Sven Dupré has published on a wide range of topics in the history of art, science and technology. Recent publications include: Histories of Conservation and Art History in Modern Europe (Routledge, 2022); Burgundian Black (EMC Imprint, 2022); A Cultural History of Color in the Renaissance (Bloomsbury Academic, 2021); Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences (Amsterdam University Press, 2020), Gems in the Early Modern World: Materials, Knowledge and Global Trade, 1450-1800 (Palgrave Macmillan, 2019), Perspective as Practice (Brepols, 2019); Knowledge and Discernment in the Early Modern Arts (Routledge, 2017), Early Modern Color Worlds (Brill, 2016), Embattled Territory: The Circulation of Knowledge in the Spanish Netherlands (Academia Press/LannooCampus, 2015), Laboratories of Art: Alchemy and Art Technology from Antiquity to the 18th Century (Springer, 2014), and Art and Alchemy: The Mystery of Transformation (Hirmer, 2014) in conjunction with an exhibition at the Museum Kunstpalast in Düsseldorf. His work is also published in numerous journals across disciplines, including Studies in History and Philosophy of Science, Isis, Netherlands Yearbook for Art History, History of Humanities, Synthese, Paragrana: Internationale Zeitschrift für Historische Anthropologie and Intellectual History Review.
Sleutelpublicaties
Dupré, S., & Boulboullé, J. B. (Eds.) (2022). Histories of Conservation and Art History in Modern Europe. (Research in Art History). Routledge. https://doi.org/10.4324/9781003127369
Boulboullé, J. B., & Dupré, S. (Eds.) (2022). Burgundian Black: Reworking Early Modern Colour Technologies. EMC Imprint. https://doi.org/10.55239/bb001
Dupré, S. G. M. (Ed.) (2019). Perspective as Practice: Renaissance Cultures of Optics. (Techne: Knowledge, Technique, and Material Culture). Brepols.
Dupré, S., & Göttler, C. (Eds.) (2017). Knowledge and Discernment in the Early Modern Arts. Routledge.
Dupré, S. G. M., & Bycroft, M. (Ed.) (2019). Gems in the Early Modern World: Materials, Knowledge and Global Trade, 1450-1800. (Europe’s Asian Centuries). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96379-2
Dupré, S., Baker, T., Kusukawa, S., & Leonhard, K. (Eds.) (2016). Early Modern Color Worlds. Brill.
Dupré, S. (Ed.) (2014). Laboratories of Art: Alchemy and Art Technology from Antiquity to the 18th Century. (Archimedes: New Studies in the History and Philosophy of Science and Technology; No. 37). Springer.
Dupré, S., De Munck, B., Thomas, W., & Vanpaemel, G. (Eds.) (2015). Embattled Territory: The Circulation of Knowledge in the Spanish Netherlands. Academia Press.
Publicaties
2023
Wetenschappelijke publicaties
Dupré, S. (2023). De Swillenscollectie en kunsttechnisch onderwijs in Utrecht. In M. Huisman, J. Koch, & D. van Miert (Eds.), Tastend door de tijd. Een greep uit vier eeuwen Utrechtse wetenschapsgeschiedenis (pp. 38-39). Matrijs.
Dupré, S. (2023). From Lived Experience to the Written Word: Reconstructing Practical Knowledge in the Early Modern World: By Pamela H. Smith. Pp. 344, illus., index. University of Chicago Press: Chicago & London. 2022. £79.00 (hardback), £29.00 (paperback). ISBN: 978-0-22-680027-1 (hardback), 978-0-22-681824-5 (paperback). Ambix. https://doi.org/10.1080/00026980.2023.2170541
Dupré, S. (2023). Conservation and the technique of art history. In C. Fowler , & A. Nagel (Eds.), The expanded field of conservation (1 ed., pp. 92-108). Yale University Press.
