Publications
2025
Scholarly publications
Anguix-Vilches, L. (2025).
Histories of Exhibition Design in the Museum: Makers, Process, and Practice.
Journal of Design History,
38(1), 102–104.
[DOI] 2024
Scholarly publications
Anguix-Vilches, L. (2024).
Rediscovering John Martin: Collecting the apocalypse in post-war Britain.
Journal of the History of Collections,
36(1), 179-192. Article fhad014.
[DOI] Anguix-Vilches, L. (2024). “Pioneering female museum directors: a transnational comparison”. In Cartografías de género en la expresión artística contemporánea (pp. 14-38). Dykinson.
2023
Scholarly publications
Anguix-Vilches, L., Fabrizi, E., & Papini, M. (2023).
Introduction - An internal ecosystem: power balance in British curatorial practice.
Museum History Journal,
16(1), 1-6.
[DOI] Papini, M.
, & Anguix-Vilches, L. (2023).
A Great Wave reaches Newcastle: The 1913 Japanese Art Exhibition at the Laing Art gallery.
Museum History Journal,
16(1), 46-62.
[DOI]2022
Scholarly publications
Anguix-Vilches, L. (2022). ‘Self-isolation or transnational resilience? European museums’ responses to the Covid-19 pandemic’. In Cultural Transfer in the United Europe Teadmus.
Anguix, L. (2022).
New Gallery. In
Bloomsbury Art Markets Bloomsbury.
[DOI] Anguix, L. (2022).
Duveen Brothers. In
Bloomsbury Art Markets Bloomsbury.
[DOI] Anguix, L. (2022).
Doré Gallery. In
Bloomsbury Art Markets Bloomsbury.
[DOI] Anguix, L. (2022).
Brook Street Gallery. In
Bloomsbury Art Markets Bloomsbury.
[DOI] Anguix-Vilches, L. (2022). Women directors in museums (c.1908-1965): an interdisciplinary approach. Journal of Art Historiography, 27.
Anguix-Vilches, L. (2022). Museums and the conquest of public space during the Covid-19 pandemic. In Public space in the contexts of aesthetics, art theory and art practice
2021
Scholarly publications
Anguix-Vilches, L. (2021). ‘Street art in empty streets: the significance of urban art and culture during a pandemic’. In Faces of Urban Cultural Landscape
Anguix Vilches, L. (2021). Can the Blockbuster Exhibition Crisis Become an Opportunity for Women Artists? Six Lessons from the Prado Museum. NOVECENTO TRANSNAZIONALE. LETTERATURE, ARTI E CULTURE.
Anguix, L. (2021).
The North-East Can Make It: Post-war Design Exhibitions at the Laing Art Gallery (Newcastle).
Journal of Design History,
34(2), 101-115.
[DOI] Anguix Vilches, L. (2021). ‘It was Madox Brown who encouraged me to become an artist and who taught me to paint’: Ford Madox Brown’s teaching of women artists. In 'Uncommon Power': Lucy & Catherine Madox Brown
2020
Scholarly publications
Anguix Vilches, L. (2020). From wood shavings to an art collection: the early history of the Laing Art Gallery (Newcastle) and the creation of its permanent collection (1904-1957). Northumbria University.
Anguix, L. (2020).
‘A collection of mere travesties of time-honoured originals’: The rejection of the Shipley bequest.
Journal of the History of Collections,
32(3), 523-536.
[DOI] 2008
Professional publications
Anguix Vilches, L. (2008). Valencia: museos y monumentos.