Sleutelpublicaties

Hassler-Forest, D. (2022). Janelle Monáe's Queer Afrofuturism: Defying Every Label. (Global Media and Race). Rutgers University Press.
Hassler-Forest, D. (2022). Janelle Monáe's Dirty Computer. (1 ed.) (Science Fiction: A New Canon). Palgrave Macmillan.
Hassler-Forest, D. (2022). "An American Utopia" and the Politics of Military Science Fiction. In K. B. Wagner, J. Szaniawski, & M. Cramer (Eds.), Fredric Jameson and Film Theory: Marxism, Allegory, and Geopolitics in World Cinema (pp. 235-251). Rutgers University Press.
Hassler-Forest, D. (2020). ‘When you get there, you will already be there’: Stranger Things, Twin Peaks and the nostalgia industry. Science Fiction Film and Television, 13(2), 175-197. https://muse-jhu-edu.proxy.library.uu.nl/article/760791/pdf
Hassler-Forest, D. (2019). 'The Lion King' is a fascistic story. No remake can change that. The Washington Post. https://www.washingtonpost.com/outlook/2019/07/10/lion-king-is-fascistic-story-no-remake-can-change-that/
Hassler-Forest, D., & Guynes, S. M. (Eds.) (2018). Star Wars and the History of Transmedia Storytelling. (Transmedia: Media Convergence and Participatory Culture). Amsterdam University Press. https://doi.org/10.5117/9789462986213
https://dspace.library.uu.nl/bitstream/handle/1874/359173/SW_book_OA_release.pdf?sequence=1
Hassler-Forest, D. (2018). 'Life Isn't Some Cartoon Musical': Neoliberal Identity Politics in Zootopia and Orange is the New Black. Journal of Popular Culture, 51(2), 356-378. https://doi.org/10.1111/jpcu.12658
https://dspace.library.uu.nl/bitstream/handle/1874/376461/Neoliberal.pdf?sequence=1
Hassler-Forest, D. (2016). Science Fiction, Fantasy and Politics: Transmedia World-building Beyond Capitalism. (Radical Cultural Studies). Rowman & Littlefield International.
Hassler-Forest, D. (Ed.) (2017). Special issue: The Mad Max Franchise. Science Fiction Film & Television, 10(3), 301-447.
Hassler-Forest, D. (2012). Capitalist Superheroes: Caped Crusaders in the Neoliberal Age. Zero Books.

Publicaties

2024

Wetenschappelijke publicaties

Hassler-Forest, D. (2024). Transmedia and Franchise Science Fiction. In M. Bould, A. M. Butler, & S. Vint (Eds.), The New Routledge Companion to Science Fiction (pp. 212-221). Routledge. https://doi.org/10.4324/9781003140269-27

Populariserende publicaties

Hassler-Forest, D. (2024). Barbiefeminisme vs. Kenmasculiniteit. In C. de Kloe (Ed.), Denken in het Donker Met Greta Gerwig (pp. 93-113). (Denken in het Donker). ISVW Uitgevers.
Hassler-Forest, D. (2024). Dansplaining #46: De charismatische docent mag wel iets bijleren. Filmkrant, 473. https://filmkrant.nl/column/dansplaining-46/
Hassler-Forest, D. (2024). Dansplaining #45: Horror Hoort Ranzig. Filmkrant, 472. https://filmkrant.nl/column/dansplaining-45/
Hassler-Forest, D. (2024). Explainer Video: Rookvrije Generatie. Digital or Visual Products https://www.instagram.com/p/DAP6HlhIKJ8/
Hassler-Forest, D. (2024). Dansplaining #44: Nostalgie is een ziekte. Filmkrant. https://filmkrant.nl/column/dansplaining-44/
Hassler-Forest, D. (2024). Dansplaining #40: Dehumaniseren door Hollywood. Filmkrant, 467, 13. https://filmkrant.nl/column/dansplaining-40/
https://research-portal.uu.nl/ws/files/236365663/Filmkrant467_dansplaining.pdf
Hassler-Forest, D. (2024). In Memoriam: David Bordwell (1947-2024). Filmkrant, 467. https://filmkrant.nl/necrologie/david-bordwell-1947-2024/
Hassler-Forest, D. (2024). Dansplaining #39: De lange schaduw van Dune. Filmkrant, 466, 31. https://filmkrant.nl/column/dansplaining-39/
https://research-portal.uu.nl/ws/files/236367056/5eb5a9be-d936-4fcf-8e92-3e8174687d75.pdf
Hassler-Forest, D. (2024). Dansplaining #38: Frankenstein-feminisme. Filmkrant, 465, 13. https://filmkrant.nl/column/dansplaining-38/
https://research-portal.uu.nl/ws/files/236367302/c0db7845-e364-4b92-917c-43147ff6a48b.pdf

