Involved in the following study programme(s)
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Key publications

Pafort-Overduin, C., Sedgwick, J.D. & Boter, J. (2012). Explanations for the Restrained Development of the Dutch Cinema Market in the 1930s. Enterprise & Society, 13 (3), (pp. 634-671) (38 p.).

Gomery, Douglas & Pafort-Overduin, C. (2011). Movie History: A survey. (449 p.). London-New York: Routledge.

Pafort-Overduin, C. (2011). Distribution and Exhibition in The Netherlands, 1934-1936. In Richard Maltby, David Biltereyst, and Philippe Meers (Eds.), Explorations in New Cinema History: Approaches and Case Studies. (pp. 125-139) (335 p.). Sussex: Wiley-Blackwell.

Pafort-Overduin, C., Sedgwick, J.D. & Boter, J. (2010). Drie mogelijke verklaringen voor de stagnerende ontwikkeling van het Nederlandse bioscoopbedrijf in de jaren dertig. Tijdschrift voor mediageschiedenis, 13 (2), (pp. 37-59) (207 p.).

Pafort-Overduin, C. (2009). Compartmentalisation and its Influence on Film Distribution and Exhibition in The Netherlands, 1934-1936. p55-68. In M. Ross & M. Grauer (Eds.), Digital Tools in Media Studies. Analysis and Research. An Overview (pp. 55-68) (14 p.). Bielefeld: transcript verlag.

