Publicaties
2025
Wetenschappelijke publicaties
Cervera, F., Schmidt, T., & Schwadron, H. (2025). Towards planetary performance pedagogy: Digital companions in multipolar classrooms. In H. Bial, & S. Brady (Eds.), The Performance Studies Reader: Fourth Edition (pp. 448-462). Taylor and Francis. [DOI]
2024
Wetenschappelijke publicaties
Schmidt, T. (2024). The Theatricalists: Making Politics Appear. Northwestern University Press. [DOI]
2023
Wetenschappelijke publicaties
Schmidt, T., Damian Martin, D., Douglas, M., Mirabi, R., O’Brien, E., Shah, R., smith, V., Thomson, L., & Vulcan, J. (2023). The First Thing We Make is the Conditions of our Meeting: A gathering on gathering. Performance Research, 28(2), 14-25. [DOI] [Repository]
Schmidt, T. (2023). One thing after another: The list as theatrical form. In A. Heathfield (Ed.), Things that go through your mind when falling: The work of Forced Entertainment (pp. 259-262). Spector Books.
2022
Wetenschappelijke publicaties
Cull Ó Maoilearca, L., Daddario, W., Martin, D. D., & Schmidt, T. (2022). Performance Philosophy 7(2): Imagining the Open. Performance Philosophy, 7(2), 1-6. [DOI] [Repository]
Schmidt, T. (2022). Forms of Gathering: Modelling Creative Activism in the Classroom. In E. Tilley (Ed.), Creative Activism Research, Pedagogy and Practice (pp. 147-167). Cambridge Scholars Publishing.
2021
Wetenschappelijke publicaties
Paraha, T., Pollitt, J., Raheem, A., & Schmidt, T. (2021). Ensemblography: Making Collaboration through Performing Writing. GPS - Global Performance Studies, 4(2). [DOI]
Cervera, F., Schmidt, T., & Schwadron, H. (2021). Towards planetary performance pedagogy: digital companions in multipolar classrooms. Theatre, Dance and Performance Training, 12(1), 20-39. [DOI]
Schmidt, T. (2021). What if we think of the classroom as a work of art? Performance, collaboration, and social engagement considered as pedagogic practices. Arts and Humanities in Higher Education, 20(4), 345-364. [DOI]
2020
Wetenschappelijke publicaties
Paraha, T., & Schmidt, T. (2020). Blackout: Thinking with darkness. In L. Cull Ó Maoilearca, & A. Lagaay (Eds.), The Routledge Companion to Performance Philosophy (pp. 437-446). Routledge.
Schmidt, T. (2020). The art of making an appearance: towards a theatrical politics. In R. Allsopp, & K. Kipphoff (Eds.), Blind Spot: Staring down the void (pp. 146-159). Performance Research Books.
2019
Wetenschappelijke publicaties
Damian Martin, D., Green, S., Nizard, C., Schmidt, T., Schulman, M., & Solga, K. (2019). Tactics, practical and imagined. In Theatre and Performance in the Neoliberal University: Responses to an Academy in Crisis (pp. 233-241). Taylor & Francis.
Damian Martin, D., & Schmidt, T. (2019). Sites of Appearance, Matters of Thought: Hannah Arendt and Performance Philosophy. Performance Philosophy, 5(1), 1-7. [DOI]
Damian Martin, D., Green, S., Nizard, C., Schmidt, T., Shulman, M., & Solga, K. (2019). Tactics: practical and imagined: Research in Drama Education: The Journal of Applied Theatre and Performance. Research in Drama Education, 24(3), 438-445. [DOI]
Schmidt, T. (2019). Agency: A Partial History of Live Art. Intellect.
Schmidt, T. (2019). How Does Theatre Think Through Work? In M. Bleeker, A. Kear, J. Kelleher, & H. Roms (Eds.), Thinking Through Theatre and Performance (pp. 158-170). Bloomsbury.
2018
Wetenschappelijke publicaties
Daddario, W., & Schmidt, T. (2018). Introduction: Crisis and the Im/possibility of Thought. Performance Philosophy, 4(1), 1-8. [DOI]
Schmidt, T. (2018). How we talk about the work is the work: Performing critical writing. Performance Research, 23(2), 37-43. [DOI]
Daddario, W., Dhamankar, J., Loayza, M., McKenzie, J., Meerzon, Y., Nauha, T., Schmidt, T., & Stojnić, A. (2018). What is Refugee? Performance Philosophy, 4(1), 206-233. [DOI]
2017
Wetenschappelijke publicaties
Schmidt, T. (2017). What Kind of Work Is This? Performance and Materialisms in the Gallery. Performance Paradigm, 13, 7-28. https://www.performanceparadigm.net/index.php/journal/article/view/191
Cull Ó Maoilearca, L., Gotman, K., Katsouraki, E., & Schmidt, T. (2017). Editorial: Performance Philosophy Vol 2(2). Performance Philosophy, 2(2), 162-171. [DOI]
Schmidt, T. (2017). Editorial: Performance Philosophy Vol 3(1). Performance Philosophy, 3(1), 1-3. [DOI]
Schmidt, T. (2017). Is This What Democracy Looks Like? The Politics of Representation and the Representation of Politics. In T. Fisher, & E. Katsouraki (Eds.), Performing Antagonism: Theatre, Performance & Radical Democracy (pp. 101-130). Palgrave Macmillan.
