Marie Sklodowska-Curie Innovative Training Network grant for the program CHEurope: Critical Heritage Studies and the Future of Europe - towards an integrated, interdisciplinary and transnational training model in cultural heritage research and management.

The consortium consists of 21 European academies and museums, led by the University of Gothenburg. Utrecht University participates in the € 3,9 million project with one of the 15 PhDs in the subprojects project “Mining transnational reference cultures in multilingual and multimedia repositories” that is developed with the Netherlands Institute for Sound and Vision in Hilversum. 

CHEurope aims to develop a new integrated theoretical and methodological framework to enhance the academic and professional training and open future job opportunities in cultural heritage preservation, management and promotion. Heritage has commonly been perceived through its contingent relationship to other areas, preventing it to be considered as a “legitimate” scientific discipline. Moreover, research and practice in this field are still too often seen as separate dimensions. Thus, there is an increasing need to address these diverging trends in the expanding heritage industry with a critical approach that situates cultural heritage in its social, economic and political frameworks, as well as in professional practice.

Bringing together a network of key European academic and non-academic organisations, the project will explore the processes by which heritage is “assembled” through practice-based research in partner institutions that connect students to their future job markets and publics. Our aim is to inform more conventional aspects of cultural heritage designation, care and management with a strong focus on present and future consumers. The project will develop an advanced learning strategy based on the emerging field of Critical Heritage Studies, which combines theoretical and instrumental knowledge at a transnational and interdisciplinary level, in a series of research seminars, summer schools and secondments.

The program is based on themes where cultural heritage is undergoing profound change, such as Heritage Futures, Curating the City, Digital Heritage, Heritage and Wellbeing and Management and Citizen Participation. In so doing, this research will have a direct impact on future heritage policies and be linked explicitly to new modes of training. These will enable future practitioners to facilitate a more democratic and informed dialogue between and across various heritage industries and their users, promoting entrepreneurship and innovation in this field.

• dr. Gertjan Plets
• prof. dr. Jaap Verheul

The open-access journal HCM is managed by motivated and talented students who gain experience as trainees in the organisation and administration of an interdisciplinary open-access journal in the Humanities. In de course of three years twelve students will contribute to the acquisition, publication software, financial and logistic aspects of journal management, web management and sociale media, marketing, development of protocols, communication techniques, photo editing, proficiency in English, global cultural history and academic work in general.

• prof. dr. Ed Jonker

The purpose of this project is to have a stable, reliable IT environment for the innovative generic text mining application “Texcavator” which is an integral part of the NWO-funded program “Translantis: Digital Humanities Approaches to Reference Cultures.” One of the aims of the Translantis program is to test and further develop Texcavator to research “big data” sets. This will allow a multidisciplinary team of humanities scholars to address conceptual historical questions by mining large textual repositories such as the collection of digitized historical newspapers as provided by National Library of the Netherlands (KB). Texcavator is implemented as a set of modules. It combines xTAS – a scalable open source text analysis service developed by ISLA (UvA) – with Elasticsearch – a big data search and analytics platform. We ask support from the eScience centre in dealing with the challenges of creating a stable IT environment for Texcavator that can be used on a day-to-day basis by a user group of 15-30 historians. The supply of eScience infrastructure (server and computing capacity) will guarantee stable access for users to a prototype of Texcavator within an OTAP-structure. The development capacity of the eScience engineer will be essential for expanding Texcavator’s text mining functionalities.

• prof. dr. Jaap Verheul

• prof.dr. Toine Pieters

This project proposes, firstly, that the emergence of trans-national reference cultures was one of the most significant consequences of cultural encounters within the European framework between 1815 and 1992, and, secondly, that these encounters were asymmetrical. ASYMENC investigates how these reference cultures, defined as spatially and temporally identifiable cultures that offer a model to other cultures, have been established in public debates. The availability of large digital data collections enables us for the first time to study long-term developments and transformations of such cultural imaginaries in a systematic, longitudinal, and quantifiable way. This enables us to chart the regional and national public discourses in which collective frames of orientation and cultural cross-referencing to European "others" have been established. ASYMENC explores how public discourses about reference cultures contributed to the formation of communities, from local to trans-national, and thus foster adherence or resistance to particular versions of “Europe”.

