Publications
2025
Scholarly publications
Weststeijn, T. (2025).
Book review: Felix Schlichter, Mythology, Chronology, Idolatry: Pagan Antiquity and the Biblical Text in the Scholarly World of Guillaume Bonjour (1670–1714) (Leiden: Brill, 2025).
History of Humanities,
10(2), 467-469.
[DOI] Weststeijn, T. (2025).
Book review: Ada Palmer, Inventing the Renaissance: Myths of a Golden Age (London: Head of Zeus, 2025).
History of Humanities,
10(2), 459-462.
[DOI] Weststeijn, T., Bod, R., Kursell, J.
, Solleveld, F., & Maat, J. (2025).
Celebrating a Decade of History of Humanities.
History of Humanities,
10(1), 1-3.
[DOI] [Portal] Weststeijn, T. (2025). Book review: Aaron Hyman, Rubens in Repeat. The Logic of the Copy in Colonial Latin America. Simiolus, 46(1), 95-99.
Professional publications
Weststeijn, T. (2025). Heeft het verleden nog een toekomst? Interview door Kees de Vre. In K. de Vre, & A. de Boer (Eds.), De rijke cultuurhistorie van het Oer-IJ landschap (pp. 146-154). Stichting Uitgeverij Noord-Holland.
Weststeijn, T. (2025). Advies gemeente Baarn voor de aanpassing van straatnaamborden in de Schildersbuurt.
Weststeijn, T., & Ridder, S., (Trans.) (2025). Van Hoogstraten's Whole Wide World (English translation by Susan Ridder). In D. de Witt, & L. van Sloten (Eds.), Samuel van Hoogstraten: The Illusionist (pp. 107-121). Wbooks.
Weststeijn, T. (2025). Van Hoogstratens wijde wereld. In L. van Sloten (Ed.), Samuel van Hoogstraten: De illusionist (tentoonstellingscatalogus Museum Rembrandthuis, 1 februari-4 mei 2025) (pp. 108-121). Wbooks.
2024
Scholarly publications
Schmidt, B.
, & Weststeijn, T. (2024).
Introduction: The Globalization of Netherlandish Art. In
The Globalization of Netherlandish Art (pp. 1-38). (Brill’s Studies on Art, Art History, and Intellectual History; Vol. 79). Brill Academic Publishers.
[DOI] [Portal]Schmidt, B.
, & Weststeijn, T. (Eds.) (2024).
The Globalization of Netherlandish Art. (Brill’s Studies on Art, Art History, and Intellectual History; Vol. 79). Brill Academic Publishers.
[DOI] [Portal]Weststeijn, T., & Huang, J. (2024). Yiyu jiaolü: Helan gongheguo dui zhongguo wuzhi wenhua de maodun fanying 异域焦虑:荷兰共和国对中国物质文化的矛盾反应 []. Guojia hanghai 国家航海 [Journal of National Navigation] , 33, 77-110.
Weststeijn, T., Honig, E., & Noorman, J. (2024).
Introduction: Women in the World of Netherlandish Art.
Netherlands yearbook for history of art ,
74(1), 6-39.
[DOI] [Portal] Weststeijn, T. (2024). Beelden van het koloniale verleden. Historisch Tijdschrift Holland, 56(4), 176-181.
Weststeijn, T. (2024). De toekomst van het verleden nu: interview door Roelant van der Steen. Tijdschrift Article, 32, 27-34.
Popularising publications
2023
Scholarly publications
Weststeijn, T., Bod, R., Maat, J., & Kursell, J. (2023).
Theme: Unfolding Disciplines in the History of the Humanities: Introduction.
History of Humanities,
8(1), 1-2.
[DOI] [Repository] Weststeijn, T. (2023). De toekomst van het verleden: erfgoed en klimaat. Prometheus.
Weststeijn, T. (2023).
Anna Maria Van Schurman’s Chinese Calligraphy.
Early Modern Low Countries,
7(1), 1-25.
[DOI] [Repository] Professional publications
Weststeijn, T., & Glas, A. (2023). 'Edele diamant' China verovert Hollandse harten. Interview door Arjan Glas. In E. Zhang (Ed.), Chinese cultuur in het Nederlands (pp. 110-118). Beijing Foreign Studies University.
Popularising publications
2022
Scholarly publications
Weststeijn, T. (2022). China (beeldvorming, handel). In W. Frijhoff, C. Secretan, & A. Nijhuis (Eds.), De Gouden Eeuw in 500 portretten, taferelen & analyses (pp. 263-267). Van Wijnen.
