Publicaties
2026
Vakpublicaties
Merx, S., Midden, E., Markham, A., & Encheva, A. (2026, Feb 5). AI and Assessment as a Wicked Problem.
Merx, S., Midden, E., Markham, A., & Encheva, A. (2026, May 6). MCW Compendium: A Teacher's Compendium for Reimaging Evidence of Learning in the Age of AI.
2025
Wetenschappelijke publicaties
Groot Nibbelink, L., & Merx, S. (2025). Dramaturgical analysis: A relational approach. In L. Groot Nibbelink, & L. Karreman (Eds.), Performance Research Methods: Interdisciplinary Methods for Theatre, Dance and Dramaturgy (pp. 43-66). Open Book Publishers. [DOI] [Repository]
2024
Vakpublicaties
Salman, J., van Es, K., van Gorp, J., Huijnen, P., van Liere, L., Merx, S., Mulders, I., Pinto, M., Quené, H., Firet, A., & Klein, D. (2024). Matrix of proposed learning goals that may contribute to the learning outcome _digital literacy_ ("digitale geletterdheid") in the various BA programmes in Humanities ("GW") at Utrecht University, the Netherlands. Web publication/site, Utrecht University. [DOI] [Repository]
2023
Wetenschappelijke publicaties
Merx, S., Kanters, C., de Lange, M., & Verhoeff, N. (2023). Creative Urban Methods: Generative and Situated Practices for Researching the City. Mediapolis, 8(4). https://www.mediapolisjournal.com/2023/11/creative-urban-methods/
Merx, S., Kanters, C., de Lange, M., & Verhoeff, N. (Eds.) (2023). Creative Urban Methods. Mediapolis, 8(4). https://www.mediapolisjournal.com/dossier-creative-urban-methods/
Verhoeff, N., Merx, S., & de Lange, M. (2023). Creative Urban Methods for the Datafied City. In Situating Data: Inquiries in Algorithmic Culture (pp. 257-265). (MediaMatters). Amsterdam University Press. [DOI] [Repository]
2022
Vakpublicaties
Merx, S., & Groot Nibbelink, L. (2022). Subversive Affirmation: Imitation 2.0. ArtEZ Platform for Research Interventions of the Arts (APRIA). https://apria.artez.nl/subversive-affirmation/
2021
Wetenschappelijke publicaties
Merx, S., & Groot Nibbelink, L. (2021). Dramaturgical Analysis: A Relational Approach. FORUM+, 28(3), 6-17. https://www.forum-online.be/en/issues/herfst-2021/dramaturgical-analysis-a-relational-approach
Veldkamp, A., Merx, S., & van Winden, J. (2021). Educational Escape Rooms: Challenges in aligning game and education. Well Played, 10(1), 109-135.
Overige resultaten
Merx, S., & Verhoeff, N. (2021, Jun 30). Creative Urban Methods: Introduction. KWALON - Platform voor kwalitatief onderzoek. https://www.kwalon.nl/2021/06/30/creative-urban-methods-introduction-nanna-verhoeff-sigrid-merx/
2020
Wetenschappelijke publicaties
Verhoeff, N., & Merx, S. (2020). Mobilizing Inter-Mediacies: Reflections on Urban Scenographies in (Post-)Lockdown Cities. Mediapolis, 5(3). https://www.mediapolisjournal.com/2020/08/mobilizing-inter-mediacies [Repository]
2019
Wetenschappelijke publicaties
de Lange, M. L., Merx, S., & Verhoeff, N. (2019). Urban Interfaces: Between Object, Concept, and Cultural Practice. Leonardo Electronic Almanac, 22(4). https://web.archive.org/web/20220127120416/https:/www.leoalmanac.org/urban-interfaces/ [Repository]
Verhoeff, N., Merx, S., & de Lange, M. L. (Eds.) (2019). Urban Interfaces: Media, Art, and Performance in Public Space. Leonardo Electronic Almanac, 22(4). https://www.leoalmanac.org/urban-interfaces/
Merx, S. (2019). Facing Fear. The radical reversal of narratives of risk. In H. Grehan, & P. Eckersall (Eds.), The Routledge Companion to Theatre and Politics Routledge.
2018
Wetenschappelijke publicaties
Wijngaards, L., & Merx, S. (2018). Improving curriculum alignment and achieving learning goals by making the curriculum visible. International Journal for Academic Development, 23(3), 219-231. [DOI] [Repository]
Merx, S. (2018). Between Realities #Athene: Of hoe scenografie nieuwe betekenissen van openbare ruimtes kan stimuleren. FORUM+, 25(2), 15.
2017
Wetenschappelijke publicaties
Merx, S., Verhoeff, N., & de Lange, M. L. (2017). [urban interfaces]. Onderzoek naar media, kunst en performance in de stad. BLIK, 10(2), 12-15.
Merx, S. (2017). Naar een typologie van kunst in de publieke ruimte. Boekman : tijdschrift voor kunst, cultuur en beleid, 29(111), 44-49.