2022
Wetenschappelijke publicaties
Dupré, S. (2022). The Italian Renaissance of Machines (Book Review). Journal of Modern History, 94(3), 720-721. https://doi.org/10.1086/720883
Dupré, S., Vilarigues, M., Ruivo, A., Hagendijk, T., Bandiera, M., Coutinho, M., & Alves, L. C. (2022). Red Glass in Kunckel’s Ars Vitraria Experimentalis: The Importance of Temperature. International Journal of Applied Glass Science. https://doi.org/10.1111/ijag.16605
Dupré, S. (2022). Knowledge, Performance, Conservation: How Art and Science Embrace Technology. Physis, 57(1), 139- 153. [5323700]. https://www.torrossa.com/en/resources/an/5323700
Dupré, S. (2022). Introduction: Expertise in Translation. In K. Krause, M. Auxent, & D. Weil (Eds.), Premodern Experience of the Natural World in Translation (pp. 299-302). Routlegde. https://doi.org/10.4324/9781003258704-24
Boulboullé, J. B., & Dupré, S. (2022). Introduction: Burgundian Black, c. 2021. In Burgundian Black: Reworking Early Modern Colour Technologies EMC Imprint. https://doi.org/10.55239/bb002
Boulboullé, J. B., & Dupré, S. (2022). How Site Matters to Reworking with Makers. In Burgundian Black: Reworking Early Modern Colour Technologies EMC Imprint. https://doi.org/10.55239/bb003
Boulboullé, J. B., & Dupré, S. (Eds.) (2022). Burgundian Black: Reworking Early Modern Colour Technologies. EMC Imprint. https://doi.org/10.55239/bb001
Dupré, S. (2022). Introduction: Experts in the Interbellum. In J. B. Boulboullé, & S. Dupré (Eds.), Histories of Conservation and Art History in Modern Europe (pp. 1-9). (Research in Art History). Routledge. https://doi.org/10.4324/9781003127369-1
Dupré, S., & Boulboullé, J. B. (Eds.) (2022). Histories of Conservation and Art History in Modern Europe. (Research in Art History). Routledge. https://doi.org/10.4324/9781003127369
Vakpublicaties
Dupré, S., Muresan, C., & Stigter, S. (2022). Quietly Subversive. In Studiotopia: Art/Science/Anthropocenes (pp. 97-97, 100-103). Bozar - Centre for Fine Arts.
2021
Wetenschappelijke publicaties
Dupré, S., Poot, N. (Ed.), Cornelis, L. (Ed.), De Maeyer, J. (Ed.), Vandendriessche, J. (Ed.), Nelissen, M. (Ed.), Verbrugge, A., & Waelkens, S. (2021). Door schilderijen kijken met het eerste draagbare Röntgenapparaat. In Kamers van Wetenschap: Liber amicorum Geert Vanpaemel (pp. 42-43). Peeters.
Dupré, S. (2021). The Camera Obscura on the Move: Body, Animation, Imagination. In Art, Research, Play: The Midnight Sun Camera Obscura Project (pp. 183- 195). University of Lethbridge.
Dupré, S. (2021). Las tecnologias visuales en movimiento. Anales del Instituto de Investigaciones Esteticas, 118, 13-31. https://doi.org/10.22201/iie.18703062e.2021.118.2740
Dupré, S., & Buono, A. (2021). Introduction. In A. Buono, & S. Dupré (Eds.), A Cultural History of Color in the Renaissance (Vol. 3, pp. 1-15). (A Cultural History of Color; Vol. 3). Bloomsbury Academic.
Dupré, S., & Buono, A. (Eds.) (2021). A Cultural History of Color in the Renaissance. (A Cultural History of Color ; Vol. 3). Bloomsbury Academic.
Dupré, S. (2021). Artisanal Enlightenment: Science and the Mechanical Arts in Old Regime France By Paola Bertucci. New Haven: Yale University Press, 2017. Pp. 312. Technology and Culture, 62(3), 956-958 . https://doi.org/10.1353/tech.2021.0137
2020
Wetenschappelijke publicaties
Dupré, S. (2020). Book Review: Lissa L. Roberts and Simon Werrett (eds.), Compound Histories: Materials, Governance and Production, 1760-1840. Centaurus, 62, 826-828.
Dupré, S., Swan, C., & Goettler, C. (2020). Visuality. In L. Markey (Ed.), Renaissance Invention: Stradanus’ Nova Reperta (pp. 199-224). Northwestern University Press.
Hagendijk, T., Heering, P., Principe, L. M., & Dupré, S. (2020). Reworking Recipes and Experiments in the Classroom. In S. Dupré, A. Harris, J. Kursell, P. Lulof, & M. Stols-Witlox (Eds.), Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences (pp. 199-224). Amsterdam University Press. https://doi.org/10.1515/9789048543854-009
https://dspace.library.uu.nl/bitstream/handle/1874/424271/7._Hagendijk_et._al._06112019.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/424271/7._Hagendijk_et._al._06112019.pdf?sequence=1
Peters, P., Kursell, J., & Dupré, S. (Ed.) (2020). Making Sound Present: Re-enactment and Reconstruction in Historical Organ Building Practices. In S. Dupré, A. Harris, J. Kursell, P. Lulof, & M. Stols-Witlox (Eds.), Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences (pp. 115-140). Amsterdam University Press. https://doi.org/10.1515/9789048543854-006
https://dspace.library.uu.nl/bitstream/handle/1874/424268/4._Kursell_Peters_06112019.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/424268/4._Kursell_Peters_06112019.pdf?sequence=1
Harris, A., Kursell, J., Lulof, P. S., Stols-Witlox, M., & Dupré, S. (2020). Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences: Introduction. In S. Dupré, A. Harris, J. Kursell, P. Lulof, & M. Stols-Witlox (Eds.), Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences (pp. 9-34). Amsterdam University Press.