Weststeijn, T. (2022).
Unease with the Exotic: Ambiguous Responses to Chinese Material Culture in the Dutch Republic. In
Making Worlds: Global Invention in the Early Modern Period (pp. 436-476). (UCLA Clark Memorial Library series). University of Toronto Press.
https://utorontopress.com/9781487544959/making-worlds/ Professional publications
Weststeijn, T. (2022). Aanbeveling betreffende de aankoop van een schilderij door Samuel van Hoogstraten.
Popularising publications
2021
Scholarly publications
Weststeijn, T. (2021).
Saint Confucius, the Chinese Adam, and a Broken Mirror: Writing World History in the Seventeenth-Century Netherlands.
History of Humanities,
6(2), 471-497.
[DOI] [Repository] Bod, R., Maat, J., Kursell, J.
, & Weststeijn, T. (2021).
Theme: decentralizing the history of the humanities.
History of Humanities,
6(2), 377-380.
[DOI] [Repository]Weststeijn, T. (2021).
Review essay: Stephanie Schrader (ed.), Rembrandt and the inspiration of India, Los Angeles [Getty Publications], 2018 (Exhibition: 13 March-24 June, 2018) | Jos Gommans, The unseen world: The Netherlands and India from 1550, Nijmegen [Vantilt] 2018 | Gary Schwartz (ed.), Rembrandt’s Orient: West meets East in Dutch art of the seventeenth century, Munich [Prestel], 2020 (Exhibitions: Kunstmuseum, Basel, 31 October 2020-14 February 2021, and Museum Barberini, Potsdam, 13 March 2021-27 June 2021).
Oud Holland,
2021.
https://oudholland.rkd.nl/index.php/reviews/56-review-essay-rembrandt-and-india Weststeijn, T., & Gesterkamp, L. (2021).
鲁本斯作品中的“朝鲜男人”的新身份——中国商人兴浦的肖像.
世界美术,
03, 45-59.
[DOI] Weststeijn, T. (2021). The Cultural Origins of Dutch Colonialism. Paper presented at Spores of empire .
Weststeijn, T. (2021).
Painting as "Reall Performance" in Rembrandt's Studio. In G. Alexander, E. Gilby, & A. Marr (Eds.),
The Places of Early Modern Criticism (pp. 206-218). Oxford University Press.
[DOI] [Repository] Weststeijn, T. (2021).
Daniel Canaris Vico and China. Oxford University Studies in the Enlightenment. Liverpool: Voltaire Foundation in association with Liverpool University Press, 2020. Pp. xv+273. £65.00 (paper). History of Humanities,
6(1), 360-363.
[DOI] [Repository] Popularising publications
2020
Scholarly publications
Weststeijn, M. A. (2020).
Book review: Christopher S. Wood, A History of Art History. Princeton, NJ: Princeton University Press, 2019. Pp. 472. US$35.00 (cloth). History of Humanities,
5(2), 526-528.
[DOI] [Repository] Chapman, H. P., & Weststeijn, M. A. (Eds.) (2020). Ars Amicitiae: The Art of Friendship in the Early Modern Netherlands. (Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek; Vol. 70). Brill.
Weststeijn, M. A. (2020).
'Intoxicated, we listened to warblers and swallows chattering in the spring wind'.
Netherlands yearbook for history of art ,
70(1), 295-310.
[DOI] [Portal] Weststeijn, M. A. (2020). Overview of Chinese Objects and Books Present in the Low Countries in the Seventeenth Century. In T. Weststeijn (Ed.), Foreign Devils and Philosophers: Cultural Encounters between the Chinese, the Dutch, and Other Europeans, 1590-1800 (pp. 312-342). (East and West; Vol. 6). Brill.
Weststeijn, M. A. (2020).
Just Like Zhou: Chinese Visitors to the Netherlands (1597–1705) and Their Cultural Representation. In T. Weststeijn (Ed.),
Foreign Devils and Philosophers: Cultural Encounters between the Chinese, the Dutch, and Other Europeans, 1590-1800 (pp. 104-131). (East and West; Vol. 6). Brill.
[DOI] [Portal] Weststeijn, M. A. (2020).
China, the Netherlands, Europe: Images, Interactions, Institutions and the Ideal of Global Cultural History. In T. Weststeijn (Ed.),
Foreign Devils and Philosophers: Cultural Encounters between the Chinese, the Dutch, and Other Europeans, 1590-1800 (pp. 1–23). (East and West; Vol. 6). Brill.
