Publications
2022
Scholarly publications
Schmidt, V. (2022). Il Giudizio Universale di Fra’ Angelico: iconografia, modelli, fortuna. In M. Tamassia (Ed.), Il Giudizio Universale restaurato (pp. 89-97). (Quaderni del Museo di San Marco; No. 3). Sillabe.
Schmidt, V. (2022). Una proposta per le tavole di Ambrogio Lorenzetti provenienti dalla chiesa fiorentina di San Procolo. Prospettiva, 181-182, 23-30, 195.
Schmidt, V. (2022). Alcune considerazioni sul Trittico Corsini di Fra Angelico. Predella, (49), 7-17, I-VIII. [Miscellanea, 2]. http://www.predella.it/images/49_Misce/Misc_2_Schmidt.pdf
2021
Scholarly publications
Schmidt, V. (2021). Book review: Annette Hoffmann, Lisa Jordan, and Gerhard Wolf, eds., Parlare dell’arte nel Trecento: Kunstgeschichten und Kunstgespräch im 14. Jahrhundert in Italien. Italienische Forschungen des Kunsthistorischen Instituts in Florenz–I Mandorli 26. Berlin: Deutscher Kunstverlag, 2021. Pp. 255. €48.00 (paper). History of Humanities, 6(2), 689-691. https://doi.org/10.1086/715955
Schmidt, V. (2021). 'Durandus on pictures and ornaments in the church. Simiolus, 43(1-2), 5-15.
2020
Scholarly publications
Schmidt, V. (2020). Stendardi e gonfaloni processionali dalle Marche: Tardo Medioevo e Rinascimento. Edizioni Centro Studi "G. Mazzini".
Professional publications
Schmidt, V. M. (2020). De wonderen van Maria, Jezus en de heiligen. Verbeeldingen in de Westerse kunst van de middeleeuwen en de vroeg-moderne tijd. In R. van der Houwen-Jelles, M. de Jong, & M. de Nood (Eds.), Allemaal wonderen (pp. 46-59). W Books.
2019
Scholarly publications
Schmidt, V. (2019). L'affresco di Fra Angelico nella sala capitolare del convento di San Marco a Firenze: Alcune precisazioni iconografiche. Predella, (45-46), 7-16, I-VI. [Miscellanea, 1]. http://www.predella.it/images/45-46_Misce/1_Schmidt_bis.pdf
Schmidt, V. M. (2019). Ein frühes böhmisches Tafelbild in Enschede. Wallraf-Richartz-Jahrbuch, 80, 13-27.
Professional publications
Schmidt, V. M. (2019). Een Kruisigingspaneeltje van Bartolomeo Bulgarini uit Siena. In M. Brouwer (Ed.), Nieuwe avonturen met een collectie: Ontdekkingen in de verzamelingen van Huis Bergh (pp. 36-45, 224-226). [3] Stichting Huis Bergh, 's-Heerenberg.
2018
Scholarly publications
Schmidt, V. M. (2018). Riflessioni sul vetro. In M. Bietti (Ed.), Intorno all'Annunciazione Martelli di Filippo Lippi: Riflessioni dopo il restauro (pp. 164-173). Mandragora.
Schmidt, V. M. (2018). Eine Zeichnung vom Meister des Wasservass'schen Kalvarienbergs? Wallraf-Richartz-Jahrbuch, 79, 7-20.
Professional publications
Schmidt, V. M. (2018). Kringloopkunst. Kunstschrift, 62(2), 32-37.
2017
Scholarly publications
Schmidt, V. M. (2017). Review article of: Zuleika Murat, "Guariento". Prospettiva, (165-166), 173-179.
Schmidt, V. M. (2017). Croci dipinte nelle Marche: Modelli e fruizione. In B. Cleri, & M. Minardi (Eds.), Pittura del Trecento nelle Marche. : Approfondimenti e nuovi orizzonti di ricerca (pp. 167-188). Editoriale Umbra.
Schmidt, V. M. (2017). Drawings related to Johan Maelwael and the Limbourg brothers. In P. Roelofs (Ed.), Johan Maelwael: Nijmegen - Paris - Dijon: art around 1400 (pp. 68-79). Rijksmuseum.
Schmidt, V. M. (2017). 'Capriccio balneare'. In A. C. Koldeweij, & J. Koldeweij (Eds.), De verbeelder verbeeld[t]: Boekillustratie en beeldende kunst (pp. 119-123). Uitgeverij Vantilt.
