Publicaties

2025

Wetenschappelijke publicaties

Becker, S., & Sanders, W. (2025). Narrating Single Lives: The Representation of Single Female Characters in Dutch Fiction Films and TV Series (2019-2023) . Tijdschrift voor Genderstudies, 28(2/3), 213-235 . [DOI] [Portal]
Sanders, W., & Becker, S. (2025). ‘Gewoon’ een Nederlandse vrouw: Onderzoek naar de representatie van vrouwen in Nederlandse fictiefilms en series 2019-2023. Stichting Vrouwen in Beeld. https://www.vrouweninbeeld.nl/content/uploads/2025/07/Onderzoek-REPRESENTATIE-in-Beeld_250618.pdf
Sanders, W., & Buijing, G. (2025). Minder preken, meer doen: Onderzoek naar de instroom van vrouwelijke studenten aan de Nederlandse Filmacademie. Stichting Vrouwen in Beeld. [Portal]
Sanders, W., & van der Holt, K. (2025). Meten met twee maten: Ervaringen van cameravrouwen in een door mannen gedomineerde beroep. Stichting Vrouwen in Beeld. [Portal]

2024

Wetenschappelijke publicaties

Sanders, W., & Buijing, G. (2024). Rapportage Vragenlijst Inkomens Film- en Televisiesector: Een verkennend onderzoek naar een genderloonkloof. Stichting Vrouwen in Beeld. [Portal]
Sanders, W., & Post, N. (2024). Op hakken gezet en klein gemaakt: Onderzoek naar het werk van actrices en de mogelijkheden voor professionele ontwikkeling. Stichting Vrouwen in Beeld. [Portal]
Sanders, W., & Post, N. (2024). In Heels Yet Small: The Professional Experiences of Actresses in the Netherlands. Unpublished. In Media Industries Department of Culture, Media and Creative Industries, King's College.

2023

Wetenschappelijke publicaties

Sanders, W. (2023). Researcher, feminist, activist: challenges and opportunities of collaborative media production research. Unpublished. In International Association for Media and Communication Research (IAMCR) - Program International Association for Media and Communication Research (IAMCR) .
Sanders, W., Wigham, M., Klein, R., Ordelman, R., van Gorp, J., & Noordegraaf, J. (2023). Managing a “plurality of desires”: different support strategies for scholars and journalists in the building of a Data Stories infrastructure. 1-10. Paper presented at DH Benelux 2023, Brussels, Belgium. [Repository]
Ordelman, R., van Gorp, J., Sanders, W., Wigham, M., Klein, R., Blom, J., Melder, W., van de Donk, M., Wassenaar, J., Sträter, F., Olesen, C., Boer, de, V., van der Deure, M.-J., Karrouche, N., Keijzer, J., Ozgen-Havekotte, A., Badenoch, A., Phipps, M., & Noordegraaf, J. (2023). Towards ’Stakeholder Readiness’ in the CLARIAH Media Suite: Future-Proofing an Audio-Visual Research Infrastructure. 1-3. Paper presented at DH Benelux 2023, Brussels, Belgium. [Repository]
Sanders, W., Ordelman, R., Wigham, M., Klein, R., van Gorp, J., & Noordegraaf, J. J. (2023). Developing Data Stories in Digital Humanities: Challenges and Protocol. DH Benelux Journal, 5, 1-17. https://journal.dhbenelux.org/wp-content/uploads/2023/09/DH_Benelux_Journal_Volume_5_2_Sanders.pdf [Repository]

Vakpublicaties

Ex, L., Sanders, W., Wigham, M., & Klein, R. (2023). Onvrede over nepnieuwsdiscours, maar debat blijft. Web publication/site, CLARIAH. https://mediasuitedatastories.clariah.nl/fake-news-2023/

2022

Wetenschappelijke publicaties

Sanders, W., Ordelman, R., Wigham, M., Klein, R., van Gorp, J., & Noordegraaf, J. (2022). Developing Data Stories as Enhanced Publications in Digital Humanities. 1-14. Paper presented at DH Benelux 2022, Esch-sur-Alzette, Luxembourg. [DOI] [Repository]
Ordelman, R., Sanders, W., Zijdeman, R., Klein, R., Noordegraaf, J., van Gorp, J., Wigham, M., & Windhouwer, M. (2022). Data Stories in CLARIAH: Developing a Research Infrastructure for Storytelling with Heritage and Culture Data. Poster session presented at DARIAH Annual Event 2022, Athens, Greece. [DOI] [Repository]
Sanders, W. (2022). Beter is nog niet goed: De positie van vrouwen in de film- en televisiesector 2011-2020 Onderzoeksrapport in opdracht van Stichting Vrouwen in Beeld. Stichting Vrouwen in Beeld. https://www.vrouweninbeeld.nl/site/wp-content/uploads/Rapport_Beter_is_nog_niet_Goed_FEBR_2022.pdf [Repository]
Sanders, W. (2022). Interactive documentary and ethics: towards an ethics of representativenes. In M. Hjort, & T. Nannicelli (Eds.), A Companion to Motion Pictures and Public Value (pp. 130-147). Wiley.