[DOI] [Portal] Weststeijn, M. A. (Ed.) (2020).
Foreign Devils and Philosophers: Cultural Encounters between the Chinese, the Dutch, and Other Europeans, 1590-1800. (East and West: Culture, Diplomacy and Interactions; Vol. 6). Brill.
https://brill.com/view/title/38786 2019
Scholarly publications
Weststeijn, M. A., Van Noord, W., & Yang Jin 杨瑾, (Trans.) (2019). Nigulasi Weitesen cang Zhongguo Han jing de quanqiu liuchuan guiji 尼古拉斯·维特森藏中国汉镜的全球流传轨迹 . Minzushi wencong 民族史文丛 (Collection of Ethnic History Studies), 1(1), 67-96.
H. Perry Chapman
, & Weststeijn, M. A. (2019).
Connoisseurship as Knowledge. An Introduction.
Netherlands yearbook for history of art ,
69, 7-41.
[DOI] [Repository]Weststeijn, M. A., Chapman, H. P. (Ed.), & Meijers, D. (Ed.) (2019).
Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek: Connoisseurship and the Knowledge of Art. Brill.
https://brill.com/view/title/55510 Weststeijn, M. A. (2019).
Review: Nicola Suthor, Rembrandt's Roughness, 2018.
The Art Bulletin,
101, 148-151.
[DOI] [Repository] Weststeijn, M. A. (2019).
Review: Gero Seelig, Eric Jorink, Bert van de Roemer & Karin Leonhard, Medusa’s Menagerie: Otto Marseus van Schrieck and the Scholars.
Isis,
110(1), 170-171.
[DOI] [Repository] 2018
Scholarly publications
Weststeijn, M. A. (2018). グローバル・アート・ヒストリーとネーデルラント Global Art History and the Netherlands [in Japanese]: translated by Minako Sugiyama. In A. Kofuku (Ed.), 17世紀オランダ美術と〈アジア〉Dutch 17th-Century Art and Asia [in Japanese] (pp. 403-422).
Weststeijn, M. A. (2018). フェルメールの描いた陶磁器 Vermeer's Painted Porcelain [in Japanese]. In A. Kofuku (Ed.), 17世紀オランダ美術と〈アジア〉Dutch 17th-Century Art and Asia [in Japanese] (pp. 123-138).
Weststeijn, M. A. (2018). The Chinese Isis, or the Sino-Egyptian Hypothesis. In M.-J. Versluys, K. Bülow Clausen, & G. Capriotti Vittozzi (Eds.), The Iseum Campense from the Roman Empire to the Modern Age: Temple – Monument – lieu de mémoire (pp. 303-313). (Papers of the Royal Netherlands Instute in Rome). Edizioni Quasar, Rome.
Weststeijn, M. A. (2018). Chine (Image, Commerce). In C. Secretan, & W. Frijhoff (Eds.), Dictionaire des Pays-Bas au Siecle d'or: De l'union d'Utrecht a la Paix d'Utrecht (1579-1713) (pp. 139-141). CNRS Editions.
Weststeijn, M. A. (2018).
Review of: Sanjay Subrahmanyam, Europe’s India: Words, People, Empires, 1500–1800. Cambridge, MA: Harvard University Press, 2017. History of Humanities,
3(1), 220-222.
[DOI] [Repository] Popularising publications
2017
Scholarly publications
Weststeijn, M. A. (2017). The Painting Looks Back: Reciprocal Desire in the Seventeenth Century. In W. Melion, J. Woodall, & M. Zell (Eds.), Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700 (pp. 264-295). (Intersections; Vol. 48). Brill.
Weststeijn, M. A. (2017).
Rembrandt and the Germanic Style. In S. Dickey (Ed.),
Rembrandt and his Circle: Insights and Discoveries (pp. 44-66). Amsterdam University Press.
[DOI] [Repository] Weststeijn, M. A. (2017). Germanic Antiquity in Rembrandt’s Circle. In S. Dupré, & C. Goettler (Eds.), Knowledge and Discernment in the Early Modern Arts (pp. 236-264). Routledge.
Weststeijn, M. A. (2017).
Review of: Alessandro Pergoli Campanelli, La nascita del restauro: Dall’antichità all’Alto Medioevo. History of Humanities,
2(2), 507-509.