All publications
  2017 - Scholarly publications
Overduin, C. (29.07.2017) Invited speaker NECS conference Potsdam Potsdam (28.07.2016 - 30.07.2016) Adults and Minors in the Small Mining Town Geleen. A diachronic and synchronic analysis of audience preferences from 1929-1967.
Overduin, C. (11.11.2017) Invited speaker ECREA Film Studies Section Conference Cork (10.11.2017 - 11.11.2017) Cinematic Foreignness, Film Popularity and Audiences
Overduin, C. (20.10.2017) Organiser Eureopean Cinema Audiences: Workshop Comparative Research Cinema Cultures Amsterdam (20.10.2017)
Overduin, C. (01.02.2017) Participant European Research on the Historical Experience of Cinema Going Orebro (01.09.2016 - 01.03.2017) The aim of the research initiated by this proposal and involving 15 scholars from 7 countries is to develop collaborative research that will shed light on possible similarities between diverse European film cultures, highlight and explain idiosyncrat
Overduin, C. (23.06.2017) Invited speaker HOMER Network Toronto (21.06.2017 - 24.06.2017) Foreign Orientation and Cultural Nearness: Distribution of Film Popularity in Europe, 1950s
Overduin, C. (25.03.2017) Invited speaker Society for Cinema and Media Studies Annual Conference Chicago (22.03.2017 - 25.03.2017) Historiographical Approaches and Challenges in Researching the Centennial History of the Hollywood Film Studios
Overduin, C. (25.03.2017) Invited speaker Society for Cinema and Media Studies Annual Conference Chicago (22.03.2017 - 25.03.2017) Historiographical Approaches and Challenges in Researching the Centennial History of the Hollywood Film Studios
Overduin, C. (17.06.2017) Member of programme committee HOMER Network Toronto (21.06.2017 - 24.06.2017)
Overduin, C. (01.01.2017 01.12.2017) Chair HoMER Network (External organisation) Coördinator History of Moviegoing, Exhibition and Reception Network
Overduin, C. (01.12.2017) Editorial board member Redactieraad Cinema Context (Event)
Overduin, C. (09.11.2017) Participant Symposium European Performing Arts Dataverse Amsterdam (09.11.2017)
  2016 - Scholarly publications
Overduin, C. (28.07.2016 28.12.2016) Chair HoMER Network (External organisation)
  2013 - Scholarly publications
Overduin, C. (05.06.2013) Participant HOMER workshop (05.01.2013) Title: Organizing Committee. Global perspectives on film cultures, film exhibition and cinema-going.
Pafort, C. (2013). Watching Popular Films in the Netherlands, 1934-1936. In Karina Aveyard & Albert Moran (Eds.), Watching Films. New Perspectives on Movie-going, Exhibition and Reception (pp. 331-349) (17 p.). Bristol/Chicago: Intellect.
  2012 - Scholarly publications
Pafort-Overduin, C., Sedgwick, J.D. & Boter, J. (2012). Explanations for the Restrained Development of the Dutch Cinema Market in the 1930s. Enterprise & Society, 13 (3), (pp. 634-671) (38 p.).
Pafort-Overduin, C. & Sedgwick, J.D. (2012). Understanding Audience Behaviour Through Statistical Evidence: London and Amsterdam in the Mid-1930s. In I Christie (Eds.), Audiences. Defining and Researching Screen Entertainment Reception (pp. 96-110) (333 p.). Amsterdam: Amsterdam University Press.
  2011 - Scholarly publications
Pafort-Overduin, C. (2011). Distribution and Exhibition in The Netherlands, 1934-1936. In Richard Maltby, David Biltereyst, and Philippe Meers (Eds.), Explorations in New Cinema History: Approaches and Case Studies. (pp. 125-139) (335 p.). Sussex: Wiley-Blackwell.
Gomery, Douglas & Pafort-Overduin, C. (2011). Movie History: A survey. (449 p.). London-New York: Routledge.
  2010 - Scholarly publications
Pafort-Overduin, C. (2010). De Jantjes gaat in premiere: dromen van een nationale filmindustrie. In Helleke van den Braber & Jan Gielkens (Eds.), In 1934. Nederlandse cultuur in internationale context. (pp. 91-99) (463 p.). Amsterdam-Antwerpen: Querido.
Pafort-Overduin, C., Sedgwick, J.D. & Boter, J. (2010). Drie mogelijke verklaringen voor de stagnerende ontwikkeling van het Nederlandse bioscoopbedrijf in de jaren dertig. Tijdschrift voor mediageschiedenis, 13 (2), (pp. 37-59) (207 p.).
  2009 - Scholarly publications
Pafort-Overduin, C. (2009). Compartmentalisation and its Influence on Film Distribution and Exhibition in The Netherlands, 1934-1936. p55-68. In M. Ross & M. Grauer (Eds.), Digital Tools in Media Studies. Analysis and Research. An Overview (pp. 55-68) (14 p.). Bielefeld: transcript verlag.
Pafort-Overduin, C. (2009). Jaap Speyer (1891-1952). Een belangrijke kracht in de vooroorlogse Nederlandse film. p16-18. In Jack M. Weil (Eds.), Made in Holland - Joods Film Festival '09 (pp. 16-18) (3 p.). Amsterdam: Joods Film Festival.
  2008 - Popularising publications
Pafort-Overduin, C. (2008). Jaap Speyers Bigamie met nieuwe muziek. Vrijmoedig relatiedrama verdient aandacht. Skrien, 40 (6), (pp. 22-25) (4 p.).
  2008 - Other output
C. Overduin (28.11.2008) US or us? The Popularity of US Films and Dutch Films in The Netherlands 1934-1936
  2007 - Other output
C. Overduin (18.06.2007) Compartmentalisation and its influence on Film Distribution and Exhibition in The Netherlands, 1934-1936
  2006 - Scholarly publications
van der Velden, A.W.T., de Jong, F., van Oort, T. & Pafort-Overduin, C. (2006). Cinema Context en onderzoek naar sociale netwerken binnen de filmgeschiedschrijving. Tijdschrift voor mediageschiedenis, 9 (2), (pp. 28-45) (18 p.).
de Jong, F.E., van Oort, T., Pafort-Overduin, C. & van der Velden, A.W.T. (2006). Cinema Context en onderzoek naar sociale netwerken binnen de filmgeschiedschrijving. Een aanzet tot discussie. Tijdschrift voor mediageschiedenis, 9 (2), (pp. 28-45) (18 p.).
Pafort-Overduin, C. (2006). The World Market: TV Audiences. In D. Gomery & L. Hockley (Eds.), Television Industries (pp. 99-102) (4 p.). London: British Film Institute.
  2006 - Other output
C. Overduin (30.09.2006) Meisjes, miverstanden en moraal. De films van Jaap Speyer
C. Overduin (20.04.2006) The Jordan Films, or how a nice girl improves her social network
  2004 - Scholarly publications
Pafort-Overduin, C. (2004). 'De Jantjes'. Hogerop via het cabaret?. In M. de Keizer & S. Tates (Eds.), Moderniteit. Modernisme en massacultuur in Nederland 1914-1940 (pp. 165-183) (19 p.). Zutphen: Walburg Pers.
  0 - Other output
C. Overduin () Historical Film Reception
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Completed projects

Project:
Cinema, modern life and cultural identity in the Netherlands, 1896-1940 01.02.2002 to 01.09.2006
General project description
 
Role Researcher Funding
NWO grant
Project members UU
External project members:
  • dr. K. Dibbets (UvA)
  • drs. F. de Jong
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Currently dr. Clara Pafort-Overduin teaches the following course(s):
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Additional functions and activities

Lid van de redactie van het Tijdschrift voor Mediageschiedenis (TMG) issn 1387-649x

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Full name
dr. C. Pafort-Overduin Contact details
Muntstraat 2-2a

Muntstraat 2-2A
Room T 1.13
3512 EV  UTRECHT
The Netherlands


Phone number (direct) +31 30 253 6339
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Last updated 14.12.2016