Vakpublicaties

Sanders, W., Klein, R., Wigham, M., & de Bruijn, W. (2022). Meten is onderzoeken - 20 jaar Tegenlicht in data. Web publication/site, CLARIAH. https://mediasuitedatastories.clariah.nl/tegenlicht-20-years/
Sanders, W. (2022). Media Suite Data Stories: kansen voor nieuwe verhalen. Web publication/site, Nederlands Instituut voor Beeld & Geluid. https://www.beeldengeluid.nl/kennis/blog/media-suite-data-stories-kansen-voor-nieuwe-verhalen

Populariserende publicaties

Robeyns, I., Casper, A., Tuinier, R., Weeda, C., & Sanders, W. (2022). Drie principes voor minister Dijkgraaf. Science Guide. https://www.scienceguide.nl/2022/01/drie-principes-voor-minister-dijkgraaf/

2021

Wetenschappelijke publicaties

Sanders, W. (2021). Understanding investigative journalism as a field.

Vakpublicaties

Sanders, W. (2021). ‘Ladies and gentlemen…’. Female and male presence in Dutch popular media. Web publication/site, CLARIAH. https://mediasuitedatastories.clariah.nl/gender-research-intro/
Sanders, W., Ayar, H., Brooks, E., Wigham, M., Krouwel, A., & Meštrović, A. (2021). ‘Wie is aan het woord?’- Politici en partijen in de media tijdens de verkiezingscampagne 2021. Web publication/site, CLARIAH. https://mediasuitedatastories.clariah.nl/nl/elections-2021-first-results/

2020

Wetenschappelijke publicaties

Sanders, W. (2020). The story that could have been. Testing the added value of the CLARIAH Media Suite for investigative journalism.
Sanders, W. (2020). Teaching interactive narratives: Developing user engagement through theory empowered practice. In D. F. Meigs, S. Kotilainen, & M. Pathak-Shelat (Eds.), The Handbook of Media Education Research (pp. 207-214). Wiley. [DOI]

Vakpublicaties

Sanders, W. (2020). Van waardecreatie door cultuur tot waardeontwikkeling van cultuur. Onderzoeksvisie en -omgeving HKU School Kunst en Economie.

2019

Wetenschappelijke publicaties

Livémont, E., & Sanders, W. (2019). Escaping a rock and a hard place. In International Association for Media and Communication Research (IAMCR) - Program International Association for Media and Communication Research (IAMCR) .
Sanders, W., & Nash, K. (2019). The (Braided) Documentary Voice: Theorising the Complexities of Documentary Making. In C. Batty, M. Berry, K. Dooley, B. Frankham, & S. Kerrigan (Eds.), The Palgrave Handbook of Screen Production (1 ed., pp. 231-241). Palgrave Macmillan. [DOI] [Repository]

Vakpublicaties

Sanders, W. (2019). No winners, no losers. Modern Times review. https://www.moderntimes.review/no-winners-no-losers/
Sanders, W. (2019). Turning national sentiments into business. Modern Times review. https://www.moderntimes.review/turning-national-sentiments-into-business/

2018

Wetenschappelijke publicaties

Sanders, W., & Nash, K. (2018). Producing a braided documentary voice. In International Association for Media and Communication Research (IAMCR) - Program International Association for Media and Communication Research (IAMCR) .
Sanders, W. (2018). Researching Practice as Research: Investigating Students’ Productions. Unpublished. In Media Industries: Current Debates and Future Directions - Programme Department of Culture, Media and Creative Industries, King's College.
Sanders, W., Everts, D., & van Vugt, B. (2018). Crossing the Theory-Practice Divide: A Multi-Perspective Reflection on a Practical Course for Film and Television Students. VIEW. Journal of European Television History and Culture/E-journal, 7(13), 31-54. [DOI] [Repository]