Professional publications
Schmidt, V. M. (2017). Fantasia in Cennini's Libro dell'arte. Article, 10(19), 42-45.
https://dspace.library.uu.nl/bitstream/handle/1874/360974/cennini.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/360974/cennini.pdf?sequence=1
Other output
Hoogenboom, A. M. E. L. (Author), Weststeijn, M. A. (Author), Schmidt, V. M. (Author), & van Rossem, P. (Author). (2017). Academische vaardigheden kunsthistorici: -. Web publication/site, . https://avk.sites.uu.nl/
2016
Scholarly publications
Schmidt, V. M. (2016). Buchelius's "Res pictoriae" and the writing about art. In J. Bikker, E. Korthals Altes, E. Schavemakers, & E. Hinterding (Eds.), "Gij zult niet feestbundelen": 34 bijdragen voor Peter Hecht (pp. 183-196). Waanders, uitgeverij.
Schmidt, V. M. (2016). Bemerkungen zum frühen deutschen Flügelretabel in seinem europäischen Kontext. In J. Sander, S. Seeberg, & F. Wolf (Eds.), Aus der Nähe betrachtet: Bilder am Hochaltar und ihre Funktionen im Mittelalter. Beiträge des Passavant-Kolloquiums, Städel Museum, Frankfurt am Main, 13.-14. November 2015 (pp. 147-160). Deutscher Kunstverlag.
Schmidt, V. M. (2016). Book review: P. Bokody, Images-within-Images in Italian Painting (1250–1350). Reality and Reflexivity. The Burlington Magazine, 158, 206-207.
Professional publications
Schmidt, V. M. (2016). Rain. Andon : Shedding light on Japanese art, (102), 29-35.
Schmidt, V. M. (2016). Report on the ‘Virgin and Child enthroned, with two angels’ (Wallraf-Richartz-Museum, Dep. 319). Universiteit Utrecht.
Popularising publications
Schmidt, V. M. (2016). Het congres met de aardbeving: Over het belang en de actualiteit van kunsthistorisch onderzoek. Article, 9(17), 4-5.
Schmidt, V. M. (2016). Vroege Italiaanse schilderkunst in Museum Catharijneconvent. Catharijnebrief, 34(1), 18-20.
2015
Scholarly publications
Schmidt, V. M. (2015). Book review of Daantje Meuwissen, Jacob Cornelisz van Oostsanen (ca. 1457-1533). De Renaissance in Amsterdam en Alkmaar, and Het vroegste Amsterdamse schetsboek: een zestiende-eeuws zakboekje uit het atelier van Jacob Cornelisz van Oostsanen (Berlijn, Kupferstichkabinett, 79 C 2a). The Medieval Low Countries, 2, 273-277.
Schmidt, V. M. (2015). A Fourteenth-Century Sienese Triptych in the Wallraf. Wallraf-Richartz-Jahrbuch, 76, 19-33.
Professional publications
Schmidt, V. (2015). Shells in prints. Andon : Shedding light on Japanese art, (99), 60-63.
Schmidt, V. (2015). Lorenzo Ghiberti over Giotto. Kunstschrift, 59(1), 14-15.
Schmidt, V. (2015). Giotto en de schrijvers. Kunstschrift, 59(1), 10-13.
Schmidt, V. (2015). Giotto's Navicella, een verdwenen mozaïek. Kunstschrift, 59(1), 8-9.
2014
Scholarly publications
Schmidt, V. (2014). Diagnosi preliminare di una croce-reliquiario. In P. Biscottini, & N. Righi (Eds.), Museo Diocesano. Lascito Schubert (pp. 11-21). Sassi Editore.
Schmidt, V. (2014). Giotto and the flood of Florence in 1333: a study in catastrophism, guild organisation and art technology, by Erling S. Skaug (Florence: Giunti, 2013). The Burlington Magazine, 156(1341), 818.
Schmidt, V. (2014). La Vierge d'humilité de Niccolò di Buonaccorso. Revue des musées de France. Revue du Louvre, 2014(4), 46-57.
Schmidt, V. (2014). Framing Antonello's Annunciation in Siracusa. In M. W. Kwakkelstein, & B. Talvacchia (Eds.), Around Antonello da Messina: Reintegrating Quattrocento culture (pp. 138-151). (Italia e i Paesi Bassi; No. 10). Centro Di.
Professional publications
Schmidt, V. M. (2014). Schaube und Haube. Kunstschrift, 58(2), 6-9.