2023

Wetenschappelijke publicaties

Hassler-Forest, D. (2023). Lovecraft Country: Horror, Race, and the Dark Other. In T. Lanzendörfer, & M. J. D. Passos de Carvalho (Eds.), The Medial Afterlives of H.P. Lovecraft: Comic, Film, Podcast, TV, Games (1 ed., pp. 191-204). (Palgrave Studies in Adaptation and Visual Culture). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-13765-5_11
https://dspace.library.uu.nl/bitstream/handle/1874/436276/978-3-031-13765-5_11.pdf?sequence=1
Hassler-Forest, D. (2023). Dirty Computers versus the New Jim Code: Janelle Monáe’s Datafied Performance. In Situating Data: Inquiries in Algorithmic Culture (pp. 173-186). (MediaMatters). Amsterdam University Press. https://doi.org/10.5117/9789463722971
https://dspace.library.uu.nl/bitstream/handle/1874/426828/Dirty_Computers_versus_the.pdf?sequence=1
Hassler-Forest, D. (2023). "'Two Birds, One Stone': Transmedia Storytelling in Twin Peaks". In M. Hartwig, A. Rauscher, & P. Niedermüller (Eds.), Networked David Lynch: Critical Perspectives on Cinematic Transmediality (pp. 117-128). Edinburgh University Press.

Vakpublicaties

Hassler-Forest, D. (2023). Dossier: Martin Scorsese vs. Marvel: Gevangen in het Pretpark. In M. Graveland, & H. Beerekamp (Eds.), Filmjaarboek 2022/2023 (pp. 27-31). Amsterdam University Press.

Populariserende publicaties

Hassler-Forest, D. (2023). Kan Popcultuur Anti-Kapitalistisch Zijn? Jacobin Nederland, 1(0), 15-153. https://jacobin.nl/kan-popcultuur-antikapitalistisch-zijn/
Hassler-Forest, D. (2023). A.I. als Slechterik in Mission: Impossible 7. Digital or Visual Products, Brainwash. https://www.instagram.com/p/CylqMyeI5-W/
Hassler-Forest, D. (2023). Janelle Monáe: Bevrijdende Erotiek. De Groene Amsterdammer, 147(30), 48-49. https://www.groene.nl/artikel/bevrijdende-erotiek
Hassler-Forest, D. (2023). Dansplaining #30: Fast & Furious' Mega-Franchise. Filmkrant, (457). https://filmkrant.nl/column/dansplaining-30/
https://dspace.library.uu.nl/bitstream/handle/1874/434109/fast_furious.pdf?sequence=1
Hassler-Forest, D. (2023). Dansplaining #29: De waarde van échte stunts. Filmkrant, (456). https://filmkrant.nl/column/dansplaining-29/
https://dspace.library.uu.nl/bitstream/handle/1874/434084/bloederig_ballet.pdf?sequence=1
Hassler-Forest, D. (2023). Dansplaining #27: De Spielberg-Industrie. Filmkrant, (454). https://filmkrant.nl/column/dansplaining-27/
https://dspace.library.uu.nl/bitstream/handle/1874/434054/Filmkrant454.pdf?sequence=1

2022

Wetenschappelijke publicaties

Hassler-Forest, D. (2022). Lana (1965-) and Lilly (1967-) Wachowski: US Film Directors, Writers, and Producers. In A. McFarlane, G. J. Murphy, & L. Schmeink (Eds.), Fifty Key Figures in Cyberpunk Culture (pp. 246-251). Routledge. https://doi.org/10.4324/9781003091189_50
Hassler-Forest, D. (2022). "An American Utopia" and the Politics of Military Science Fiction. In K. B. Wagner, J. Szaniawski, & M. Cramer (Eds.), Fredric Jameson and Film Theory: Marxism, Allegory, and Geopolitics in World Cinema (pp. 235-251). Rutgers University Press.
Hassler-Forest, D. (2022). Janelle Monáe's Dirty Computer. (1 ed.) (Science Fiction: A New Canon). Palgrave Macmillan.
Hassler-Forest, D. (2022). Janelle Monáe's Queer Afrofuturism: Defying Every Label. (Global Media and Race). Rutgers University Press.

