Sleutelpublicaties
Bleeker, M. A. (Ed.) (2016). Transmission in Motion. The Technologizing of Dance. Routledge.
Bleeker, M. A., Nedelkopoulou, E., & Foley Sherman, J. (Eds.) (2015). Performance and Phenomenology: Traditions and Transformations. (Routledge Advances in Theatre and Performance Studies). Routledge.
Bleeker, M., & van der Tuin, I. (2014). Science in the Performance Stratum: Hunting for Higgs and Nature as Performance. International Journal of Performance Arts and Digital Media, 10(2), 232-45. https://doi.org/10.1080/14794713.2014.946289
Bleeker, M. A. (2008). Visuality in the Theatre. The Locus of Looking. Palgrave Macmilan.
Publicaties
2021
Wetenschappelijke publicaties
Bleeker, M., & Rozendaal, M. (2021). Dramaturgy for Devices: Theatre as Perspective on the Design of Smart Objects. In M. Rozendaal, B. Marenko, & W. Odom (Eds.), Designing Smart Objects in Everyday Life: Intelligences, Agencies, Ecologies (pp. 43-56). Bloomsbury.
Bleeker, M., & Jean-Paul, V. B. (2021). The point of the Matter: Performativity in Scientific Practice. In C. Stalpaert, K. Van Baarle, & L. Karreman (Eds.), Performance and Posthumanism: Staging Prototypes of Composite Bodies (pp. 237-260). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-74745-9_12
Vakpublicaties
Bleeker, M. (2021). “Nicole Beutler zegt ja/Nicole Beutler’s Yes”. In Body of Work (pp. 2010-2013). Nicole Beutler Projects.
2020
Wetenschappelijke publicaties
Bleeker, M. (2020). "Posthuman Landscapes". In P. Eckersall, & K. Van Baarle (Eds.), Machine Made Silence. The Art of Kris Verdonck (pp. 92-100). Performance Research Books.
Bleeker, M. (2020). "The Mise en Scene of Posthuman Thinking". Parse, (12), np. https://parsejournal.com/article/the-mise-en-scene-of-post-human-thinking/
Verhoeff, N., Bleeker, M. A., & Werning, S. (2020). Sensing Data: Encountering Data Sonifications, Materializations, and Interactives as Knowledge Objects. Convergence : The International Journal of Research into New Media Technologies, 26(5-6), 1088-1107. https://doi.org/10.1177/1354856520938601
Vakpublicaties
Bleeker, M. (2020). (no title). In D. Weber-Krebs (Ed.), and then the doors opened again (pp. 150-153). Onomatopee.
Bleeker, M. (2020). “Machines to Get Thought Moving. Dries Verhoeven’s Thought Apparatuses". In In Doubt.: Studio Dries Verhoeven (pp. 136-138). Kerber Verlag.
2019
Wetenschappelijke publicaties
Bleeker, M., Laine, E., & Metzger, S. (2019). “How PSi Works: The Practice of Performance Studies”. Critical Stages/Scènes critiques, (19), np. https://www.critical-stages.org/19/how-psi-works-the-practice-of-performance-studies/#end8
Bleeker, M. (2019). "Mostar lo qu ni puede ser visto. La perspectiva en la puesta en escena postdramatica.". In B. Hang, & A. Munoz (Eds.), El Tiempo Es Lo Unico Que Tenemos (pp. 67-90). Caja Negra.
Bleeker, M. (2019). "Abstraction". Philosophy Today, 63(4), 845-858.
Bleeker, M. A. (2019). Mostrar lo que no puede ser visto. La perspectiva en la puesta en escena posdramática. In El Tiempo Es Lo Unico Que Tenemos : Actualidad de las Artes Performativas (pp. 67-90). Caja Negra.
Bleeker, M. A., Adrian, K., Kelleher, J., & Roms, H. (2019). Introduction: Thinking Through. In Thinking Through Theatre and Performance (pp. 1-20). Methuen Drama.
Bleeker, M. A. (2019). What do Performances do to Spectators? In M. Bleeker, A. Kear, H. Roms, & J. Kelleher (Eds.), Thinking Through Theatre and Performance (pp. 33-46). (Thinking Through Theatre). Methuen Drama.
Bleeker, M. A., Roms, H., Kelleher, J., & Adrian, K. (Eds.) (2019). Thinking Through Theatre and Performance. (Thinking Through Theatre). Methuen Drama.
