Publications
2023
Scholarly publications
Copier, L. (2023). Focusing on the visual teaching trans media representations: teaching trans media representations. Abstract from Trans, Non-binary, and Gender Non-conforming (Language) Pedagogies in Higher Education I & II, Durham, United Kingdom.
2021
Scholarly publications
Copier, L. (2021). “The Good Martyr and Bad Feelings: The Problem with Loving Sophia Burset’s Righteous Suffering” . In Society for Cinema and Media Studies 2021 Virtual Conference
Copier, L. (2021). Streaming Trans* in the Netherlands: The Narrative Function and Development of Trans Masculine Characters in Anne+ and Queer Amsterdam’. In D. G. Gonzalez (Ed.), Trans*Time: Projecting Transness in European (TV) Series (pp. 171-194). (Interaktiva). Campus Verlag.
2020
Scholarly publications
Copier, L. T. (2020). Hollywood Action Hero Martyrs in Mad Max Fury Road. In I. Saloul, & J. W. van Henten (Eds.), Martyrdom: Canonisation, Contestation and Afterlives (pp. 283-308). (Heritage and Memory Studies). AUP (Amsterdam University Press) / ICAS Publications. https://doi.org/10.5117/9789462988187
2019
Scholarly publications
Copier, L. T. (2019). Reanimating Saint Paul: From the Literary to the Cinematographic Stage. Biblical Interpretation, 27(4-5), 533-548. https://doi.org/10.1163/15685152-02745P05
Copier, L. T. (2019). Review of The Bible in Motion: A Handbook of the Bible and Its Reception in Film (Part 1 and 2). Review of Biblical Literature. https://www.bookreviews.org/BookDetail.asp?TitleId=12168
2018
Scholarly publications
Copier, L. T. (2018). A Return to Form: Bible, Film Theory, and Film Analysis. In R. Walsh (Ed.), T&T Clark Companion to: The Bible and Film (pp. 165-173). T&T Clark.
2017
Scholarly publications
Copier, L. T. (2017). Between Polderen and Programming: A Teaching Report of the EUFA Project at Utrecht University. Alphaville Journal of Film and Screen Media, 2017(14), 198-201. http://www.alphavillejournal.com/Issue14/Dossier.pdf
Copier, L. T. (2017). On not really being there: trans* presence/absence in Dallas Buyers Club. Feminist Media Studies. https://doi.org/10.1080/14680777.2017.1393833
Copier, L. T. (2017). Review of Matthew S. Rindge, Profane Parables: Film and the American Dream. The Bible and Critical Theory, 13(1), 125-127. http://novaojs.newcastle.edu.au/ojsbct/index.php/bct/article/view/683/621
Copier, L. T. (2017). Commercial Configurations of Scriptural Temporality: Noah as a Blockbuster. In R. Burnette-Bletsch, & J. Morgan (Eds.), Noah as Antihero: Darren Aronofsky's Cinematic Deluge (pp. 102-116). (Routledge Studies in Religion and Film). Routledge.
2016
Scholarly publications
Copier, L. T. (2016). Death and Disaster: 2012 meets Noah. In Close Encounters between Bible and Film: An Interdisciplinary Engagement (pp. 155-171). [8] (Semeia Studies; No. 87). SBL Press.
Copier, L. T. (2016). Introduction. In Close Encounters between Bible and Film: An Interdisciplinary Engagement (pp. 1-9). [1] (Semeia Studies; No. 87). SBL Press.
https://dspace.library.uu.nl/bitstream/handle/1874/347104/1.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/347104/1.pdf?sequence=1
Copier, L. T., & Vander Stichele, C. (2016). Close Encounters Between Bible and Film: An Interdisciplinary Engagement. (Semeia Studies; No. 87). SBL Press.