Populariserende publicaties

Hassler-Forest, D. (2022). Dansplaining #25: De Politiek van Star Wars. Filmkrant, 452, 25. https://filmkrant.nl/column/dansplaining-25/
Hassler-Forest, D. (2022). Dansplaining #24: Het mirakel Twin Peaks. Filmkrant, 451, 39. https://filmkrant.nl/column/dansplaining-24/
Hassler-Forest, D. (2022). Dansplaining #23: #shocktober. Filmkrant, 450, 21. https://filmkrant.nl/column/dansplaining-23/
Hassler-Forest, D. (2022). Dansplaining #22: Fantasy na Tolkien. Filmkrant, 449, 23. https://filmkrant.nl/column/dansplaining-22/
Hassler-Forest, D. (2022). Dansplaining #21: Vakmanschap is Meesterschap. Filmkrant, 448. https://filmkrant.nl/column/dansplaining-21/
Hassler-Forest, D. (2022). Dansplaining #20: Multiversum. Filmkrant, 447, 31. https://filmkrant.nl/column/dansplaining-20/
Hassler-Forest, D. (2022). Dansplaining #19: Kapitalistisch Leedvermaak. Filmkrant, 446, 11. https://filmkrant.nl/column/dansplaining-19/
Hassler-Forest, D. (2022). Dansplaining #18: Knippen en Plakken. Filmkrant, 445, 13. https://filmkrant.nl/column/dansplaining-18/
Hassler-Forest, D. (2022). Dansplaining #17: Zombie-Oscars. Filmkrant, 444, 9. https://filmkrant.nl/column/dansplaining-17/
Hassler-Forest, D. (2022). Janelle Monáe: Protagonist of the Erotic. Digital or Visual Products
Hassler-Forest, D. (2022). Janelle Monáe Offers Stories of Hope for Our Dystopian Times. Los Angeles Review of Books. https://lareviewofbooks.org/article/janelle-monae-offers-stories-of-hope-for-our-dystopian-times/
Hassler-Forest, D. (2022). Janelle Monáe: Make Me Feel: The Protagonist of the Erotic. Extra Extra Magazine, 19, 150-156. https://extraextramagazine.com/magazine/no19/

2021

Wetenschappelijke publicaties

Feola, G., Alakavuklar, O., Hassler-Forest, D., Rahmouni Elidrissi, Y., & Zanoni, P. (2021). Introducing AndersUtrecht. Web publication/site, Ontgroei.
Hassler-Forest, D. (2021). Janelle Monáe’s Dirty Computer: Transmedia Afrofuturism. Paper presented at Annual Wayne State Pop Culture Conference.
Hassler-Forest, D. (2021). Lovecraft Country: Re-Storying the Dark Fantastic. Paper presented at To Be Continued.
Hassler-Forest, D. (2021). De Nieuwe Lezer: Geletterdheid in het Digitale Participatietijdperk. In Het Nieuwe Lezen: Lezen in het digitale tijdperk: Congresbundel Stichting Lezen (Vol. 34, pp. 15-22). (Congresbundel 'Het Nieuwe Lezen'). Stichting Lezen.
https://dspace.library.uu.nl/bitstream/handle/1874/414857/SL_Segers_Steensel.indd.pdf?sequence=1
Domsch, S., Hassler-Forest, D., & Vanderbeke, D. (Eds.) (2021). Handbook of Comics and Graphic Narratives. (Handbooks of English and American Studies; Vol. 11). De Gruyter. https://doi.org/10.1515/9783110446968

