Dr. Laia Anguix Vilches PhD

Researcher
Art History
Postdoctoral Researcher
Art History
l.anguixvilches@uu.nl

Publications

2025

Scholarly publications

Anguix-Vilches, L. (2025). Histories of Exhibition Design in the Museum: Makers, Process, and Practice. Journal of Design History, 38(1), 102–104. [DOI]
Anguix-Vilches, L. (2025). The Dirty Patrons: environmental responsibility and museum sponsorship. Museological Review, 27, 156-173. https://journals.le.ac.uk/index.php/mr/issue/view/272/38

2024

Scholarly publications

Anguix-Vilches, L. (2024). Rediscovering John Martin: Collecting the apocalypse in post-war Britain. Journal of the History of Collections, 36(1), 179-192. Article fhad014. [DOI]
Anguix-Vilches, L. (2024). “Pioneering female museum directors: a transnational comparison”. In Cartografías de género en la expresión artística contemporánea (pp. 14-38). Dykinson.

2023

Scholarly publications

Anguix-Vilches, L., Fabrizi, E., & Papini, M. (2023). Introduction - An internal ecosystem: power balance in British curatorial practice. Museum History Journal, 16(1), 1-6. [DOI]
Papini, M., & Anguix-Vilches, L. (2023). A Great Wave reaches Newcastle: The 1913 Japanese Art Exhibition at the Laing Art gallery. Museum History Journal, 16(1), 46-62. [DOI]

2022

Scholarly publications

Anguix-Vilches, L. (2022). ‘Self-isolation or transnational resilience? European museums’ responses to the Covid-19 pandemic’. In Cultural Transfer in the United Europe Teadmus.
Anguix, L. (2022). New Gallery. In Bloomsbury Art Markets Bloomsbury. [DOI]
Anguix, L. (2022). Duveen Brothers. In Bloomsbury Art Markets Bloomsbury. [DOI]
Anguix, L. (2022). Doré Gallery. In Bloomsbury Art Markets Bloomsbury. [DOI]
Anguix, L. (2022). Brook Street Gallery. In Bloomsbury Art Markets Bloomsbury. [DOI]
Anguix-Vilches, L. (2022). Women directors in museums (c.1908-1965): an interdisciplinary approach. Journal of Art Historiography, 27.
Anguix-Vilches, L. (2022). Museums and the conquest of public space during the Covid-19 pandemic. In Public space in the contexts of aesthetics, art theory and art practice

2021

Scholarly publications

Anguix-Vilches, L. (2021). ‘Street art in empty streets: the significance of urban art and culture during a pandemic’. In Faces of Urban Cultural Landscape
Anguix Vilches, L. (2021). Can the Blockbuster Exhibition Crisis Become an Opportunity for Women Artists? Six Lessons from the Prado Museum. NOVECENTO TRANSNAZIONALE. LETTERATURE, ARTI E CULTURE.
Anguix, L. (2021). The North-East Can Make It: Post-war Design Exhibitions at the Laing Art Gallery (Newcastle). Journal of Design History, 34(2), 101-115. [DOI]
Anguix Vilches, L. (2021). ‘It was Madox Brown who encouraged me to become an artist and who taught me to paint’: Ford Madox Brown’s teaching of women artists. In 'Uncommon Power': Lucy & Catherine Madox Brown

2020

Scholarly publications

Anguix Vilches, L. (2020). From wood shavings to an art collection: the early history of the Laing Art Gallery (Newcastle) and the creation of its permanent collection (1904-1957). Northumbria University.
Anguix, L. (2020). ‘A collection of mere travesties of time-honoured originals’: The rejection of the Shipley bequest. Journal of the History of Collections, 32(3), 523-536. [DOI]

2008

Professional publications

Anguix Vilches, L. (2008). Valencia: museos y monumentos.