Publications
2024
Scholarly publications
Verheul, J. (2024). On social media photography: memorials to Black Lives Matter in Kris Graves’s "A Bleak Reality". Afterimage: The Journal of Media Arts and Cultural Criticism, 51(2), 80–113. https://doi.org/10.1525/aft.2024.51.2.80
2023
Scholarly publications
Verheul, J. (2023). Visions of statesmanship across the Atlantic: presidential masculinity and the American response to Benito Mussolini. Gender and History, 35(2), 667-690. https://doi.org/10.1111/1468-0424.12596
2020
Scholarly publications
Verheul, J. (2020). Introduction: Specters of 007. In J. Verheul (Ed.), The Cultural Life of James Bond: Specters of 007 (pp. 11-22). Amsterdam University Press. https://doi.org/10.2307/j.ctv1850jbk.4
Verheul, J. (2020). Opening the vault: streaming the film library in the age of pandemic content. In P. D. Keidl, L. Melamed, V. Hediger, & A. Somaini (Eds.), Pandemic Media: Preliminary Notes Toward an Inventory (pp. 50-59). (Configurations of Film). Meson Press. https://doi.org/10.14619/0085
Verheul, J. (Ed.) (2020). The cultural life of James Bond: Specters of 007. Amsterdam University Press. https://doi.org/10.2307/j.ctv1850jbk
Behlil, M., Sánchez Prado, I. M., & Verheul, J. (2020). The dead are alive: the exotic non-place of the Bondian runaway production. In J. Verheul (Ed.), The Cultural Life of James Bond: Specters of 007 (pp. 81-102). Amsterdam University Press. https://doi.org/10.2307/j.ctv1850jbk.8
2016
Scholarly publications
Verheul, J. (2016). Out of Many, One: The Dual Monolingualism of Contemporary Flemish Cinema. In T. Mamula, & L. Patti (Eds.), The Multilingual Screen: New Reflections on Cinema and Linguistic Difference (pp. 317-334). Bloomsbury Academic. https://doi.org/10.5040/9781501302848.ch-016
Verheul, J. (2016). This Never Happened to the Other Fellow: The Fluctuating Stardom of James Bond and George Lazenby. In J. Lobalzo Wright, & L. Bolton (Eds.), Lasting Screen Stars: Images that Fade and Personas that Endure (pp. 217-230). Palgrave Macmillan. https://doi.org/10.1057/978-1-137-40733-7_16
Verheul, J. (2016). British Flanders: co-produced television drama and the limits of a European heritage. In P. Cooke, & R. Stone (Eds.), Screening European Heritage (pp. 25-44). (Palgrave European Film and Media Studies). Palgrave Macmillan. https://doi.org/10.1057/978-1-137-52280-1_2
2012
Scholarly publications
Verheul, J. (2012). Plus ça devient vieux, Plus ça devient bête: the European bourgeoisie in Michael Haneke’s 'Amour'. Brooklyn Rail, December 2012 / January 2013.
2011
Scholarly publications
Verheul, J. (2011). Italy in Early American Cinema: Race, Landscape, and the Picturesque: Book Review. Historical Journal of Film, Radio and Television, 31(2), 327-329. https://doi.org/10.1080/01439685.2011.574460
2010
Scholarly publications
Verheul, J. (2010). De Multiculturele Samenleving in 'Lost'. Cinemagie, 272, 62-69.
Verheul, J. (2010). Paranoia and preemptive violence in '24'. In L. A. Murray (Ed.), Politics and Popular Culture (pp. 137-147). Cambridge Scholars Publishing.
2009
Scholarly publications
Verheul, J. (2009). De Fascinerende New Deal. Cinemagie, 266, 94-102.
2007
Scholarly publications
Verheul, J. (2007). Trauma en Herinnering in 'The Pawnbroker'. Cinemagie, 260, 71-79.