Hagendijk, T., Vilarigues, M., & Dupré, S. (2020). Materials, Furnaces, and Texts: How to Write About Making Glass Colours in the Seventeenth Century. Ambix, 67(4), 323-345. https://doi.org/10.1080/00026980.2020.1826823
Dupré, S. (2020). Book Review: Marcia Kupfer, Art and Optics in the Hereford Map: An English Mappa Mundi, c. 1300. London: Yale University Press, 2016. CAA.reviews. http://www.caareviews.org/reviews/3722#.XrVNOBMzbOS
Dupré, S. G. M. (2020). Failure and Imperfections of Artisinal Knowledge in the Early Modern Period. In M. Epple, A. Imhausen, & F. Müller (Eds.), Weak Knowledge: Forms, Functions, and Dynamics (pp. 163-178). Campus Verlag.
2019
Wetenschappelijke publicaties
Dupré, S. G. M. (2019). Door schilderijen heen kijken: Röntgenonderzoek van kunst. Nederlands Tijdschrift voor Natuurkunde, 85(7), 26-29.
Dupré, S., & Somsen, G. (2019). The History of Knowledge and the Future of Knowledge Societies. Berichte zur Wissenschaftsgeschichte, 42, 186-199. https://doi.org/10.1002/bewi.201900006
Dupré, S. G. M. (2019). Introduction. In S. Dupré (Ed.), Perspective as Practice : Renaissance Cultures of Optics (pp. 9-15). (Techne: Knowledge, Technique, and Material Culture; Vol. 1). Brepols. https://doi.org/10.1484/M.TECHNE.5.117720
Dupré, S. G. M. (2019). How-to Optics. In S. Dupré (Ed.), Perspective as Practice: Renaissance Cultures of Optics (pp. 279-300). (Techne: Knowledge, Technique, and Material Culture; Vol. 1). Brepols. https://doi.org/10.1484/M.TECHNE.5.117730
Dupré, S. G. M. (Ed.) (2019). Perspective as Practice: Renaissance Cultures of Optics. (Techne: Knowledge, Technique, and Material Culture). Brepols.
Dietz, F. M., & Dupré, S. G. M. (2019). Youthful Minds and Hands: Learning Practical Knowledge in Early Modern Europe. Science in Context, 32(2), 113-118. https://doi.org/10.1017/S0269889719000115
Dupré, S. G. M., & Bycroft, M. (2019). Introduction: Gems in the Early Modern World. In S. Dupré, & M. Bycroft (Eds.), Gems in the Early Modern World: Materials, Knowledge and Global Trade, 1450-1800 (pp. 1-32). (Europe’s Asian Centuries). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96379-2
Dupré, S. G. M., & Bycroft, M. (Ed.) (2019). Gems in the Early Modern World: Materials, Knowledge and Global Trade, 1450-1800. (Europe’s Asian Centuries). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-96379-2
Vakpublicaties
Boulboullé, J. B. (Other), Dupré, S. G. M. (Other), Jongstra, C. (Other), Mareel, S. (Other), Wienen, M. (Other), Ortega-Saez, N. (Other), & Proaño, A. G. (Other). (2019). Back to Black: exhibition. Exhibition https://www.hofvanbusleyden.be/back-to-black
2018
Wetenschappelijke publicaties
Dupré, S. G. M. (Author). (2018). Blog 'Re-working with Makers'. Web publication/site https://artechne.wp.hum.uu.nl/re-working-with-makers-part-2/
Dupré, S. G. M. (2018). Book review: Regina Lee Blaszcyk and Uwe Spiekermann (eds.), Bright Modernity: Color, Commerce and Consumer Culture. New York: Palgrave Macmillan, 2017. Business History Review, 92(3), 600-602. https://doi.org/10.1017/S0007680518000971
Dupré, S. G. M. (2018). Book review: Dominique Raynaud, Optics and the Rise of Perspective: A Study in Network Knowledge Diffusion. Oxford: The Bardwell Press, 2014. Revue d’anthropologie des connaissances, 12(2), 395-397. https://doi.org/10.3917/rac.039.0395
Dupré, S. G. M. (2018). Kunstkamers als werkplaatsen. In A. Vervoordt, & S. Duprez (Eds.), Wonderkamer I (pp. 19-22). DIVA with MER.