Vakpublicaties
Groot Nibbelink, L. W., & Bleeker, M. A. (2019). Theater als demonstratie van denken. Theatermaker, 140(3), 64-66. https://www.theaterkrant.nl/tm-artikel/theater-als-demonstratie-van-denken/
2018
Wetenschappelijke publicaties
Bleeker, M. A. (2018). "This Must be One of These Performances Where Science Meets the Arts”; Lecture Performances in a Knowledge Culture in Transition. In J. Giersdorf, & Y. Wong (Eds.), Routledge Dance Studies Reader (third edition ed., pp. 415-428). Routledge.
Bleeker, M. A. (2018). Resistance to Representation and the Fabrication of Truth: Performance as Thought-apparatus. In P. Clarke, S. Jones, N. Kaye, & J. Linsley (Eds.), Artists in the Archive: Creative and Curatorial Engagements with Documents of Art and Performance (pp. 247-269). Routledge.
2017
Wetenschappelijke publicaties
Bleeker, M. A. (2017). "(Re)enacting Thinking in Movement". In M. Franko (Ed.), The Oxford Handbook of Dance and Reenactment (pp. 215-228). Oxford University Press.
Bleeker, M. A. (2017). Peter Pan and Feminist Theatre Studies. In R. Buikema, L. Plate, & K. Thiele (Eds.), Doing Gender in Media, Art, Culture: A Comprehensive Guide to Gender Studies (2nd edition ed., pp. 182-194). Routledge.
Bleeker, M. A. (2017). Das Geschlecht von Peter Pan und die feministische Theaterwissenschaft. In R. Buikema, & K. Thiele (Eds.), Doing Gender in Medien-, Kunst- und Kulturwissenschaften: Eine Einführung (pp. 195-2012). [10] (Gender-Diskussion). Lit Verlag.
Bleeker, M. A. (2017). Who Knows? The Universe as Technospace. Early Popular Visual Culture, 15(2), 247-257. https://doi.org/10.1080/17460654.2017.1319083
Bleeker, M. A. (2017). Thinking That Matters: Towards a Post-Anthropocentric Approach to Performance Design. In J. McKinney, & S. Palmer (Eds.), Scenography Expanded: An Introduction to Contemporary Performance Design (pp. 125-135). Bloomsbury.
Bleeker, M. A. (2017). From Braitenberg's Vehicles to Jansen's Beach Animals: Towards an Ecological Approach to the Design of Non-Organic Intelligence. Fibreculture journal, 28, 1-18. [FCJ-206]. https://doi.org/10.15307/fcj.28.206.2017
Bleeker, M. A. (2017). Knowing as Distributed Practice: Twenty-First Century Encounters with the Universe. Studies in Material Thinking, 16, 1-12. https://www.materialthinking.org/papers/236
https://dspace.library.uu.nl/bitstream/handle/1874/350786/transversal.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/350786/transversal.pdf?sequence=1
Vakpublicaties
Bleeker, M. A. (2017). Asiat keksivät mediät: Käännösesee mediaatiosta, joka on ihimisen attelun ja aistimaailman laajentuma. Nuori Voima, 2017(4-5), 62-66.
Bleeker, M. A. (2017). Lifeness after the Internet. In L. Haapala, E. Aarnio, & J-P. Vanhala (Eds.), ARS 17 Hello World: Art After the Internet (pp. 60-63). (A Museum of Contemporary Art publication). Finnish National Gallery.
2016
Wetenschappelijke publicaties
Bleeker, M. A. (2016). Pensar O Pensamento de Ninguém. In P. Caldas, & E. Gadelha (Eds.), Danca Dramaturgia (pp. 149-170). Nexus.
Bleeker, M. A. (2016). What if this were an archive? Abstraction, enactment and human implicatedness. In Transmission in Motion: The technologizing of dance. (pp. 199- 214). Routledge.
Bleeker, M. A., & deLahunta, S. (2016). Movement Across Media: Twelve Tools for Transmission. In Transmission in Motion: The Technologizing of Dance (pp. 3-15). Routledge.
Bleeker, M. A. (2016). Introduction. In M. Bleeker (Ed.), Transmission in Motion: The technologizing of dance (pp. xiix). Routledge.
Bleeker, M. A. (Ed.) (2016). Transmission in Motion. The Technologizing of Dance. Routledge.
