Selected Academic Publications
Andries, A. ‘Controlling (War)Trauma at the Circus c. 1800,’ in Erin Brooks, Jacqueline Fortier, Michelle Meinhart and Jillian Rogers, The Oxford Handbook of Music, Sound and Trauma Studies (c. 5,000 words; foreseen 2026)
Andries, A. ‘Gaetano Donizetti: Messa da Requiem in D minore’, in Steven Vandemoortele and John Koslovsky, eds., The Book of Requiems, volume 5: 1815-1900 (Leuven University Press), (5,000 words, publication foreseen 2026).
Andries, A. ‘Imag(in)ing Audiences: The First Parisian Hippodrome,’ in Frank Kessler, Nico de Klerk, and Dulce da Rocha Gonçalves, Projecting Knowledge. Turnhout: Brepols. (6,500 words, publication foreseen early 2026).
Andries, A. ‘Galloping to the Crimea on Old Tunes: Militarism and Modernity on the Equestrian Stages of Paris and London’, in Andries and de Zwaan, eds. Mass Media and the Performance of War, guest-edited special issue for Early Popular Visual Culture: 1-26.
Andries, A. ‘Une république des romances: La musique en tant que pratique émotionelle’, in Sylvie Douche and Clotilde Verwaerde, eds., La Romance: de l’Ancien régime à la IIIe République, 101-125. Dijon: Éditions universitaires de Dijon.
Andries, A. and M. Noorduin, ‘Introduction: Playing the Classics in the Nineteenth Century,’ in Andries and Noorduin, eds. Playing the Classics in the Nineteenth Century, guest-edited special issue for Nineteenth-Century Music Review 22/2: 163-169.
Andries, A. ‘Les Romances de Hortense dédiées à Eugène de Beauharnais: une langage des émotions’, In Elisabeth Caude, ed., Malmaison et la musique: De Joséphine à Hortense, 34-41. Paris: Lienart éditions.
Andries, A. ‘Les Romances d’Hortense de Beauharnais et l’esthétique mélancholique’, Elisabeth Caude, ed., Malmaison et la musique: De Joséphine à Hortense, 62-71. Paris: Lienart éditions.
Andries, A. ‘Caroline Branchu: A Model of Nineteenth-Century Womanhood?’ in Federico Gon and Emmanuel Reibel, eds., The Sound of Empire: Soundscape, Aesthetics and Performance between Ancien régime and Restoration, 195-220. Turnhout: Brepols, 2024.
Andries, A. Giuseppe Verdi, Ernani. Operatheek, vol. 4. Leuven: Leuven University Press, 2022.
Andries, A. ‘De romances van Hortense de Beauharnais: Muziek, melancholie en nostalgie in tijden van oorlog en verbanning’, Leidschrift 37/3, 33-54 (2022): 33-54.
Andries, A. ‘Mobilising Historicity and Local Color in Fernand Cortez (1809): Narratives of Empire at the Opéra’, French Historical Studies (2022), 245-285.
Andries, A. ‘“Aux armes! aux armes!”: Luisteren naar oorlog in Franse opera c. 1800,’ Vooys 39/3 (2021): 6-18.
Andries, A., and C. Siviter, (eds). Theatrical Encounters during the Revolutionary and Napoleonic Wars, guest-edited issue for the Journal of War & Culture Studies 14/2 (2021): 127-139.
Andries, A., J. Forner, and J. Georgis. ‘Listening to Listening: A Conversation about Race and Voice’. Conversational Review of Nina Sun Eidsheim, The Race of Sound: Listening, Timbre and Vocality in AfricanAmerican Music’, Royal Musical Association Research Chronicle 52: 1-7. https://doi.org/10.1017/rrc.2020.6.
Andries, A. 'Witzthumb, Ignaz’. In Österreichisches Biographisches Lexikon, Österreichische Akademie der Wissenschaften, ed. Ernst Bruckmüller, Christine Gruber et al. (Budapest: Prime Rate, 2020), 297-8. http://www.biographien.ac.at.
Andries, A. ‘Uniting the Arts to Stage the Nation: Le Sueur’s Ossian (1804) in Napoleonic Paris’, in Cambridge Opera Journal 32/2-3 (2019), 153-87.
Andries, A., and K. Hambridge. ‘Music, Women, and the Allure of Napoleon’. In The Allure of Napoleon: Essays Inspired by the Collections of The Bowes Museum, ed. Thomas Stammers, 19-22. (The Bowes Museum, Barnard Castle, 2017).
Andries, A. ‘Porta, Bernardo’. In Dizionario Biografico degli Italiani Vol. 85 (2016), ed. Lorenzo Bianconi et al. http://www.treccani.it/enciclopedia/bernardo-porta_(Dizionario-Biografico)
Selected Programme Book Contributions
Andries, A. ‘De Schumanns en de Mendelssohns: Verbonden in Muziek.’ Programmatekst Concertgebouw Brugge (21 September 2025).
Andries, A. ‘Il concerto secreto: heimelijk muzikaal genot aan Italiaanse hoven c. 1600.’ Programmatekst MA Festival Brugge (6 August 2025)
Andries, A. ‘Pariser Fastenzeit-Opern und Oratorien: Zwischen Sentimentalität und Spektakel’. In Moïse (Rossini in Wildbad, Belcanto Opera Festival 2018), ed. Reto Müller, 8-13. (Grafenau: Penso Pr, 2018).
Andries, A. ‘Macht en Identiteit in Simon Boccanegra’ (‘Power and Identity in Simon Boccanegra’). In Giuseppe Verdi, ‘Simon Boccanegra’, ed. Luc Joosten, 26-33. (Merelbeke, Belgium: Stevens Print, 2017).
Andries, A. ‘Van Magisch Spektakel to Intens Drama’ (‘From Magical Spectacle to Intense Drama’). Program Text for Heksentoeren, Concertgebouw Bruges (Belgium).
Andries, A. ‘Odysseus in Venetië’ (‘Odysseus in Venice’). In Claudio Monteverdi, ‘Il ritorno d’Ulisse’, eds. Annelies Andries and Piet de Volder, 24-6. (Gent: Sintjoris, 2011).
Andries, A. ‘Waar schoonheid strijdt met drama’ (‘Where Beauty Clashes with Drama’). In Giacomo Rossini, ‘Semiramide’, eds. Annelies Andries and Luc Joosten, 36-8. (Gent: Sintjoris, 2010).