Vakpublicaties

Sanders, W. (2018). From the old to the new economic world order. Modern Times review. https://www.moderntimes.review/from-the-old-to-the-new-economic-world-order/
Sanders, W. (2018). Animal justice meets human justice. Modern Times review. https://www.moderntimes.review/animal-justice-meets-human-justice/
Sanders, W. (2018). The female Kurdish fighters. Modern Times review. https://www.moderntimes.review/the-female-kurdish-fighters/
Sanders, W. (2018). The cultural revolution revisited. Modern Times review. https://www.moderntimes.review/the-cultural-revolution-revisited/

Populariserende publicaties

Sanders, W. (2018). Voldens utilsiktede skadevirkninger. Ny Tid. https://www.nytid.no/voldens-utilsiktede-skadevirkninger
Sanders, W. (2018). Three stories on war. Modern Times review. https://www.moderntimes.review/three-stories-war-2/
Sanders, W. (2018). Rehumanisering av flyktninger. Ny Tid, 1. https://www.nytid.no/rehumanisering-av-flyktninger/

2017

Wetenschappelijke publicaties

Sanders, W. (2017). Focus Group on User Involvement. CLARIN.
Sanders, W., & Nash, K. (2017). Exploring a new field: documentary impact production in the Netherlands. In Researching Media Companies Producing Audiovisual Content Inland Norway University of Applied Sciences.
Sanders, W., & Nash, K. (2017). Exploring a new field: documentary impact production in the UK and the Netherlands. In International Association for Media and Communication Research (IAMCR) - Program International Association for Media and Communication Research (IAMCR) .
Sanders, W., & Salgado, M. (2017). Re-using the archive in video posters: a win-win for users and archives. Interactions: Studies in Communication and Culture, 8(1), 63-78. [DOI] [Repository]
Sanders, W., & Puijk, R. (2017). The Professional is Personal: A Comparison between the Dutch television Production Companies JVtv and BlazHoffski. In E. Bakøy, R. Puijk, & A. Spicer (Eds.), Building Sustainable and Successful Film and Television Businesses: A Cross-National Perspective (pp. 219-246). Intellect.
Sanders, W., & Puijk, R. (2017). Innovation in the independent Dutch film production companies Column Film and Rinkel Film. In E. Bakøy, R. Puijk, & A. Spicer (Eds.), Building Sustainable and Successful Film and Television Businesses: A Cross-National Perspective (pp. 197-218). Intellect.

Populariserende publicaties

Sanders, W. (2017). The Collateral Damage of Violence. Modern Times review. https://www.moderntimes.review/collateral-damage-violence/
Sanders, W. (2017). Re-humanizing refugees. Modern Times review. https://www.moderntimes.review/re-humanizing-refugees/
Sanders, W. (2017). Ens egen sannhet som beskyttelse. Ny Tid. https://www.nytid.no/ens-egen-sannhet-beskyttelse/
Sanders, W. (2017). Én gang gaucho, alltid macho. Ny Tid. https://www.nytid.no/gang-gaucho-alltid-macho/
Sanders, W. (2017). Søtere enn sukker, tyngre enn salt. Ny Tid. https://www.nytid.no/sotere-sukker-tyngre-salt/
Sanders, W. (2017). I fabrikkens innvoller. Ny Tid. https://www.nytid.no/i-fabrikkens-innvoller/
Sanders, W. (2017). Den eneste mulige formen for verdighet. Ny Tid. https://www.nytid.no/mulige-formen-verdighet/
Sanders, W. (2017). Snart sju vonde år. Ny Tid. https://www.nytid.no/snart-sju-vonde-ar/
Sanders, W. (2017). Liberalismens paradoks. Ny Tid. https://www.nytid.no/liberalismens-paradoks/
Sanders, W. (2017). Surfer mot alle odds. Ny Tid. https://www.nytid.no/surfer-mot-alle-odds/
Sanders, W. (2017). En mønsterflyktning. Ny Tid. https://www.nytid.no/en-monsterflyktning/
Sanders, W. (2017). Men made Machines. Modern Times review. https://www.moderntimes.review/men-made-machines/
Sanders, W. (2017). One’s Own Truth as Protection. Modern Times review. https://www.moderntimes.review/ones-truth-protection/
Sanders, W. (2017). Once a gaucho…. Modern Times review. https://www.moderntimes.review/once-a-gaucho/
Sanders, W. (2017). The fight for Kobani. Modern Times review. https://www.moderntimes.review/the-fight-for-kobani/
Sanders, W. (2017). What does it mean to be a survivor? Modern Times review. https://www.moderntimes.review/what-does-it-mean-to-be-a-survivor/
Sanders, W. (2017). An intimate portrayal of the last men of Aleppo. Modern Times review. https://www.moderntimes.review/intimate-portrayal-last-men-aleppo/
Sanders, W. (2017). Death as dignity. Modern Times review. https://www.moderntimes.review/death-as-dignity/
Sanders, W. (2017). Dream Box. Modern Times review. https://www.moderntimes.review/dream-box/
Sanders, W. (2017). Familieterapi i fem akter. Ny Tid. https://www.nytid.no/familieterapi-fem-akter/
Sanders, W. (2017). A Model Refugee. Modern Times review. http://www.moderntimes.review/a-model-refugee/
Sanders, W. (2017). Surfing against the odds. Modern Times review. http://www.moderntimes.review/surfing-against-the-odds/