Populariserende publicaties

Hassler-Forest, D. (2021). Fanboy-regisseurs. Filmkrant, 442. https://filmkrant.nl/column/dansplaining-16/
Hassler-Forest, D. (2021). De Horror van het Kapitalisme. Filmkrant, 441. https://filmkrant.nl/column/dansplaining-15/
Hassler-Forest, D. (2021). Dune-splaining. Filmkrant, 440. https://filmkrant.nl/column/dansplaining-14/
Hassler-Forest, D. (2021). Streaming voor Cinefielen. Filmkrant, 439. https://filmkrant.nl/column/dansplaining-13/
Hassler-Forest, D. (2021). Humor Redt. Filmkrant, 438. https://filmkrant.nl/column/dansplaining-12/
Hassler-Forest, D. (2021). Afrofuturisme vs. Afropessimisme. Filmkrant. https://filmkrant.nl/column/dansplaining-11/
Hassler-Forest, D. (2021). De Ontwapenende Charme van Ted Lasso. Filmkrant. https://filmkrant.nl/column/dansplaining-10/
Hassler-Forest, D. (2021). De President als Actieheld. Filmkrant. https://filmkrant.nl/column/dansplaining-9/

2020

Wetenschappelijke publicaties

Hassler-Forest, D. (2020). Review of: John Rieder, "Science Fiction and the Mass Cultural System". Science Fiction Film and Television, 13(3), 440-444.
Hassler-Forest, D. (2020). ‘When you get there, you will already be there’: Stranger Things, Twin Peaks and the nostalgia industry. Science Fiction Film and Television, 13(2), 175-197. https://muse-jhu-edu.proxy.library.uu.nl/article/760791/pdf
Hassler-Forest, D. (2020). Setting Fire to Wet Blankets: Radical Politics and Hollywood Franchises. Mediations, 33(1-2), 181-187. https://mediationsjournal.org/articles/setting-fire
Hassler-Forest, D. (2020). Post-Crisis SF: Decolonizing the Future. Science Fiction Studies, 47(3), 345-347.
Hassler-Forest, D. (2020). Vision Quest or Fool's Gold: Looking for Utopia in Hollywood Science Fiction. In B. Bagchi (Ed.), Urban Utopias: Memory, Rights and Speculation (pp. 235-256). Jadavpur University Press.

Vakpublicaties

Hassler-Forest, D. (2020). HBO Go – Awkward Family Viewing. In M. Rasch, & J. Strik (Eds.), README.first: Essays on film and technology (pp. 18-19). Institute of Network Cultures. https://networkcultures.org/blog/publication/readme-first-essays-on-film-and-technology-essays-over-film-en-technologie/
https://dspace.library.uu.nl/bitstream/handle/1874/415618/ENG_README.first.pdf?sequence=1

Populariserende publicaties

Hassler-Forest, D. (2020). Exit cinema? Filmkrant, (436). https://filmkrant.nl/column/dansplaining-8/
Hassler-Forest, D. (2020). Borat overtuigt niemand meer. Filmkrant, (435). https://filmkrant.nl/column/dansplaining-7/
Hassler-Forest, D. (2020). Dansplaining #6: Social streaming. Filmkrant, 2020(434). https://filmkrant.nl/column/dansplaining-6/
Hassler-Forest, D. (2020). Genadeloze compassie: Dansplaining #5. Filmkrant, (433). https://filmkrant.nl/column/dansplaining-5/
Hassler-Forest, D. (2020). De ondraaglijke lichtheid van het streaming-tijdperk. Filmkrant, (432). https://filmkrant.nl/column/dansplaining-4/
Hassler-Forest, D. (2020). Dansplaining #3 (XL): Het routineuze racisme van de cultuurmachine. Filmkrant, 2020(431). https://filmkrant.nl/column/dansplaining-3-xl/
Hassler-Forest, D. (2020). Corona-Zombies. Filmkrant. https://filmkrant.nl/column/dansplaining-1/
Hassler-Forest, D. (2020). Five film ‘failures’ you should give a second chance. The Conversation. https://theconversation.com/five-film-failures-you-should-give-a-second-chance-150418
Hassler-Forest, D. (2020). Bong Joon-ho: Love in the Time of Capitalism. Los Angeles Review of Books. https://lareviewofbooks.org/article/bong-joon-ho-love-in-the-time-of-capitalism/