Dupré, S. G. M. (2018). The Art of Glassmaking and the Nature of Stones: The Role of Imitation in Anselm De Boodt’s Classification of Stones. In I. Augart, M. Sass, & I. Wenderholm (Eds.), Steinformen: Materialität, Qualität, Imitation (pp. 207-220). (Naturbilder / Images of nature; Vol. 8). De Gruyter.
https://dspace.library.uu.nl/bitstream/handle/1874/376267/_9783110583618_Steinformen_The_Art_of_Glassmaking_and_the_Nature_of_Stones._The_Role_of_Imitation_in_Anselm_De_Boodts_Classification_of_Stones.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/376267/_9783110583618_Steinformen_The_Art_of_Glassmaking_and_the_Nature_of_Stones._The_Role_of_Imitation_in_Anselm_De_Boodts_Classification_of_Stones.pdf?sequence=1
Dupré, S. G. M. (2018). Introduction: Science and Practices of Translation. Isis, 109(2), 302-307. https://doi.org/10.1086/698234
Dupré, S. G. M. (2018). The Role of Judgment in the Making of Glass Colors in the Seventeenth Century. Ferrum, 90, 26-35. https://doi.org/10.5169/seals-787105
Dupré, S. G. M. (Ed.) (2018). Translating Science over Time. Isis, 109(2), 302-345. https://www.journals.uchicago.edu/journals/isis/focus?mobileUi=0
Overige resultaten
Boulboullé, J. B., Hendriksen, M. M. A., van der Klis, M. H., Hebing, A. H. J., van Blokland, R., Dupré, S. G. M., & Munk, J. (2018). Conference poster: The ARTECHNE Database: An online tool for art technological source research. Poster session presented at Trading Paintings and Painters’ Materials 1550-1800, Copenhagen, Denmark.
2017
Wetenschappelijke publicaties
Dupré, S. G. M. (2017). Materials and Techniques in Art History. History of Humanities, 2(1), 173. https://www.journals.uchicago.edu/doi/10.1086/690577?mobileUi=0
Dupré, S., & Göttler, C. (Eds.) (2017). Knowledge and Discernment in the Early Modern Arts. Routledge.
Dupré, S., & Göttler, C. (2017). Introduction: Hidden Artifices. In C. Göttler, & S. Dupré (Eds.), Knowledge and Discernment in the Early Modern Arts (pp. 1-16). Routledge.
Dupré, S. (2017). The Making of Practical Optics: Mathematical Practitioners’ Appropriation of Optical Knowledge between Theory and Practice. In L. B. Cormack, S. A. Walton, & J. Schuster (Eds.), Mathematical Practitioners and the Transformation of Natural Knowledge in Early Modern Europe (pp. 131-148). (Studies in History and Philosophy of Science; No. 45). Springer International Publishing. https://link.springer.com/content/pdf/10.1007/978-3-319-49430-2_7.pdf
Dupré, S. (2017). Doing it Wrong: The Translation of Artisanal Knowledge and the Codification of Error. In M. Valleriani (Ed.), The Structures of Practical Knowledge (pp. 167-188). Springer International Publishing.
Dupré, S. (2017). Materials and Techniques between the Humanities and Science: Introduction. History of Humanities, 2(1), 173-178. https://doi.org/10.1086/690577
Vakpublicaties
Dupré, S., Hagendijk, T., & Beentjes, T. (2017). Boeken in de werkplaats. De boekenwereld, 33(3), 72-77.
Overige resultaten
Dupré, S. (Author), & Seehafer, M. (Author). (2017). Materialized Identities: Objects, Affects and Effects in Early Modern Culture 1450-1750. Web publication/site https://www.materializedidentities.com/single-post/2017/08/02/Interview-with-Sven-Dupr%C3%A9
Dupré, S. (Author). (2017). Oratietekst 'De Kunst van het Maken'. Web publication/site, Universiteit Utrecht.
https://dspace.library.uu.nl/bitstream/handle/1874/361284/oratie_sven_dupre_2017.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/361284/oratie_sven_dupre_2017.pdf?sequence=1
Dupré, S. (Author). (2017). Blog 'New Ways of Seeing and Knowing: How Art Moved from the Laboratory to the University'. Web publication/site http://artechne.wp.hum.uu.nl/new-ways-of-seeing-and-knowing-how-art-moved-from-the-laboratory-to-the-university-lecture-hall/
Dupré, S. (Author). (2017). Blog 'Re-enactment in Teaching Art History'. Web publication/site
2016
Wetenschappelijke publicaties
Dupré, S. (2016). Book review: Richard Yeo, Notebooks, English Virtuosi, and Early Modern Science. Chicago and London: University of Chicago Press, 2014. Isis, 107(4), 839-840.
https://dspace.library.uu.nl/bitstream/handle/1874/346053/virtuosi.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/346053/virtuosi.pdf?sequence=1
Dupré, S. (2016). Die Sichtbarkeit und Unsichtbarkeit von Körperwissen in der Kodifikation der Künste in der frühen Neuzeit. Paragrana: Internationale Zeitschrift für Historische Anthropologie, 25(1), 110-129. https://doi.org/10.1515/para-2016-0007
Baker, T., Dupré, S., Kusukawa, S., & Leonhard, K. (2016). Color Worlds: Introduction. In T. Baker, S. Dupré, S. Kusukawa, & K. Leonhard (Eds.), Early Modern Color Worlds (pp. 1-18). Brill.
