Publicaties
2024
Wetenschappelijke publicaties
2023
Wetenschappelijke publicaties
Schmidt, T., Damian Martin, D., Douglas, M., Mirabi, R., O’Brien, E., Shah, R., smith, V., Thomson, L., & Vulcan, J. (2023).
The First Thing We Make is the Conditions of our Meeting: A gathering on gathering.
Performance Research,
28(2), 14-25.
https://doi.org/10.1080/13528165.2023.2260691https://dspace.library.uu.nl/bitstream/handle/1874/435060/The_First_Thing_We_Make_is_the_Conditions_of_our_Meeting.pdf?sequence=1 Schmidt, T. (2023). One thing after another: The list as theatrical form. In A. Heathfield (Ed.), Things that go through your mind when falling: The work of Forced Entertainment (pp. 259-262). Spector Books.
2022
Wetenschappelijke publicaties
Cull Ó Maoilearca, L., Daddario, W., Martin, D. D.
, & Schmidt, T. (2022).
Performance Philosophy 7(2): Imagining the Open.
Performance Philosophy,
7(2), 1-6.
https://doi.org/10.21476/PP.2022.72406Schmidt, T. (2022). Forms of Gathering: Modelling Creative Activism in the Classroom. In E. Tilley (Ed.), Creative Activism Research, Pedagogy and Practice (pp. 147-167). Cambridge Scholars Publishing.
2021
Wetenschappelijke publicaties
Paraha, T., Pollitt, J., Raheem, A.
, & Schmidt, T. (2021).
Ensemblography: Making Collaboration through Performing Writing.
GPS - Global Performance Studies,
4(2).
https://doi.org/10.33303/gpsv4n2a2Cervera, F.
, Schmidt, T., & Schwadron, H. (2021).
Towards planetary performance pedagogy: digital companions in multipolar classrooms.
Theatre, Dance and Performance Training,
12(1), 20-39.
https://doi.org/10.1080/19443927.2020.1829694Schmidt, T. (2021).
What if we think of the classroom as a work of art? Performance, collaboration, and social engagement considered as pedagogic practices.
Arts and Humanities in Higher Education,
20(4), 345-364.
https://doi.org/10.1177/1474022220966944 2020
Wetenschappelijke publicaties
Paraha, T., & Schmidt, T. (2020). Blackout: Thinking with darkness. In L. Cull Ó Maoilearca, & A. Lagaay (Eds.), The Routledge Companion to Performance Philosophy (pp. 437-446). Routledge.
Schmidt, T. (2020). The art of making an appearance: towards a theatrical politics. In R. Allsopp, & K. Kipphoff (Eds.), Blind Spot: Staring down the void (pp. 146-159). Performance Research Books.
2019
Wetenschappelijke publicaties
Damian Martin, D., Green, S., Nizard, C., Schmidt, T., Schulman, M., & Solga, K. (2019). Tactics, practical and imagined. In Theatre and Performance in the Neoliberal University: Responses to an Academy in Crisis (pp. 233-241). Taylor & Francis.
Damian Martin, D.
, & Schmidt, T. (2019).
Sites of Appearance, Matters of Thought: Hannah Arendt and Performance Philosophy.
Performance Philosophy,
5(1), 1-7.
https://doi.org/10.21476/PP.2019.51291Damian Martin, D., Green, S., Nizard, C.
, Schmidt, T., Shulman, M., & Solga, K. (2019).
Tactics: practical and imagined: Research in Drama Education: The Journal of Applied Theatre and Performance.
Research in Drama Education,
24(3), 438-445.
https://doi.org/10.1080/13569783.2019.1615833Schmidt, T. (2019). Agency: A Partial History of Live Art. Intellect.
Schmidt, T. (2019). How Does Theatre Think Through Work? In M. Bleeker, A. Kear, J. Kelleher, & H. Roms (Eds.), Thinking Through Theatre and Performance (pp. 158-170). Bloomsbury.