2019

Wetenschappelijke publicaties

Hassler-Forest, D. (2019). De Crisis van Verbeelding: Cultuur en Politiek in het Antropoceen. In M. Schuilenburg, & S. van Tuinen (Eds.), Leven in het Antropoceen: Een Handleiding (pp. 39-55). Boom Uitgevers.
Hassler-Forest, D. (2019). My Favorite Thing is Monsters: The Socially Engaged Graphic Novel as a Platform for Intersectional Feminism. In F. L. Aldama (Ed.), The Oxford Handbook of Comic Book Studies (Oxford Handbooks).. https://doi.org/10.1093/oxfordhb/9780190917944.013.30
https://research-portal.uu.nl/ws/files/235629229/214421311.pdf
Hassler-Forest, D. (2019). Postcapitalism in space: Kim Stanley Robinson’s utopian science fiction. In L. Kennedy, & S. Shapiro (Eds.), Neoliberalism and contemporary American literature (pp. 207-227). (Re-mapping the transnational : a Dartmouth series in American studies). Dartmouth College Press.
Hassler-Forest, D. (2019). Science fiction and the return of empire: global capitalism, Tom Cruise, and the war on terror (2000s-2010s). In G. Canavan, & E. C. Link (Eds.), The Cambridge history of science fiction (pp. 596-615). Cambridge University Press.
Hassler-Forest, D. (2019). Selling The Force Awakens: Fan Labor and Brand Management. In W. Proctor, & R. McCulloch (Eds.), Disney's Star Wars: Forces of Production, Promotion, and Reception (pp. 68-81). Iowa State University Press. https://muse.jhu.edu/chapter/2379019

Populariserende publicaties

Hassler-Forest, D. (2019). Disney's Endgame: Corporate Stockholm Syndrome in the Age of the Mega-Franchise. Los Angeles Review of Books. https://lareviewofbooks.org/article/disneys-endgame-corporate-stockholm-syndrome-age-mega-franchise/
Hassler-Forest, D. (2019). The Avengers are the heroes of 'Endgame,' but Disney was the villain all along. The Washington Post. https://www.washingtonpost.com/outlook/2019/04/30/avengers-are-heroes-endgame-disney-was-villain-all-along/
Hassler-Forest, D. (2019). 'The Lion King' is a fascistic story. No remake can change that. The Washington Post. https://www.washingtonpost.com/outlook/2019/07/10/lion-king-is-fascistic-story-no-remake-can-change-that/
Hassler-Forest, D. (2019). Infinity Stones: the MacGuffin at the Heart of the MCU. In Media Res. http://mediacommons.org/imr/content/infinity-stones-macguffin-heart-mcu

2018

Wetenschappelijke publicaties

Hassler-Forest, D. (2018). BLADE and the foundations of Marvel's Superhero Movie Empire. Web publication/site, In Media Res. http://mediacommons.org/imr/2018/05/31/blade-and-foundations-marvel-superheros-movie-empire
Hassler-Forest, D. (2018). “Two Birds with One Stone”: Transmedia Serialisation in Twin Peaks. M/C Journal. A Journal of Media and Culture, 21(1). http://journal.media-culture.org.au/index.php/mcjournal/article/view/1364
Hassler-Forest, D. (2018). Vampirism. Krisis, 2018(2). http://krisis.eu/vampirism/
Hassler-Forest, D. (2018). 'Life Isn't Some Cartoon Musical': Neoliberal Identity Politics in Zootopia and Orange is the New Black. Journal of Popular Culture, 51(2), 356-378. https://doi.org/10.1111/jpcu.12658
https://dspace.library.uu.nl/bitstream/handle/1874/376461/Neoliberal.pdf?sequence=1
Hassler-Forest, D. (2018). Transmedia Politics: Star Wars and the Ideological Battlegrounds of Popular Franchises. In M. Freeman, & R. Rampazzo Gambarato (Eds.), The Routledge Companion to Transmedia Studies (pp. 297-305). (Routledge Media and Cultural Studies Companions). Routledge.
Hassler-Forest, D. (2018). Introduction: 'What is this strange world we've come to?'. In Star Wars and the History of Transmedia Storytelling (pp. 11-13). (Transmedia; Vol. 3). Amsterdam University Press. https://doi.org/10.1515/9789048537433-002
https://dspace.library.uu.nl/bitstream/handle/1874/359158/introduction.pdf?sequence=1
Jenkins, H., & Hassler-Forest, D. (2018). 'I Have a Bad Feeling About This': A Conversation about Star Wars and the History of Transmedia. In S. A. Guynes, & D. Hassler-Forest (Eds.), Star Wars and the History of Transmedia Storytelling (pp. 15-34). (Transmedia; Vol. 3). Amsterdam University Press. https://doi.org/10.1515/9789048537433-003
https://dspace.library.uu.nl/bitstream/handle/1874/359157/Foreword.pdf?sequence=1
Brooker, W., & Hassler-Forest, D. (2018). ‘You’ll Find I’m Full of Surprises': The Future of Star Wars. In S. Guynes, & D. Hassler-Forest (Eds.), Star Wars and the History of Transmedia Storytelling (pp. 289-296). (Transmedia; Vol. 3). Amsterdam University Press. https://doi.org/10.1515/9789048537433-023
https://dspace.library.uu.nl/bitstream/handle/1874/359156/future.pdf?sequence=1
Hassler-Forest, D., & Guynes, S. M. (Eds.) (2018). Star Wars and the History of Transmedia Storytelling. (Transmedia: Media Convergence and Participatory Culture). Amsterdam University Press. https://doi.org/10.5117/9789462986213
https://dspace.library.uu.nl/bitstream/handle/1874/359173/SW_book_OA_release.pdf?sequence=1