2016

Wetenschappelijke publicaties

Sanders, W. (2016). Einwilligung, Preisgabe und Selbstdarstellung dokumentarischer Personen. Montage/AV, 25(1), 89-104.
Sanders, W. (2016). Production studies and documentary participants: a method. In C. Paterson, D. Lee, A. Saha, & A. Zoellner (Eds.), Advancing Media Production Research: Shifting Sites, Methods, and Politics (pp. 200-216). Article 13 (Global Transformations in Media and Communication Research). Palgrave Macmillan. [DOI] [Repository]

Populariserende publicaties

Sanders, W. (2016). Vedvarende systemer for undertrykkelse: Folk blir ikke mindre rasistiske av at rasisme er forbudt. Ny Tid. https://www.nytid.no/vedvarende-systemer-undertrykkelse/
Sanders, W. (2016). Fortellingen om et pasjonsdrap. Ny Tid, 31. https://www.nytid.no/fortellingen-om-et-pasjonsdrap/
Sanders, W. (2016). Why are people unable to live in peace? LIKE DEW IN THE SUN. Director Peter Entell. Switzerland 2016. Modern Times online. http://www.moderntimes.review/people-unable-live-together-peace/
Sanders, W. (2016). Close Reading of an Attack: DEATH IN THE TERMINAL. Directors Tali Shemesh and Asaf Sudry. Israël 2016. Modern Times online. http://www.moderntimes.review/close-reading-attack/
Sanders, W. (2016). The Feeling of Absence: IT’S GETTING DARK. Olga Kravets / France 2016. Modern Times online. http://www.moderntimes.review/its-getting-dark
Sanders, W. (2016). How to tell what he did: DET HAN GJORDE/WHAT HE DID. Director: Jonas Poher Rasmussen Production: Jesper Jack – House of Real Denmark, 2015, 62. Modern Times online. http://www.moderntimes.review/how-to-tell-what-he-did
Sanders, W. (2016). Perpetual systems of oppression: 13TH. Director: Ava du Vernay. Production: Howard Barish, Ava DuVernay, Spencer Averick. USA, 2016, 100 min. Modern Times online. http://www.moderntimes.review/perpetual-systems-oppression/
Sanders, W. (2016). Three stories on war: 9 DAYS FROM MY WINDOW IN ALEPPO. Director: Floor van der Meulen, Thomas Vroege, Issa Touma. THE SNIPER OF KOBANI Director: Reber Dosky LAST WALL. Director: Haider Aljezairi. Modern Times online. http://www.moderntimes.review/three-stories-war
Sanders, W. (2016). Family therapy in five acts. Modern Times online. http://www.moderntimes.review/family-therapy-five-acts

2015

Wetenschappelijke publicaties

Salgado, M., & Sanders, W. (2015). Designing access to audiovisual cultural heritage: The case of the Carrot. In Signal-Image Technology & Internet-Based Systems (SITIS): 11th International Conference, Bangkok (pp. 760-767). IEEE. [DOI] [Portal]
Sanders, W., & Salgado, M. (2015). Digital access to audiovisual cultural heritage: Archives, developers and scholars unite (or not). In Programme Associazione per l'Informatica Umanistica e la Cultura Digitale (AIUCD)
Sanders, W., & Hagedoorn, B. (2015). The digital and the visual: Challenges and opportunities for audiovisual research. In International Association for Media and Communication Research (IAMCR) - Program International Association for Media and Communication Research (IAMCR) .
Sanders, W. (2015). One way or the other: financing strategies of independent production companies. In International Association for Media and Communication Research (IAMCR) - Programme International Association for Media and Communication Research (IAMCR) .