Bleeker, M. A., & Jansa, J. (2016). War & P.E.A.C.E. In G. Morris, & J. Giersdorf (Eds.), Choreographies of 21st Century Wars (pp. 223-240). [11] (Oxford Studies in Dance Theory). Oxford University Press.
Vakpublicaties
Bleeker, M. A. (2016). "Mick Douglas' Pickled Butoh: 'Sal de Sal' as NatureCulture". In M. Douglas (Ed.), Performing Mobilities: exhibition catalogue (pp. 57). RMIT University.
Bleeker, M. A. (2016). The Tour of all Tours: Bill Aitchison's meta-tourism. In M. Douglas (Ed.), Performing Mobilities : exhibition catalogue (pp. 109). RMIT University.
2015
Wetenschappelijke publicaties
Bleeker, M. A. (2015). De Sekse van Peter Pan en de feministische theaterwetenschap. In R. Buikema, & L. Plate (Eds.), Handboek Genderstudies in Media, Kunst en Cultuur (pp. 329-346). [19] Uitgeverij Coutinho.
Bleeker, M. A. (2015). Reenactment and the Rhythm of Thinking Together. Maska, Winter 2015(169-171 (Triple Issue)), 132-141.
Bleeker, M. A. (2015). Thinking No-One's Thought. In P. Hansen, & D. Callison (Eds.), Dance Dramaturgy: Modes of Agency, Awareness and Engagement (pp. 67-83). (New World Choreographies). Palgrave Macmillan.
https://dspace.library.uu.nl/bitstream/handle/1874/328044/Thinking.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/328044/Thinking.pdf?sequence=1
Bleeker, M. A. (2015). Movement and 21st-Century Literacy. In N. Salazar-Sutil, & S. Popat (Eds.), Digital Movement: Essays in Motion Technology and Performance (pp. 95-105). [6] (Palgrave Studies in Performance and Technology). Palgrave Macmillan.
Bleeker, M. A., Foley Sherman, J., & Nedelkopoulou, E. (2015). Introduction. In Performance and Phenomenology: Traditions and Transformations (pp. 1-19). (Routledge Advances in Theatre and Performance Studies). Routledge.
Bleeker, M. A. (2015). Movement as Lived Abstraction: The Logic of the Cut. In M. Bleeker, E. Nedelkopoulou, & J. Foley Sherman (Eds.), Performance and Phenomenology: Traditions and Transformations (pp. 35-53). [2] (Routledge Advances in Theatre and Performance Studies). Routledge.
Bleeker, M. A., Nedelkopoulou, E., & Foley Sherman, J. (Eds.) (2015). Performance and Phenomenology: Traditions and Transformations. (Routledge Advances in Theatre and Performance Studies). Routledge.
2014
Wetenschappelijke publicaties
Bleeker, M., & Freitas Vale Germano, I. (2014). Perceiving and Believing: An Enactive Approach to Spectatorship. Theatre Journal, 66(3), 363-383.
Bleeker, M. (2014). I.M.Thinking Theatre/I.M. dans la pensée du theatre. In E. Beaufils (Ed.), Quand la scéne fait appel...: Le theatre contemporain et le poétique (pp. 135-147). (Perspectives transculturelles). 'l Harmattan.
Bleeker, M., & van der Tuin, I. (2014). Science in the Performance Stratum: Hunting for Higgs and Nature as Performance. International Journal of Performance Arts and Digital Media, 10(2), 232-45. https://doi.org/10.1080/14794713.2014.946289
Bleeker, M. A. (2014). Challenging forth the Truth: Rabih Mroue's On Three Posters. Reflection on a Video-performance. In L. C. Felman, & M. Blazevic (Eds.), MISperformance: Essays in Shifting Perspectives (pp. 171-182 ). Maska.
Vakpublicaties
Bleeker, M. A. (2014). Merchants or Maths? Thinking Bodies and Dancing Selves. In D. Brown, & M. Vos (Eds.), Ballet Why and How? (pp. 69-80). (ArtEZ Academia; Vol. 4). ArtEZ Press.
2013
Wetenschappelijke publicaties
Bleeker, M. (2013). Performing (I) Live. In Choreographie—Medien—Gender (pp. 111-123). diaphanes.
Bleeker, M. A. (2013). Being Janez Jansa. In M. Causey, & F. Walsh (Eds.), Performance, Identity, and the Neo-Political Subject (pp. 138-153). Routledge.
