored with Emily Payne.

2022. ‘“Making, Not Filling Time”: On the temporality of notation in performance’. In The Oxford Handbook of Time in Music, edited by Emily Payne, Mark Doffman, and Toby Young. Oxford: Oxford University Press.

2021. ‘“A repertoire of means for imagining music”: Notation Cultures and the Musical Imagination’. In Remixing Music Studies: Essays in Honour of Nicholas Cook, edited by Ananay Aguilar, Ross Cole, Matthew Pritchard, and Eric Clarke, 47-60. New York: Routledge.

2021. ‘Music Notation and Distributed Creativity: The Textility of Score Annotation’. In Performance and posthumanism: Staging Prototypes of Composite Bodies, edited by Christel Stalpaert, Kristof van Baarle, and Laura Karreman, 261-286. New York: Palgrave MacMillan. Co-authored with Emily Payne

2019. ‘Jazz and the Material Turn’. In Routledge Companion to Jazz Studies, edited by Tony Whyton, Nick Gebhardt, and Nichole Rustin-Paschal, 87-96. New York: Routledge.

Encyclopaedia entries

forthcoming. 'Misha Mengelberg". Grove Music Online.

2023. ‘Peter Adriaansz’. Musik in Geschichte und Gegenwart. https://www.mgg-online.com/article?id=mgg20287&v=2.0&rs=mgg20287

Book reviews

2017. ‘Composing Dissent: Avant-Garde Music in 1960s Amsterdam by Robert Adlington’. Critical Studies in Improvisation/Études Critiques en Improvisation 12(1): http://www.criticalimprov.com/article/view/4163/4150.

Other publications

2019. ‘Was de Overval een overval?’ [Was the Raid a raid?]. JazzBulletin 110: 44-49.

2017. ‘Notatieculturen in de Hedendaagse Muziek’ [Notation Cultures in Contemporary Music]. BLIK: Tijdschrift voor Audiovisuele Cultuur 10(0): 28-31.

2016. ‘Misha Mengelberg tussen free jazz, Darmstadt en Fluxus’ [Misha Mengelberg between free jazz, Darmstadt and Fluxus]. JazzBulletin 96: 24-29.

2012. ‘De koorddans-act van de geïmproviseerde muziek’ [The high wire act of improvised music]. JazzBulletin 84: 46-50.