Overige resultaten

Müller, E., & Sanders, W. (2015). Curating Europe's Audiovisual Heritage Online for Research, Teaching and Publication. Paper presented at TViT research seminar, Utrecht. http://televisionintransition.wp.hum.uu.nl/
Sanders, W., & Puijk, R. (2015). The professional is personal. A comparison of two television production companies in the Netherlands. Paper presented at New Directions in Film and Television Production Studies, Bristol, United Kingdom. http://www.productionstudiesconference.com/

2014

Vakpublicaties

Sanders, W., & Turnock, R. (2014). D3.4 Development and design brief of user engagement pilot for research. EUscreenXL.
Müller, E., Hagedoorn, B., Salgado, M., Sanders, W., & Schoonbrood, V. (2014). Report on strategies developed for contextualisation and to link EUscreenXL core collection to Europeana. EUscreenXL.

Overige resultaten

Sanders, W., & Puijk, R. (2014). Film and television production in the Netherlands - a comparison between three medium-sized companies.. 156. Abstract from European Communication Research and Education Association (ECREA), Lisbon, Portugal. [Repository]
Sanders, W. (2014). “…certain things I just cannot say...”: Consent, disclosure, and self-presentation: towards documentary participants’ responsibilities.
Hagedoorn, B., Sanders, W., Salgado, M., Ockeloen, D., & Mazzoli, E. (2014). A Workshop on Contextualization, or: How can AV contextualization practices benefit best from the affordances of online publication?. EUscreenXL From Audience to User, Rome, Italy. [Repository]

2013

Wetenschappelijke publicaties

Sanders, W. (2013). Documentary ethics in contemporary practices. Alternative participation, alternative ethics? In Juan Carlos Suarez Villegas, Alba Zurbano Berenguer, & Othman Saadi Haddach (Eds.), II International Conference on Media Ethics - Proceedings (pp. 223-234). Faculty of Communication, University of Sevilla. [Repository]

Vakpublicaties

Rohdin, M., Hagedoorn, B., Lindström, M., Natzén, C., Sanders, W., & Turnock, R. (2013). D3.1 Assessment of user requirements. EUscreenXL.
Sanders, W. (2013). De verdediging van Robert M. Hoe hoofdpersonen hun documentaire regiseren. Een casus. 609 - cultuur en media, (15), 32-33.

Overige resultaten

Sanders, W. (2013). From ignorant subject to committed co-creator. Documentary participants’ contributions reconsidered. Paper presented at European Network for Cinema and Media Studies (NECS), Prague, Czech Republic.
Sanders, W. (2013). Non-fiction production studies: A methodology for researching the experiences of participating in non-fiction media productions. Paper presented at International Association for Media and Communication Research (IAMCR), Dublin, Ireland, Ireland. http://www.iamcr2013dublin.org/content/production-research-methods-how-capture-non-fiction-participants-experiences-and-contributio

2012

Wetenschappelijke publicaties

Sanders, W. (2012). The ethics of documentary filmmaking: an empirical turn. New Review of Film and Television Studies, 10(3), 315-317. [DOI] [Repository]
Sanders, W. (2012). The aggie will come first indeed. A survey on documentary filmmakers dealing with participants. New Review of Film and Television Studies, 10(3), 387-408. [DOI]
Sanders, W. (2012). Participatory spaces. Negotiating cooperation and conflict in documentary projects. [Doctoral thesis 1 (Research UU / Graduation UU), Utrecht University]. Utrecht University. [Repository]

2011

Overige resultaten

Sanders, W. (2011). Woman at work: experience, identity, and creatorship of a documentary participant. Paper presented at International Association for Media and Communication Research (IAMCR) 2011 (Istanbul).

2010

Wetenschappelijke publicaties

Sanders, W. (2010). Documentary filmmaking and ethics. Concepts, responsibilities and the need for empirical research. Mass Communication and Society (print), 13(5), 528-553. [DOI]

Overige resultaten

Sanders, W. (2010). Documentary filmmaking and ethics: understanding filmmakers' experiences. Paper presented at International Society for the Empirical Study of Literature and Media (IGEL) 2010 (Utrecht).
Sanders, W. (2010). Documentary filmmaking and ethics: the filmed vs. the film. Paper presented at International Association for Media and Communication Research (IAMCR) 2010 (Braga).

2007

Vakpublicaties

Sanders, W. (2007). Informed consent: must or myth? DOX : Documentary Film Quarterly, 73, 10-13.