Populariserende publicaties

Hassler-Forest, D., & van den Berg, P. (2018). Why we need utopian narratives more than ever. Web publication/site, Nederlands Film Festival. https://www.filmfestival.nl/en/why-we-need-utopian-narratives-more-than-ever/
Hassler-Forest, D. (2018). ‘Solo’ gets one thing right: The droids in ‘Star Wars’ are basically slaves. The Washington Post. https://www.washingtonpost.com/news/posteverything/wp/2018/05/31/solo-gets-one-thing-right-the-droids-in-star-wars-are-basically-slaves/?noredirect=on&utm_term=.4da06b465caa

Overige resultaten

Hassler-Forest, D. (2018). Places of Hope: Imaginary Cities: The City in Science Fiction and Fantasy Cinema. Digital or Visual Products https://www.youtube.com/watch?v=TIl1nRQoqRE

2017

Wetenschappelijke publicaties

Hassler-Forest, D. (2017). Mark Fisher, The Weird and the Eerie. Science Fiction Film & Television, 10(3), 401-404. https://doi.org/10.3828/sfftv.2017.27
https://dspace.library.uu.nl/bitstream/handle/1874/359017/Fischer.pdf?sequence=1
Hassler-Forest, D. (Ed.) (2017). Special issue: The Mad Max Franchise. Science Fiction Film & Television, 10(3), 301-447.
Hassler-Forest, D. (2017). Mad Max: Between Apocalypse and Utopia. Science Fiction Film & Television, 10(3), 301-306. https://doi.org/10.3828/sfftv.2017.21
https://dspace.library.uu.nl/bitstream/handle/1874/359016/SFFTV_10_3_01_Hassler_Forest.pdf?sequence=1
Hassler-Forest, D. (2017). The Politics of World-Building: Heteroglossia in Janelle Monáe's Afrofuturist WondaLand. In M. Boni (Ed.), World Building: Transmedia, Fans, Industries (pp. 377-391). (Transmedia; Vol. 2). Amsterdam University Press.
Hassler-Forest, D. (2017). Worlds and Politics. In M. J. P. Wolf (Ed.), The Routledge Companion to Imaginary Worlds (pp. 305-315). Routledge.
Hassler-Forest, D. (2017). Roads Not Taken in Hollywood’s Comic Book Movie Industry: Popeye, Dick Tracy, and Hulk. In T. Leitch (Ed.), The Oxford Handbook of Adaptation Studies (pp. 407-423). (Oxford Handbooks). Oxford University Press.