Schmidt, V. M. (2014). Verbrokkelde beelden. Kunstschrift, 58(2), 22-25.
Schmidt, V. M. (2014). Sienese schwung. In W. van Welie, & K. Broekhuijsen (Eds.), Gezien met eigen ogen! Topstukken uit de Middeleeuwen in Museum Catharijneconvent (pp. 111-112). Bekking & Blitz.
2013
Scholarly publications
Schmidt, V. M. (2013). Mary Magdalen and the risen Christ: changing perspectives. In R. Bieringer, K. Demasure, & B. Baert (Eds.), To touch or not to touch? Interdisciplinary perspectives on the Noli me tangere (pp. 179-225). Peeters.
Schmidt, V. M. (2013). Gli arazzi Doria: una lettura iconografica. In F. Barbe, L. Stagno, & E. Villari (Eds.), L'Histoire d'Alexandre le Grand dans les tapisseries au XVe siècle. Fortune iconographique dans les tapisseries et les manuscrits conservés. La tenture d'Alexandre dans la collection Doria Pamphilj à Gênes (pp. 73-80). Brepols.
Schmidt, V. M. (2013). Painting around 1400 and the road to van Eyck: notes on an exhibition and a catalogue. Simiolus, 36(3-4), 210-224.
Schmidt, V. M. (2013). Niccolò di Buonaccorso. In Dizionario biografico degli italiani, vol. 78 (pp. 379-382). Istituto della Enciclopedia Italiana. http://www.treccani.it/enciclopedia/niccolo-di-buonaccorso_(Dizionario-Biografico)/
Schmidt, V. M. (2013). Jacopo di Mino del Pelliciaio. In A. Beyer, B. Savoye, & W. Tegethoff (Eds.), Allgemeines Künstler-Lexikon. Die Bildenden Künstler aller Zeiten und Völker (pp. 115-116). (Izaguirre - Jerace; No. 77). De Gruyter.
Professional publications
Schmidt, V. M. (2013). Cast shadows. Andon : Shedding light on Japanese art, (95), 62-66.
2012
Scholarly publications
Schmidt, V. M. (2012). Bookreview Fiori d'Oriente, arte e poesia: metafore e simboli nella cultura artistica e letteraria del Giappone. Andon : Shedding light on Japanese art, 92, 66-67.
Schmidt, V. M. (2012). Religious panel paintings: types, functions, and spatial contexts. In C. Sciacca (Ed.), Florence and the dawn of the Renaissance. Painting and illumination, 1300-1350 (pp. 79-91). The J. Paul Getty Museum.
Schmidt, V. M. (2012). Bookreview La Vierge au manteau du Puy-en-Velay. The Catholic historical review, 98, 839.
Schmidt, V. M. (2012). Bookreview Primitivi pisani fuori contesto. The Burlington Magazine, 154, 421-422.
Schmidt, V. M. (2012). Bookreview National Gallery catalogues. The Italian paitings before 1400. The Burlington Magazine, 154, 848-849.
Schmidt, V. M. (2012). Bookreview Splendid impressions. Japanese secular painting 1400-1900 in the Museum of East Asian Art, Cologne. Andon : Shedding light on Japanese art, 93, 59-64.
Professional publications
Schmidt, V. M. (2012). Johan Maelwael: reconstructie van een grote meester. Kunstschrift, 56(5), 14-23.
Popularising publications
Schmidt, V. M. (2012). The stones of Florence, colour and polychromy. VisitArt: semestrale di informazione sulle arti a Firenze, (6), 4-5.
2011
Scholarly publications
Schmidt, V. M. (2011). Der Maler und seine Kunst. Über Pietro Lorenzettis Diptychon in Altenburg. In M. Philipp (Ed.), Die Erfindung des Gemäldes. Frühe Italienische Meister bis Botticelli (pp. 46-57). Hirmer.
Schmidt, V. M. (2011). Some Notes on Scrolls in the Middle Ages. Quaerendo, 41, 373-383.
Professional publications
Schmidt, V. M. (2011). La Vierge d'humilité de Niccolò di Buonaccorso. (Tableau du mois ed.) Louvre, Département des Peintures.
Schmidt, V. M. (2011). 105. Hl. Antonius von Padua. In C. Stiegemann, B. Schmies, & H-D. Heimann (Eds.), Franziskus – Licht aus Assisi. Katalog zur Ausstellung im Erzbischöflichen Diözesanmuseum und im Franziskanerkloster Paderborn (pp. 323-325). Hirmer.