Dupré, S., Baker, T., Kusukawa, S., & Leonhard, K. (Eds.) (2016). Early Modern Color Worlds. Brill.
Overige resultaten
Dupré, S. (Author), & Hendriksen, M. M. A. (Author). (2016). The ARTECHNE Research Database: Technique in the Arts. Web publication/site
Hendriksen, M. M. A. (Author), & Dupré, S. (Author). (2016). Introducing ARTECHNE – Technique in the Arts, 1500-1950. Web publication/site
2015
Wetenschappelijke publicaties
Dupré, S., & Egmond, F. (2015). Collecting and circulating exotic naturalia in the Spanish Netherlands. In S. Dupré, B. de Munck, W. Thomas, & G. Vanpaemel (Eds.), Embattled Territory: the circulation of knowledge in the Spanish Netherlands (pp. 199-227). Academia Press.
Dupré, S., & Vanpaemel, G. (2015). The Circulation of Knowledge in the Spanish Netherlands: Introduction. In S. Dupré, B. de Munck, W. Thomas, & G. Vanpaemel (Eds.), Embattled territory: the circulation of knowledge in the Spanish Netherlands (pp. 7-21). Academia Press.
Dupré, S., De Munck, B., Thomas, W., & Vanpaemel, G. (Eds.) (2015). Embattled Territory: The Circulation of Knowledge in the Spanish Netherlands. Academia Press.
Dupré, S. (2015). Über die Schwierigkeit der Beschreibung alchemischer Techniken. Johannes Kunckels Übersetzung der Arte Vetraria von Antonio Neri. In P-A. Alt, J. Eming, T. Renz, & V. Wels (Eds.), Magia daemoniaca, Magia naturalis, Zouber: Schreibweisen von Magie und Alchemie in Mittelalter und Früher Neuzeit (pp. 377-392). (Episteme in Bewegung. Beiträge zu einer transdisziplinären Wissensgeschichte; Vol. 2). Harrassowitz.
Dupré, S. (2015). Book review: Timothy McCall, Sean Roberts & Giancarlo Fiorenza (eds.), Visual Cultures of Secrecy in Early Modern Europe. Kirksville: Truman State University Press, 2013. Isis, 106(1), 176-177.
2014
Wetenschappelijke publicaties
Dupré, S., & Neven, S. (2014). Colour ConText. A Database on Colour Practice and Colour Knowledge in Pre-Modern Europe. In H. Dubois, J. H. Townsend, J. Nadolny, S. Eyb-Green, S. Kroustallis, & S. Neven (Eds.), Making and Transforming Art: Technology and Interpretation (pp. 125-126). Archetype Publications.
Dupré, S. (2014). Book review: Mary Quinlan-McGrath, Influences: Art, Optics, and Astrology in the Italian Renaissance, Chicago and London: University of Chicago Press, 2013. Journal for the History of Astronomy, 45, 132-134.
Dupré, S. (2014). Book review: Ofer Gal and Raz Chen-Morris, Baroque Science, Chicago and London:
University of Chicago Press, 2013. Early Science and Medicine, 19, 373-375.
Dupré, S., von Kerssenbrock-Krosigk, D., Hachmann, A., & Wismer, B. (2014). Kunst und Alchemie: Eine Einführung. In S. Dupré, D. Von Kerssenbrock-Krosigk, & B. Wismer (Eds.), Kunst und Alchemie. Das Geheimnis der Verwandlung (pp. 11-18). Hirmer Verlag.
Dupré, S. (2014). Die Feuerkünste. In S. Dupré, D. Von Kerssenbrock-Krosigk, & B. Wismer (Eds.), Kunst und Alchemie. Das Geheimnis der Verwandlung (pp. 84-113). Hirmer Verlag.
Dupré, S. (2014). Art and Alchemy: An Introduction. In S. Dupré, D. Von Kerssenbrock-Krosigk, & B. Wismer (Eds.), Art and Alchemy: The Mystery of Transformation (pp. 11-17). Hirmer Verlag.
Dupré, S. (2014). Making Materials: The Arts of Fire. In S. Dupré, D. Von Kerssenbrock-Krosigk, & B. Wismer (Eds.), Art and Alchemy: The Mystery of Transformation (pp. 84-113). Hirmer Verlag.
Dupré, S. (2014). Laboratories of Art: Introduction. In S. Dupré (Ed.), Laboratories of Art: Alchemy and Art Technology from Antiquity to the 18th Century (pp. VII-XIX). Archimedes.
Dupré, S. (2014). Artists and the Philosophers’ Stone. In S. Laube, & P. Feuerstein-Herz (Eds.), Goldenes Wissen: Die Alchemie: Substanzen - Synthesen - Symbolik (pp. 87-97). Herzog August Bibliothek.