2016
Wetenschappelijke publicaties
Schmidt, T. (2016). Living in augmented times. In A. Scott, & J. Vulcan (Eds.), RIMA: reaching for a word that does not exist (pp. 7-8). SQUIDSILO. http://squidsilo.net/wp-content/uploads/2016/07/RIMA-reaching-for-a-word-that-does-not-exist_2016Squidsilo.pdf
Schmidt, T. (2016). "When I think of him, I think of angels": Introducing JARMAN (all this maddening beauty). In Caridad Svich: JARMAN (all this maddening beauty) and Other Plays (pp. 15-19). Intellect.
Cull Ó Maoilearca, L., Schmidt, T., & Watt, D. (2016). Editorial: Performance Philosophy Vol 2(1). Performance Philosophy, 2(1), 1-4. [DOI]
2015
Wetenschappelijke publicaties
Schmidt, T. (2015). Some people will do anything to keep themselves from being moved. Performance Research, 20(5), 4-9. [DOI]
Kartsaki, E., & Schmidt, T. (2015). Editorial : On Repetition. Performance Research, 20(5), 1-3. [DOI]
Kartsaki, E., & Schmidt, T. (2015). On Repetition. Performance Research Books.
2014
Wetenschappelijke publicaties
Schmidt, T., Pinder, J., Owen, L., Zimmerman, A. L., Roberts, D., Hope, S., & Amsler, S. (2014). Beyond Glorious: The Radical in Engaged Practices. Contemporary Theatre Review, 24(2), 284-288. [DOI]
2013
Wetenschappelijke publicaties
Schmidt, T. (2013). Acting, Disabled: Back to Back Theatre and the Politics of Appearance. In J. Carroll, S. Giles, & K. Jürs-Munby (Eds.), Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance (pp. 189-207). Bloomsbury.
Paterson, M., & Schmidt, T. (2013). A Dialogue on Infection. In L. Keidan, & A. Wright (Eds.), The Live Art Almanac Volume 3 (pp. 273-284). Oberon.
Schmidt, T. (2013). Outsider Theatre: A journey through Back to Back's Hell House. Performance Research, 18(1), 139-148. [DOI]
Schmidt, T. (2013). Troublesome Professionals: On the speculative reality of theatrical labour. Performance Research, 18(2), 15-26. [DOI]
2011
Wetenschappelijke publicaties
Cash, L., & Schmidt, T. (2011). "Everything we do is done by invitation. That invitation comes from oneself or from another person." (John Cage). Dance Theatre Journal, 24(1), 2-3.
Schmidt, T. (2011). This Is Happening in Real Time: A Response to Beside the A Side by Graeme Miller and John Smith. Dance Theatre Journal, 24(1), 5-9.
Schmidt, T. (2011). Culture Crash. In D. Brine, V. Gantner, L. Keidan, CJ. Mitchell, A. Mitchelson, & M. V. P. Pecelli (Eds.), The Live Art Almanac Vol. 2 (pp. 165-168). Live Art Development Agency.
Schmidt, T. (2011). Christoph Schlingensief and the Bad Spectacle. Performance Research, 16(4), 27-33. [DOI]
Schmidt, T. (2011). After this, birdsong. In Goat Island: A Last, A Quartet – DVD and Reading Companion (pp. 16-25). Goat Island and Lucy Cash.
2010
Wetenschappelijke publicaties
Schmidt, T. (2010). Manifesting Politics. In R. Pacitti, & S. Ghelani (Eds.), SPILL Festival of Performance: On Agency (pp. 61-67). Pacitti Company.
Schmidt, T. (2010). "We Say Sorry": Apology, the Law, and Theatricality. Law Text Culture, 14(1), 55-78. http://ro.uow.edu.au/ltc/vol14/iss1/5
Schmidt, T. (2010). Unsettling Representation: Monuments, Theatre, and Relational Space. Contemporary Theatre Review, 20(3), 283-295. [DOI]
Schmidt, T. (2010). Anti-messianic Theatre: Confronting Expectation at London's SPILL Festival. Dance Theatre Journal, 23(4), 22-27.
2009
Wetenschappelijke publicaties
Paterson, M., & Schmidt, T. (2009). Critical Border-Crossing: Open Dialogues at Performance Saga / BONE 11. Dance Theatre Journal, 23(3), 5-9.
2008
Wetenschappelijke publicaties
Schmidt, T. (2008). Richard Maxwell and the Paradox of Theatre. Platform: Journal of Theatre and Performing Arts, 3(1), 8-21. https://www.royalholloway.ac.uk/dramaandtheatre/documents/pdf/platform/031/maxwell.pdf
Schmidt, T. (2008). Surviving Words: Writing about Doran George’s The Mourner’s Dance. Dance Theatre Journal, 23(1), 35-41.