2016
Wetenschappelijke publicaties
Merx, S. (2016). Mapping invisibility: Surveillance art and the potential of performative cartography. In M. Leeker, I. Schipper, & T. Beyes (Eds.), Performing the digital (pp. 157-171). transcript Verlag.
Vakpublicaties
Merx, S. (2016). Buffered and porous selves. In N. Christophe, S. Merx, P. De Sterke, L. Groot Nibbelink, & N. Scholts (Eds.), Current movements future landscapes (pp. 84). International Theatre & Film Books. [Repository]
2015
Wetenschappelijke publicaties
Merx, S. (2015). Doing phenomenology: The empathetic implications of CREW’s head-swap technology in ‘W’ (Double U). In Performance and phenomenology: Traditions and transformations (pp. 204-221). (Routledge advances in theatre and performance studies). Routledge.
Vakpublicaties
Merx, S. (2015). The argument for autonomy: The Missing Link in the Discursive Arena. In K. Georgelou, E. Fotiadi, & M. Tsipos (Eds.), The Art of Lawlessness (pp. 31-37). Live Arts Institute.
2014
Wetenschappelijke publicaties
Merx, S. (2014). L'image-cristal et le spectacle vivant: l'effet de dédoublement du temps produit par les images en temps reél. In J.-M. Larrue (Ed.), Théâtre et intermédialité (Arts du spectacle - Images et sons). Presses universitaires du Septentrion. [Repository]
2013
Wetenschappelijke publicaties
Merx, S. (2013). The politics of scenography. Disrupting the stage. Performance Research, 18(3), 54-58. [DOI]
2012
Vakpublicaties
Merx, S. (2012). Public - private: re-activating the distinction. Walking theory (Teorija koia hoda) (print), 20, 64-71.
Merx, S. (2012). The argument of autonomy: the missing link in the discursive arena. Walking theory (Teorija koia hoda) (print), 20, 22-30. [Repository]
2011
Wetenschappelijke publicaties
Merx, S. (2011). From doing to performing phenomenology: implications and possibilities. Foundations of Science, 18, 185-190. [DOI] [Repository]
Merx, S. (2011). Public Pie: Performing Public Space. Performance Research, 16(2), 132-137.
2010
Wetenschappelijke publicaties
Groot Nibbelink, L. W., & Merx, S. (2010). Presence and Perception: Analyzing intermediality in performance. In S. Bay-Chang (Ed.), Mapping Intermediality in Performance (pp. 218-229). (Media Matters). Amsterdam University Press.
2009
Wetenschappelijke publicaties
Merx, S. (2009). Theater, video en kristallisering van de tijd. In L. van Heeteren, & M. Bleeker (Eds.), Theater Topics: Concepten en objecten (pp. 61-70). Amsterdam University Press. [Repository]
Merx, S. (2009). Beelden van tijd : Op zoek naar de tijdsdramaturgie in de Proustcyclus van Guy Cassiers. [Doctoral thesis 1 (Research UU / Graduation UU), Utrecht University]. Utrecht University. [Repository]
2008
Wetenschappelijke publicaties
Merx, S. (2008). Filmic photogénie in the theatre. In H. Schoenmakers, & S. Bläske (Eds.), Theater und Medien. Grundlagen - Analysen - Perspektiven (pp. 425-429). transcript Verlag.
2006
Wetenschappelijke publicaties
Merx, S. (2006). Swann's way: video and theatre as an intermedial stage. In F. Chapple, & C. Kattenbelt (Eds.), Intermediality in theatre and performance (pp. 67-80). Rodopi.
Vakpublicaties
Merx, S. (2006). Verdubbeling en transformatie. De rol van video in de Proust-cyclus van Guy Cassiers. In H. Havens, & C. Kattenbelt (Eds.), Theater en Technologie (pp. 48-60). Theater Instituut Nederland.
Merx, S. (2006). Onder ogen zien. Esthetiek en ethiek bij Hotel Modern. In H. Havens, & C. Kattenbelt (Eds.), Theater en technologie (pp. 154-165). Theater Instituut Nederland. [Repository]
2005
Vakpublicaties
Merx, S. (2005). Een esthetica van het verschil. Rekto:Verso, 2(5), 43-53.
Populariserende publicaties
Merx, S. (2005). Naar een ontkoppeling van woord, beeld en klank. Muntmagazine, (68), 12-13.
2004
Wetenschappelijke publicaties
Merx, S. (2004). Bewogen Beelden. In E. Jans, & M. de Poel (Eds.), Proust 3: de kant van Charlus. (pp. 110-120). het ro theater en Uitgeverij IT&FB.
Vakpublicaties
Merx, S. (2004). Guy Cassiers, Proust en het gebruik van video. In C. Kattenbelt (Ed.), Zoekboek 1 (pp. 72-77). Toneelacademie Maastricht.