Dupré, S. (2014). Galileo and the Culture of Glass. In A. Albrecht, G. Cordibella, & V. Remmert (Eds.), Tintenfass und Teleskop: Galileo Galilei im Schnittpunkt Wissenschaftlicher, Literarischer und Visueller Kulturen im Europäischen 17. Jahrhundert (pp. 297-319). De Gruyter.
Dupré, S. (2014). The Value of Glass and the Translation of Artisanal Knowledge in Early Modern Antwerp. In B. Ramakers, C. Göttler, & J. Woodall (Eds.), Trading Values in Early Modern Antwerp (pp. 138-161). (Netherlands Yearbook for Art History). Brill.
Dupré, S., von Kerssenbrock-Krosigk, D., & Wismer, B. (Eds.) (2014). Kunst und Alchemie: Das Geheimnis der Verwandlung / Art and Alchemy: The Mystery of Transformation. Hirmer Verlag.
Dupré, S. (Ed.) (2014). Laboratories of Art: Alchemy and Art Technology from Antiquity to the 18th Century. (Archimedes: New Studies in the History and Philosophy of Science and Technology; No. 37). Springer.
Overige resultaten
Dupré, S., Göttler, C., & Moran, S. J. (2014). 'Mathematical Books', in Christine Göttler, Sarah Joan Moran (eds.), incollaboration with Sven Dupré, Reading the Inventory: the Possessions of thePortugese Merchant-Banker Emmanuel Ximenez (1564–1632) in Antwerp: URL: http://ximenez.unibe.ch/library/mathematics/.
Dupré, S., Göttler, C., & Moran, S. J. (2014). 'The Correspondence between Ximenez and Neri', in Christine Göttler, Sarah Joan Moran (eds.), in collaboration with Sven Dupré, Reading the Inventory: the Possessions of the Portugese Merchant-Banker Emmanuel Ximenez (1564–1632) in Antwerp: URL: http://ximenez.unibe.ch/laboratory/neri/.
Dupré, S., Göttler, C., & Moran, S. J. (2014). Reading the Inventory: the Possessions of the Portugese Merchant-Banker Emmanuel Ximenez (1564–1632) in Antwerp: URL: http://ximenez.unibe.ch.
Dupré, S., & Neven, S. (2014). Colour Context: A Database on Colour Practice and Knowledge. URL: https://arb.mpiwg-berlin.mpg.de/.
2013
Wetenschappelijke publicaties
Dupré, S. (2013). Book review: Pamela O. Long, Artisan/Practitioners and the Rise of the New Sciences, 1400-1600, Corvallis: Oregon State University Press, 2011. History and Philosophy of the Life Sciences, 35, 279-281.
Dupré, S. (2013). Review essay: 'The Transnational Galileo. A Telescopic View from Somewhere': Massimo Bucciantini, Michele Camerota and Franco Giudice, Il telescopio di Galileo. Una storia europea. Torino: Einaudi, 2012. Nuncius, 28(2), 465-476. https://doi.org/10.1163/18253911-02802004
Dupré, S. (2013). Papieren kennis: Van het atelier naar de academie. In Kunst Antwerpen Academie 350 (pp. 40-45). BAI and Museum aan de Stroom.
Dupré, S. (2013). Le telescope de Galilée, la lune et la lumière céleste. In C. Grell (Ed.), La Lune (pp. 45-77). (Les Styles du Savoir). Brepols.
Dupré, S. (2013). Ronchi’s Leonardo. In R. Nanni, & M. Torrini (Eds.), Leonardo ‘1952’ e la Cultura Dell’ Europa nel Dopoguerra (pp. 179-196). (Biblioteca Leonardiana -Studi e Documenti; Vol. 3). Olschki.
2012
Wetenschappelijke publicaties
Dupré, S. (2012). Book review: J.L. Heilbron, Galileo, Oxford: Oxford University Press, 2010 and David Wootton, Galileo, Watcher of the Skies, New Haven and London: Yale University Press, 2010. Renaissance Quarterly, 65, 1230-1232.
Dupré, S. (2012). Writing the History of the Telescope: Makers, Markets, and Mapping. In S. Dupré, A. Morrison-Low, S. Johnston, & G. Strano (Eds.), From Earth-Bound to Satellite: Telescopes, Skills and Networks (pp. xxiii-xxix). (History of Science and Medicine Library/ Scientific Instruments and Collections Series). Brill.
Dupré, S. (2012). Kepler's Optics without Hypotheses. Synthese, 185(3), 501-525.
Dupré, S. (2012). The Return of the Species: Jesuit Responses to Kepler’s New Theory of Images. In W. De Boer, & C. Göttler (Eds.), Religion and the Senses in Early Modern Europe (pp. 473-487). Brill.
Dupré, S. (2012). Introduction. In S. Dupré, & H. J. Cook (Eds.), Translating Knowledge in the Early Modern Low Countries (pp. 3-17). Lit Verlag.