Populariserende publicaties

Hassler-Forest, D. (2017). "The Last Jedi": Saving Star Wars from Itself. Los Angeles Review of Books. https://lareviewofbooks.org/article/the-last-jedi-saving-the-star-wars-we-love/#!
Hassler-Forest, D. (2017). The Politics of the Planet of the Apes. Los Angeles Review of Books. https://lareviewofbooks.org/article/the-politics-of-the-planet-of-the-apes/

Overige resultaten

Hassler-Forest, D. (2017). In Memoriam: Mark Fisher. Web publication/site, Los Angeles Review of Books. https://lareviewofbooks.org/article/in-memoriam-mark-fisher/
Hassler-Forest, D. (2017). Verwijt van ‘nepnieuws’ is vergelijkbaar met beschuldiging Lügenpresse. Web publication/site, Sociale Vraagstukken. https://www.socialevraagstukken.nl/nepnieuws-is-vergelijkbaar-met-lugenpresse/
Hassler-Forest, D. (2017). Scholar-activists and the Vulnerabilities of Social Media. Web publication/site, Media Commons: A Digital Scholarly Network. http://mediacommons.futureofthebook.org/question/how-might-digital-and-media-scholars-and-educators-engage-commons-both-physically-and-onl-8

2016

Wetenschappelijke publicaties

Hassler-Forest, D. (2016). Richard Linklater's Post-Nostalgia and the Temporal Logic of Neoliberalism. In S. Jeong, & J. Szaniawski (Eds.), The Global Auteur: The Politics of Authorship in 21st Century Cinema (1 ed., pp. 199-215). Bloomsbury Academic. https://doi.org/10.5040/9781501312663.ch-011
https://dspace.library.uu.nl/bitstream/handle/1874/370169/hassler.pdf?sequence=1
Hassler-Forest, D. (2016). Le Regard Panoptique de la Chauve-Souris. In L. de Sutter (Ed.), Vies et Morts des Super-Héros (pp. 141-162). Presses Universitaires de France.
https://dspace.library.uu.nl/bitstream/handle/1874/357303/01_MEP_Vies_et_Morts_339233.pdf?sequence=1
Hassler-Forest, D. (2016). Utopian Afrofuturism in The Wiz. Science Fiction Film & Television, 9(1), 88-90.
Hassler-Forest, D. (2016). Saturday Night Live and American TV. Journal of Popular Television, 4(2).
Hassler-Forest, D. (2016). Star Trek, Global Capitalism and Immaterial Labor. Science Fiction Film & Television, 9(3), 371-391. https://doi.org/10.3828/sfftv.2016.9.11
https://dspace.library.uu.nl/bitstream/handle/1874/344416/Star.pdf?sequence=1
Hassler-Forest, D. (2016). Skimmers, dippers, and divers: Campfire’s Steve Coulson on transmedia marketing and audience participation. Participations, 13(1), 682-692.
https://dspace.library.uu.nl/bitstream/handle/1874/335941/11.pdf?sequence=1
Hassler-Forest, D. (2016). Science Fiction, Fantasy and Politics: Transmedia World-building Beyond Capitalism. (Radical Cultural Studies). Rowman & Littlefield International.

Populariserende publicaties

Hassler-Forest, D. A. (2016). Politicizing Star Wars: Anti-Fascism vs. Nostalgia in "Rogue One". Los Angeles Review of Books. https://lareviewofbooks.org/article/politicizing-star-wars-anti-fascism-vs-nostalgia-rogue-one/#!

Overige resultaten

Hassler-Forest, D. (2016). Mr. Plinkett and 21st-Century Star Wars Fandom. Web publication/site, Deletion. http://www.deletionscifi.org/episodes/episode-12/mr-plinkett-and-21st-century-star-wars-fandom/
Hassler-Forest, D. (2016). ‘I Guess I’m Just Taking a Break…’: Marvel’s Self-Reflexive World-Building. Web publication/site, In Media Res. http://mediacommons.futureofthebook.org/imr/2016/09/17/i-guess-i-m-just-taking-break-marvel-s-self-reflexive-world-building-0
Hassler-Forest, D. (2016). Donald Trump’s Entrepreneurial Individualism. Web publication/site, DUB Magazine. https://www.dub.uu.nl/nl/donald-trump’s-entrepreneurial-individualism