Schmidt, V. M. (2011). 43. Erscheinung des hl. Franziskus auf dem Kapitel zu Arles. In C. Stiegemann, B. Schmies, & H-D. Heimann (Eds.), Franziskus – Licht aus Assisi. Katalog zur Ausstellung im Erzbischöflichen Diözesanmuseum und im Franziskanerkloster Paderborn (pp. 165). Hirmer.
2010
Scholarly publications
Schmidt, V. M. (2010). Religious material culture in late Quattrocento Florence: the case of the Tornabuoni. In G. J. van der Sman (Ed.), Ghirlandaio y el Renacimiento en Florencia (pp. 308-316). Fundación Colección Thyssen-Bornemisza.
Schmidt, V. M. (2010). Ensembles of painted altarpieces and frontals. In V. M. Schmidt, & J. E. A. Kroesen (Eds.), The altar and its environment, 1150-1400 (pp. 203-221). (Studies in the visual cultures of the Middle Ages; No. 4). Brepols.
Schmidt, V. M., & Kroesen, J. E. A. (2010). Introduction. In V. M. Schmidt, & J. E. A. Kroesen (Eds.), The altar and its environment, 1150-1400 (pp. 1-10). (Studies in the visual cultures of the Middle Ages; No. 4). Brepols.
Schmidt, V. M. (2010). Il polittico bolognese di Giotto e l'iconografia di Dio Padre. In M. Medica (Ed.), Giotto e Bologna (pp. 29-35). (Biblioteca d'arte; No. 28). Silvana.
Schmidt, V. M. (2010). Obras de arte religiosas en la Florencia de finales del Quattrocento: el caso de los Tornabuoni. In G. J. van der Sman (Ed.), Ghirlandaio y el Renacimiento en Florencia (pp. 155-177). Fundación Colección Thyssen-Bornemisza.
Schmidt, V. M., & Kroesen, J. E. A. (2010). The altar and its environment, 1150-1400. (Studies in the visual cultures of the Middle Ages ed.) Brepols. http://www.brepols.net/catalogue/index.jsp?mpk=20295&art=1583131
2009
Scholarly publications
Schmidt, V. M. (2009). Some portraits by Johan Maelwael, painter of the dukes of Burgundy. In R. Dückers, & P. Roelofs (Eds.), The Limbourg brothers. Reflections on the origins and the legacy of three illuminators from Nijmegen (pp. 5-17). Bril. http://www.brill.com/limbourg-brothers
Schmidt, V. M. (2009). Panel painting in France and the Southern Netherlands and the influence of Italy. In C. Stroo (Ed.), Pre-Eyckian panel painting in the Low Countries, 2. Essays (pp. 183-216). (Contributions to the Study of the Flemish Primitives; No. 9). Brepols. http://www.brepols.net/catalogue/index.jsp?mpk=20295&art=1583326
Schmidt, V. M. (2009). The Reverse. In P. Binski, & A. Massing (Eds.), The Westminster Retable. History, Technique, Conservation (pp. 136-142). Brepols. http://www.brepols.net/catalogue/index.jsp?mpk=20295&art=1582513
Professional publications
Schmidt, V. M. (2009). Chinnen's Mount Fuji. Andon : Shedding light on Japanese art, (86), 54-61.
2008
Scholarly publications
Schmidt, V. M. (2008). Johan Maelwael and the beginnings of Netherlandish canvas painting. In J. Chapuis (Ed.), Invention. Northern Renaissance studies in honor of Molly Faries (pp. 21-29). Brepols. http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503527680-1
2005
Scholarly publications
Schmidt, V. M. (2005). Sano di Pietro "artigiano" : il reliquario di Dresda. In G. Fattorini (Ed.), Sano di Pietro: qualità, devozione e pratica nella pittura senese del Quattrocento (pp. 130-139). Silvana.
1999
Scholarly publications
van der Sman, G. J. J. (Ed.), Schmidt, V. M. (Ed.), van Waadenoijen, J. (Ed.), & Vecchi, M. (1999). Italy and the Low Countries - The Fifteenth Century. Proceedings of the Symposium held at Museum Catharijneconvent, Utrecht, 14 March 1994. Centro Di.
1997
Scholarly publications
Schmidt, V. M. (1997). Die Funktion der Tafelbilder mit der thronenden Maria in der Malerei des Duecento. Mededelingen van het Nederlands Instituut te Rome, 1997, 44-82.