Dupré, S., Morrison-Low, A., Johnston, S., & Strano, G. (Eds.) (2012). From Earth-Bound to Satellite. Telescopes, Skills and Networks. (History of Science and Medicine Library / Scientific Instruments and Collections Series). Brill.
Dupré, S. (Ed.), Clarke, M. (Ed.), & De Munck, B. (2012). Transmission of Artists’ Knowledge. Royal Flemish Academy of Arts and Sciences.
Dupré, S., & Cook, H. J. (Eds.) (2012). Translating Knowledge in the Early Modern Low Countries. Lit Verlag.
Overige resultaten
Dupré, S. (2012). [Perspectiva+]: a Digital Platform for the History of Optics in Collaboration with the Biblioteca Hertziana (Max Planck Institute for Art History), Rome: URL: http://perspectiva.biblhertz.it/index.html.
2011
Wetenschappelijke publicaties
Dupré, S. (2011). Book review: 'Technology and Engineering': Lissa Roberts, Simon Schaffer and Peter Dear (eds.), The Mindful Hand: Inquiry and Invention from the Late Renaissance to Early Industrialization, Amsterdam: Royal Netherlands Academy of Arts and Sciences, 2007. Annals of Science, 68, 291-294.
Dupré, S. (2011). Book review: Gideon Freudenthal and Peter McLaughlin, The Social and Economic Roots of the Scientific Revolution. Texts by Boris Hessen and Henryk Grossmann, New York: Springer, 2009. Centaurus, 53, 73-74.
Dupré, S. (2011). Book review: Alexander Marr,Between Raphael and Galileo. Mutio Oddi and the Mathematical Culture of Late Renaissance Italy, Chicago and London: University of Chicago Press, 2011. Intellectual History Review, 21, 535-536.
Dupré, S. (2011). Silent Messengers: The World of Goods and the Circulation of Knowledge in the Early Modern Netherlands. In S. Dupré, & C. Lüthy (Eds.), Silent Messengers : The Circulation of Material Objects of Knowledge in the Early Modern Low Countries (pp. 1-12). Lit Verlag.
Dupré, S. (2011). The Historiography of Perspective and Reflexy-Const in Netherlandish Art. Nederlands Kunsthistorisch Jaarboek, 61, 35-60.
Dupré, S., & Lüthy, C. (Eds.) (2011). Silent Messengers: The Circulation of Material Objects of Knowledge in the Early Modern Low Countries. Lit Verlag.
2010
Wetenschappelijke publicaties
Dupré, S. (2010). Review essay: Rolf Riekher, Johannes Kepler. Schriften zur Optik 1604-1611. Eingeführt und ergänzt durch historische Beiträge zur Optik- und Fernrohrgeschichte von Rolf Riekher. Frankfurt am Main: Verlag Harri Deutsch, 2006. Beiträge zur Astronomiegeschichte, 10, 346-351.
Dupré, S. (2010). Review essay: 'Art History, History of Science, and Visual Experience': Martin Kemp, The Human Animal in Western Art and Science; Leonardo; Leonardo da Vinci: Experience, Experiment, and Design; Seen | Unseen: Art, Science and Intuition, Oxford: Oxford University Press, 2006. Isis, 101(3), 618-622.
Dupré, S. (2010). Nota de abertura. In H. Leitao (Ed.), Sidereus Nuncius o Mensageiro das Estrelas by Galileu Galilei (pp. 7-9). Fundacao Calouste Gulbenkian.
Dupré, S., & Roose, A. (2010). In memoriam: Fernand Hallyn (1945-2009). Studium, 3(1), 56-59.
Dupré, S. (2010). Trading Luxury Glass, Picturing Collections and Consuming Objects of Knowledge in Early Seventeenth-Century Antwerp. Intellectual History Review, 20, 53-78.
Dupré, S., Van Helden, A., & Zuidervaart, H. (2010). Introduction. In S. Dupré, A. Van Helden, R. Van Gent, & H. Zuidervaart (Eds.), The Origins of the Telescope (pp. 1-8). (History of Science and Scholarship; Vol. 12). KNAW Press.
Dupré, S. (2010). William Bourne’s Invention: Projecting a Telescope and Optical Speculation in Elizabethan England . In S. Dupré, A. Van Helden, R. Van Gent, & H. Zuidervaart (Eds.), The Origins of the Telescope (pp. 129-145). (History of Science and Scholarship; Vol. 12). KNAW Press.
Dupré, S., Van Helden, A., Van Gent, R., & Zuidervaart, H. (Eds.) (2010). The Origins of the Telescope. (History of Science and Scholarship in the Netherlands; Vol. 12). KNAW Press.
2009
Wetenschappelijke publicaties
Dupré, S. (2009). Book review: Edward Grant, A History of Natural Philosophy from the Ancient World to the Nineteenth Century, Cambridge: Cambridge University Press, 2007. Medical History, 53, 149-150.