2018
Wetenschappelijke publicaties
Daddario, W., Dhamankar, J., Loayza, M., McKenzie, J., Meerzon, Y., Nauha, T.
, Schmidt, T., & Stojnić, A. (2018).
What is Refugee? Performance Philosophy,
4(1), 206-233.
https://doi.org/10.21476/PP.2018.411982017
Wetenschappelijke publicaties
Cull Ó Maoilearca, L., Gotman, K., Katsouraki, E.
, & Schmidt, T. (2017).
Editorial: Performance Philosophy Vol 2(2).
Performance Philosophy,
2(2), 162-171.
https://doi.org/10.21476/PP.2017.22132Schmidt, T. (2017). Is This What Democracy Looks Like? The Politics of Representation and the Representation of Politics. In T. Fisher, & E. Katsouraki (Eds.), Performing Antagonism: Theatre, Performance & Radical Democracy (pp. 101-130). Palgrave Macmillan.
2016
Wetenschappelijke publicaties
Schmidt, T. (2016). "When I think of him, I think of angels": Introducing JARMAN (all this maddening beauty). In Caridad Svich: JARMAN (all this maddening beauty) and Other Plays (pp. 15-19). Intellect.
2015
Wetenschappelijke publicaties
Kartsaki, E., & Schmidt, T. (2015). On Repetition. Performance Research Books.
2014
Wetenschappelijke publicaties
Schmidt, T., Pinder, J., Owen, L., Zimmerman, A. L., Roberts, D., Hope, S., & Amsler, S. (2014).
Beyond Glorious: The Radical in Engaged Practices.
Contemporary Theatre Review,
24(2), 284-288.
https://doi.org/10.1080/10486801.2014.895537 2013
Wetenschappelijke publicaties
Schmidt, T. (2013). Acting, Disabled: Back to Back Theatre and the Politics of Appearance. In J. Carroll, S. Giles, & K. Jürs-Munby (Eds.), Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance (pp. 189-207). Bloomsbury.
Paterson, M., & Schmidt, T. (2013). A Dialogue on Infection. In L. Keidan, & A. Wright (Eds.), The Live Art Almanac Volume 3 (pp. 273-284). Oberon.
2011
Wetenschappelijke publicaties
Cash, L., & Schmidt, T. (2011). "Everything we do is done by invitation. That invitation comes from oneself or from another person." (John Cage). Dance Theatre Journal, 24(1), 2-3.
Schmidt, T. (2011). This Is Happening in Real Time: A Response to Beside the A Side by Graeme Miller and John Smith. Dance Theatre Journal, 24(1), 5-9.
Schmidt, T. (2011). Culture Crash. In D. Brine, V. Gantner, L. Keidan, CJ. Mitchell, A. Mitchelson, & M. V. P. Pecelli (Eds.), The Live Art Almanac Vol. 2 (pp. 165-168). Live Art Development Agency.
Schmidt, T. (2011). After this, birdsong. In Goat Island: A Last, A Quartet – DVD and Reading Companion (pp. 16-25). Goat Island and Lucy Cash.
2010
Wetenschappelijke publicaties
Schmidt, T. (2010). Manifesting Politics. In R. Pacitti, & S. Ghelani (Eds.), SPILL Festival of Performance: On Agency (pp. 61-67). Pacitti Company.
Schmidt, T. (2010). Anti-messianic Theatre: Confronting Expectation at London's SPILL Festival. Dance Theatre Journal, 23(4), 22-27.
2009
Wetenschappelijke publicaties
Paterson, M., & Schmidt, T. (2009). Critical Border-Crossing: Open Dialogues at Performance Saga / BONE 11. Dance Theatre Journal, 23(3), 5-9.
2008
Wetenschappelijke publicaties
Schmidt, T. (2008). Surviving Words: Writing about Doran George’s The Mourner’s Dance. Dance Theatre Journal, 23(1), 35-41.