Bleeker, M. A. (2013). Lecture Performances as Contemporary Dance. In S. Manning (Ed.), New German Dance Studies (pp. 232--246). University of Illinois Press.
Overige resultaten
Bleeker, M. A., & van der Tuin, I. (2013). Curated panel ‘The Big Bang Show: Everything you always wanted to know about causality but were afraid to ask'. Paper presented at Now Then: Performance&Temporality, Performance Studies international #19, Standford University, Palo Alto.
2012
Wetenschappelijke publicaties
Bleeker, M. A., Bal, M., Korsten, F. W., & Carpenter, B. (2012). Cultural Analysis-The Joseph Plays. In J. Bloemendal, & F. W. Korsten (Eds.), Joost van den Vondel. Dutch Playwright in the Golden Age (pp. 317-340). (Drama and Theatre in Early Modern Europe). Brill.
Bleeker, M. A. (2012). Movement, Images, Imagination: The Argument from Dance. In G. Brandstetter, & G. Brandt-Risi (Eds.), Hold it! – Zur Pose zwischen Bild und Performance. (pp. 68-79). Theater der Zeit.
Bleeker, M. A. (2012). Limited Visibility. In M. Hernández-Navarro, & M. G. Bal (Eds.), Art and Visibility in Migratory Culture: Conflict, Resistance, and Agency (pp. 143-160). (Thamyris). Rodopi.
Bleeker, M. A. (2012). (Un)covering Artistic Thought Unfolding. Dance Research Journal, 44(2), 13-26.
Bleeker, M. A. (2012). Media Dramaturgies of the Mind: Ivana Müller’s Cinematic Choreographies. Performance Research, 17(5), 61-70.
Bleeker, M. A. (2012). Introduction Memory & Technology. Performance Research, 17(3), 1-7.
Vakpublicaties
Bleeker, M. A. (2012). Performing the Image: Rabih Mroué’s Lecture-Performances. In M. Hlavajova, & J. Winder (Eds.), Rabih Mroué: A BAK critical Readers in Artists’ Practice (pp. 178-199). BAK & Post Editions.
2011
Wetenschappelijke publicaties
Bleeker, M. A. (2011). "Of Passing and Other Cures: Arjan Ederveen's Born in the Wrong Body and the Cultural Construction of Essentialism". In M. Aydemir (Ed.), Indiscretions. At the Intersection of Queer and Postcolonial Theory (pp. 129-142). Rodopi.
2010
Wetenschappelijke publicaties
Bleeker, M. A. (2010). "Corporeal Literacy: New Modes of Embodied Interaction in Digital Culture”. In S. Bay-Cheng, M. J. Kattenbelt, A. Lavender, & R. Nelson (Eds.), Mapping Intermediality in Performance (pp. 38-44). (Media Matters). Amsterdam University Press.
Bleeker, M. A. (2010). "Playing Soldiers at the Edge of Imagination. Hotel Modern and the Representation of the Unrepresentable". Arcadia, 45(2), 277-296.
Populariserende publicaties
Bleeker, M. A. (2010). "What if this were n Archive?". RTRSRCH journal, 2(2), 2-5.
2009
Wetenschappelijke publicaties
Bleeker, M. A. (2009). Peter Pan's Gender and Feminist Theatre Studies. In R. Buikema, & I. van der Tuin (Eds.), Doing Gender in Media, Art and Culture (pp. 163-177). Routledge.
Bleeker, M. A., van Heteren, I., Kattenbelt, M. J., & Zalm, R. (2009). Concepten en Objecten. Amsterdam University Press.
Bleeker, M. A. (2009). Let's Fall in Love. Staging a Political Marriage. In M. Aydemir, & A. Rotas (Eds.), Migratory Settings (pp. 57-76). Rodopi.
Bleeker, M. A. (2009). Thinking Through Theatre. In L. Cull (Ed.), Deleuze and Performance (pp. 147-160). Edinburgh University Press.
Bleeker, M. A. (2009). Visualität als Ereignis. In K. Röttger, & A. Jackob (Eds.), Theater und Bils. Inszenierung des Sehens (pp. 77-92). Transcript Verlag.
Populariserende publicaties
Bleeker, M. A., Gevers, I., & M'Charek, A. (2009). Niet Normaal. Diversiteit in Kunst, Wetenschap en Samenleving. NAi Uitgevers.