ASYMENC strives to accomplish three related objectives: a. explore the concept of reference cultures as a way to understand asymmetrical cultural encounters within Europe; b. develop a digital humanities demonstrator to map and analyse the vectors of asymmetrical encounters in European public debates; and c. build an interdisciplinary consortium of three European research centres around the crosscultural study of printed media in Europe by means of multilingual text mining.

ASYMENC uses the innovative digital humanities methodology of multi-lingual text mining to map
the dynamics, intensity, and direction of intercultural references within European public discourse. Innovative semantic-text analytics will be applied to large corpora of digitized newspapers in the Benelux countries and the surrounding countries that served as reference cultures. The demonstrator will be applied to case studies in which regional, national, and European dimensions of cultural encounters are visible, such as references to European urban centres, mass media, and consumer products.

• prof. dr. Jaap Verheul
• prof. dr. A.H.L.M. (Toine) Pieters

• Prof.dr. Caroline Sporleder (Digital Humanities Centre / Trier University)
• Dr. Ulrich Tiedau (Centre for Digital Humanities / University College London)

This project uses digital technologies to analyze the role of reference cultures in debates about social issues and collective identities, looking specifically at the emergence of the United States in public discourse in the Netherlands from the end of the nineteenth century to the end of the Cold War. It introduces the concept of reference culture as a crucial addition to the humanities toolbox to discuss long-term asymmetrical processes of cultural exchange involving dimensions of power and hegemony. The concept recognizes the fact that some cultures assume a dominant role in the international circulation of knowledge and practices, offering or imposing a model that others imitate, adapt, or resist. More specifically, the project will add to our understanding of the global position of the Netherlands as a knowledge-based economy thriving on the innovation that emerges from international cultural encounters.
Reference cultures are mental constructs that do not necessarily represent a geopolitical reality with an internal hierarchy and recognizable borders. These culturally conditioned images of trans-national models are typically established and negotiated in public discourses over a long period of time. However, the specific historical dynamics of reference cultures have never been systematically analyzed and hence are not fully understood. To explore these dynamics, this project asks three interrelated questions.

1. How were ideas, products and practices associated with the United States valued in Dutch public discourse between 1890 and 1990?
2. How can e-tools be used to map trends and changes in relation to the economic power, cultural acceptance, and scientific and technological impact of the United States as reference culture?
3. How does public discourse reflect and influence the emergence and impact of reference cultures?

We propose that the key to understanding the emergence and dominance of reference cultures is to chart the public discourse in which these collective frames of reference are established. The availability of a large digital data collection in the National Library of the Netherlands (KB) enables us for the first time to study long-term developments and transformations in these national discourses in a systematic, longitudinal, and quantifiable way by using innovative text-mining tools. These e-research tools allow us to test the value of qualitative heuristic models and to pair them in a meaningful fashion with quantitative methodology. This will demonstrate that conclusions based on large quantifiable data sets concerning public debates open new vistas in humanities research because they (a) provide a robust framework for contextualizing conclusions based on traditional qualitative research; and (b) directly complement numerical data sets provided by other researchers, for example on economic and social trends.

• prof. dr. Jaap Verheul
• dr. José de Kruif
• dr. Jesper Verhoef

• prof.dr. Toine Pieters
• dr. Charles van den Heuvel
• prof.dr. Maarten de Rijke

The International Journal for History, Culture and Modernity (HCM) is a new, peer reviewed journal that offers a forum for interdisciplinary scholarship in the domain of the humanities. The aim of the journal is to stimulate research and a lively academic exchange on the cultural history of global modernity. The journal welcomes new historical approaches, especially those contributing to present-day debates and facilitating a global perspective.
HCM intends to fill a niche within historical scholarship: now that postmodernism seems to be in decline, ‘modernity’ has resurfaced as a highly topical and relevant theme, deserving to be studied from a global, cultural, and interdisciplinary perspective. There are very few English-language journals in the field of cultural history and none of them addresses the global and/or transdisciplinary aspects of ‘modernity’. 
HCM’s mission statement dovetails with the philosophy of open access: a critical historical perspective implies unlimited access, by scholars from anywhere in the world, to the results of scholarly research via the internet.

The International Journal for History, Culture and Modernity (HCM) considers scholarly contributions that relate topics in cultural history to the wider context of modernity. The journal welcomes new and critical historical approaches, especially those contributing to present-day debates and facilitating a global perspective.

• prof. dr. Ed Jonker
• dr. Willemijn Ruberg