2015

Wetenschappelijke publicaties

Hassler-Forest, D. (2015). Adrift in the urban maze: Ahrens, Jörn and Arno Meteling (eds.). Comics and the City: Urban Space in Print, Picture and Sequence. Scandinavian Journal of Comic Art, 2(1), 72-76.
https://dspace.library.uu.nl/bitstream/handle/1874/356689/Adrift.pdf?sequence=1
Hassler-Forest, D., & Nicklas, P. (2015). Introduction. In D. Hassler-Forest, & P. Nicklas (Eds.), The Politics of Adaptation: Media Convergence and Ideology (pp. 1-4). Palgrave Macmillan.
Hassler-Forest, D. (2015). Of Iron Men and Green Monsters: Superheroes and Posthumanism. In M. Hauskeller, T. D. Philbeck, & C. Carbonell (Eds.), The Palgrave Handbook of Posthumanism in Film and Television (pp. 66-76). Palgrave Macmillan.
Hassler-Forest, D. (2015). Game of Thrones: Quality TV and the Cultural Logic of Gentrification. In D. Hassler-Forest, & P. Nicklas (Eds.), The Politics of Adaptation: Media Convergence and Ideology (pp. 187-200). Palgrave Macmillan.
Hassler-Forest, D. (2015). Superheroes and the Law: Batman, Superman, and the 'big Other'. In L. de Sutter (Ed.), Zizek and the Law (pp. 101-117). Routledge.
Hassler-Forest, D. (2015). Game of Thrones: Quality Television and the Cultural Logic of Gentrification. TV/Series, 6.
https://dspace.library.uu.nl/bitstream/handle/1874/335940/Game_of_Thrones_and_the_cultural_logic_of_gentrification.pdf?sequence=1
Hassler-Forest, D. (2015). The Politics of World-Building: Heteroglossia in Janelle Monáe's Afrofuturist Wondaland. Para-doxa, 26, 284-303.
Hassler-Forest, D., & Nicklas, P. (Eds.) (2015). The Politics of Adaptation: Media Convergence and Ideology. Palgrave Macmillan.

2014

Wetenschappelijke publicaties

Hassler-Forest, D. (2014). Zombie Spaces. In The Year's Work at the Zombie Research Center (pp. 116-149). Indiana University Press.
Hassler-Forest, D. (2014). The Walking Dead: Quality Television, Transmedia Serialization and Zombies. In Serialization in Popular Culture (pp. 91-105). Routledge.

Populariserende publicaties

Hassler-Forest, D. (2014). De Terreur van de Realistische Superheld. Das Mag, 8.
Hassler-Forest, D. (2014). Transmedia: Verhalen Vertellen in het Digitale Tijdperk. Amsterdam University Press.

2013

Wetenschappelijke publicaties

Hassler-Forest, D. (2013). American Splendor: Narrative and Biography Between Media. Passepartout.

2012

Wetenschappelijke publicaties

Hassler-Forest, D. (2012). Capitalist Superheroes: Caped Crusaders in the Neoliberal Age. Zero Books.

2011

Wetenschappelijke publicaties

Hassler-Forest, D. (2011). From Flying Man to Falling Man: Post-9/11 Superhero Narratives. In Portraying 9/11: Essays on Representations in Comics, Literature, Theater and Film McFarland.
Hassler-Forest, D. (2011). Cowboys and Zombies: Destabilizing Patriarchal Discourse in The Walking Dead. Studies in Comics, 2(2), 339-355.

2010

Wetenschappelijke publicaties

Hassler-Forest, D. (2010). Kernthema's in de Filmwetenschap. Tijdschrift voor mediageschiedenis, 13(1).
Hassler-Forest, D. (2010). From Trauma Victim to Terrorist: Redefining Superheroes in Post-9/11 Hollywood. In Comics as a Nexus of Cultures McFarland.
Hassler-Forest, D. (2010). The 300 Controversy: A Case Study in the Politics of Adaptation. In The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form McFarland.
Hassler-Forest, D., & Goggin, J. (2010). Introduction. In The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form McFarland.
Hassler-Forest, D., & Goggin, J. (Eds.) (2010). The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form. McFarland Press.

2008

Wetenschappelijke publicaties

Hassler-Forest, D. (2008). The Cinema of Attractions Reloaded. Film and History, 38(1).

2007

Wetenschappelijke publicaties

Hassler-Forest, D. (2007). The 300 Controversy: A Case Study in the Politics of Adaptation. Film and History, Controversial Films. http://www.uwosh.edu/filmandhistory/controversial_films/films/300.php