Overige resultaten
Bleeker, M. A. (2009). PhD Colloqium theatre studies. UU en UvA.
2008
Wetenschappelijke publicaties
Bleeker, M. A. (2008). Being Angela Merkel. In E. van Alphen, M. Bal, & C. Smith (Eds.), The Rhetoric of Sincerity (pp. 247-262). Stanford University Press.
Bleeker, M. A. (2008). Anatomy Live. Performance and the Operating Theatre. Amsterdam University Press.
Bleeker, M. A. (2008). Visuality in the Theatre. The Locus of Looking. Palgrave Macmilan.
Bleeker, M. A. (2008). ’All the World’ in a Bathtub. Prospero’s Books and the Construction of Theatrical Imagination. In M. Denana, & J. Hillgaertner (Eds.), Blick, Spiel, Feld (pp. 331-339). Königshausen & Neumann.
Bleeker, M. A. (2008). Passages in Post-Modern Theory: Mapping the Apparatus. Parallax, 14(1), 55-67.
Bleeker, M. A. (2008). Martin, Massumi and the Matrix. In M. Bleeker (Ed.), Anatomy Live. Performance and the Operating Theatre (pp. 151-164). Amsterdam University Press.
Overige resultaten
Bleeker, M. A., & Kessler, F. E. (2008). Research Seminar Media and Performance Studies. Research Seminar Media and Performance Studies, Utrecht.
Bleeker, M. A. (2008). Grenzen aan verbeelding. Digitaal tijdschrift Lucifer. http://theaterschriftlucifer.nl/beeld/luci6bleeker.pdf
2007
Wetenschappelijke publicaties
Bleeker, M. A. (2007). De sekse van Peter Pan en de Feministische Theaterwetenschap. In R. Buikema, & I. van der Tuin (Eds.), Gender in media, kunst en cultuur (pp. 172-186). Coutinho.
Bleeker, M. A. (2007). Theatre of/or Truth. Performance Paradigm, 3. http://www.performanceparadigm.net/journal/issue-3/articles/theatre-ofor-truth/
Vakpublicaties
Bleeker, M. A. (2007). De spagaat van theater en politiek. Een reactie op Gerard Mortier's lezing Waarom maken wij theater? TM, 11(maart), 32-35.
Bleeker, M. A. (2007). Playing Chess on Stage/ Schaken op het toneel. In J. Fabius, & I. van Schijndel (Eds.), Company in the School: Between Experiment and Heritage (pp. 24-35). AHK/EGPC.
Bleeker, M. A. (2007). Make The Most of Now. Of Bodies, Mayflies and Fear of Representation. In M. Schavemaker, & M. Rakier (Eds.), Right About Now. Art and Theory since the 1990s (pp. 26-40). Valiz.
Populariserende publicaties
Bleeker, M. A. (2007). Vertaalde Werken/Translated Works. Witte Raaf, (126), 31-33.
2006
Wetenschappelijke publicaties
Bleeker, M. A. (2006). You Better Think!. Het denk-theater van Ivana Müller en Carly Wijsz/Ryszart Turbiasz. In M. A. Bleeker, & L. D. M. E. van Heteren (Eds.), Theater Topics 2: De maker als onderzoeker (pp. 83-92). Amsterdam University Press.
Bleeker, M. A., Heeteren, L. D. M. E., & Kattenbelt, M. J. (2006). Theater Topics 2: De maker als onderzoeker. Amsterdam University Press.
Vakpublicaties
Bleeker, M. A. (2006). Innerlijke transformaties als gevolg van feitelijke gebeurtenissen: Over het theaterwerk van Carina. In M. J. Kattenbelt, P. de Kort, F. Mineur, & L. Swinkels (Eds.), Theater & Openbaarheid (pp. 108-130). (Theater & Openbaarheid). Theater Instituut Nederland.
Bleeker, M. A. (2006). Theatricality and the Search for an Ethics of Vision. Maska, 21(winter 2006), 41-45.
Populariserende publicaties
Bleeker, M. A. (2006). Zo niet dan toch. Over keuzes en die niet willen maken. Theater & Educatie, 12(1), 63-65.
2005
Wetenschappelijke publicaties
Kattenbelt, M. J., Bleeker, M. A., van Heteren, L., & Vuyk, K. (2005). Multicultureel drama/ Theater Topics 1. Amsterdam University Press. http://www.aup.nl/do.php?a=show_visitor_book&isbn=9789053568798