[DOI] [Repository] Weststeijn, M. A. (2017).
Review of: Xiaoqian Fu-Hébert, L’Architecture chinoise dans la pensée des Jésuites du XVIIIe siècle: Représentation de l’architecture chinoise en France par les premiers sinologues.
History of Humanities,
2(2), 514-517.
[DOI] [Repository] Weststeijn, M. A. (2017). Vermeer's Painted Porcelain [Japanese]. In K. Akira (Ed.), Dutch Seventeenth-Century Art and 'Asia' [Japanese] (pp. 65-72). National Museum of Western Art, Tokyo.
Weststeijn, M. A. (2017).
Review of: Neil De Marchi and Sophie Raux, eds., Moving Pictures: Intra-European Trade in Images, 16th–18th Centuries Studies in European Urban History (1100–1800), Vol. 34. Turnhout: Brepols, 2014; Gerrit Verhoeven, Europe within Reach: Netherlandish Travellers on the Grand Tour and Beyond (1585–1750). Egodocuments and History, Vol. 9. Leiden: Brill, 2015. CAA.reviews.
[DOI] Weststeijn, M. A., & Dijkstra, T. (2017).
Constructing Confucius in the Low Countries.
De zeventiende eeuw,
32(2), 137–164.
[DOI] [Repository] Professional publications
Weststeijn, M. A., & Jonker, M. (Eds.) (2017). Barbaren en Wijsgeren: Het beeld van China in de Gouden Eeuw. Vantilt.
Weststeijn, M. A. (2017). Inleiding: het Rijk van het Midden in de Lage Landen. In T. Weststeijn, & M. Jonker (Eds.), Barbaren en wijsgeren: het beeld van China in de Gouden Eeuw (pp. 9-24). Vantilt.
Other output
Hoogenboom, A. M. E. L., Weststeijn, M. A., Schmidt, V. M., & van Rossem, P. (2017).
Academische vaardigheden kunsthistorici: -. Web publication/site, .
https://avk.sites.uu.nl/ Weststeijn, M. A. (2017).
Een wereldse kunst. Web publication/site, Utrecht University.
[Repository] 2016
Scholarly publications
Weststeijn, M. A. (2016).
Review of: Noël Golvers, Libraries of Western Learning for China: Circulation of Western Books between Europe and China in the Jesuit Mission (ca. 1650–ca. 1750).
History of Humanities,
1(2), 420-423.
[DOI] [Repository] Weststeijn, M. A. (2016).
Review: A. Schnapp, L. von Falkenhausen, P.N. Miller & T. Murray (eds.), World Antiquarianism: Comparative Perspectives.
History of Humanities,
1(1), 185-187.
[DOI] [Repository] Bod, R., Kursell, J., Maat, J.
, & Weststeijn, M. A. (2016).
A New Field: History of Humanities.
History of Humanities,
1(1), 1-8.
[DOI] [Repository]Weststeijn, M. A. (2016).
The Sublime and the 'Beholder’s Share': Junius, Rubens, Rembrandt.
Journal of Historians of Netherlandish Art,
8(2).
[DOI] [Repository] Weststeijn, M. A. (2016). The Rules of Art and Rembrandt, 1630-1730. In W. Franits (Ed.), The Ashgate Research Companion to Dutch Art of the Seventeenth Century (pp. 202-233). Ashgate.
Weststeijn, M. A. (2016).
”Sinarum gentes ... omnium sollertissimae”: Encounters between the Middle Kingdom and the Low Countries, 1602-1692. In S. Gang (Ed.),
Reshaping the Boundaries: The Christian Intersection of China and the West in the Modern Era (pp. 9-34). Hong Kong University Press.
http://www.jstor.org/stable/j.ctt1k3s9fb.4 Weststeijn, M. A. (2016).
Introduction: Global Art History and the Netherlands.
Netherlands yearbook for history of art ,
66(1), 6-27.
[DOI] [Repository] Weststeijn, M. A., & Gesterkamp, L. (2016).
A New Identity for Rubens’s “Korean Man”: Portrait of the Chinese Merchant Yppong.
Netherlands yearbook for history of art ,
66(1), 142-169.
[DOI] [Repository] Weststeijn, M. A., Jorink, E., & Scholten, F. (Eds.) (2016). Netherlandish Art in its Global Context. Special issue, Netherlands Yearbook for History of Art, 66. (Netherlands Yearbook for History of Art; Vol. 66, No. 1). Brill.