Dupré, S. (2009). Book review: 'Microscopes of the Ancien Régime': Dario Generali and Marc J. Ratcliff(eds.), From Makers to Users: Microscopes, Markets, and Scientific Practices in the Seventeenth and Eighteenth Centuries / Dagli artigiani ai naturalisti: Microscopi, offerta dei mercati e pratiche scientifiche nei secoli XVII e XVIII, Florence: Leo S.Olschki Editore, 2007. Metascience, 18, 107-110.
Dupré, S. (2009). Book review: Carolin Bohlmann, Thomas Fink and Philipp Weiss (eds.), Lichtgefüge des 17. Jahrhunderts. Rembrandt und Vermeer - Spinoza und Leibniz, München: Wilhelm Fink, 2008. URL: http://www.sehepunkte.de/2009/09/14178.html. Sehepunkte, 9.
Dupré, S. (2009). Die Ursprünge des Teleskops: von der Lesebrille bis zum astronomischen Fernrohr. In J. Renn, J. Staude, & M. Valleriani (Eds.), Galilei und die Anderen: Hintergründe einer Revolution der Astronomie (pp. 32-42). (Sterne und Weltraum Dossier; Vol. 2009/1). Spektrum der Wissenschaft Verlag.
Dupré, S. (2009). Die Ursprünge des Teleskops: von der Lesebrille bis zum astronomischen Fernrohr. Sterne und Weltraum, 48(1), 44-54.
Dupré, S. (2009). Het verleden van het verre-kijken. Scientific American (Dutch edition), 4, 56-63.
Dupré, S. (2009). Galileo y su legado. Temas, 58, 30-39.
Dupré, S. (2009). Los origines del telescopio. Investigacion y Ciencia, 52-61.
Dupré, S., & Korey, M. (2009). Optical Objects in the Dresden Kunstkammer: Lucas Brunn and the Courtly Display of Knowledge. In G. Strano, S. Johnston, M. Miniati, & A. Morrison-Low (Eds.), European Collections of Scientific Instruments: 1550-1750 (pp. 61-85). (History of Science and Medicine Library; Vol. 10). Brill.
Dupré, S. (2009). Wonder and Experiments in Kepler’s Optics and Dioptrics. In R. L. Kremer, & J. Wlodarczyk (Eds.), Johannes Kepler: From Tübingen to Zagan (pp. 223-237). (Studia Copernicana ; Vol. 42). Copernicus Center for Interdisciplinary Studies.
Dupré, S. (2009). Printing Practical Mathematics: Oronce Fine’s ‘De speculo ustorio’ between Paper and Craft. In A. Marr (Ed.), The Worlds of Oronce Finé: Mathematics, Instruments and Print in Renaissance France (pp. 64-82). Shaun Tyas.
Dupré, S., & Korey, M. (2009). Inside the Kunstkammer: The Circulation of Optical Knowledge and Instruments at the Dresden Court. Studies in History and Philosophy of Science, 40(4), 405-420. https://doi.org/10.1016/j.shpsa.2009.10.001
Dupré, S. (2009). Preface: Early Modern Cosmography. Archives Internationales d'Histoires des Sciences, 59, 419-422.
Dupré, S., & Roose, A. (2009). In memoriam: Fernand Hallyn (1945-2009). Archives Internationales d'Histoires des Sciences, 59, 605-608.
Dupré, S., & Hallyn, F. (Eds.) (2009). Early Modern Cosmography. (Archives Internationales d’Histoire des Sciences; Vol. 59). Brepols.
2008
Wetenschappelijke publicaties
Dupré, S. (2008). Book review: Vincent Ilardi, Renaissance Vision from Spectacles to Telescopes, Philadelphia: American Philosophical Society, 2007. Renaissance Quarterly, 61, 250-252.
Dupré, S. (2008). Book review: 'The Telescope in History': Jürgen Hamel and Inge Keil (eds.), Der Meister und die Fernrohre: Das Wechselspiel zwischen Astronomie und Optik in der Geschichte, Frankfurt am Main: Verlag Harri Deutsch, 2007. Journal for the History of Astronomy, 39, 410-411.
Dupré, S. (2008). Book review: Eileen Reeves, Galileo’s Glassworks: The Telescope and the Mirror, Cambridge (Massachusetts) and London: Harvard University Press, 2008. Renaissance Quarterly, 61, 928-929.
Dupré, S. (2008). Book review: Jutta Schickore, The Microscope and the Eye: A History of Reflections, 1740-1870, Chicago: The University of Chicago Press, 2007. Bildwelten des Wissens, 6, 107-108.
Dupré, S. (2008). Book review: Horst Bredekamp, Galilei der Künstler: Der Mond, die Sonne, die Hand, Berlin: Akademie Verlag, 2007. Nuncius, 23, 396-397.
Dupré, S. (2008). Review essay: 'De hand van Galilei': Horst Bredekamp, Galilei der Künstler: der Mond, die Sonne, die Hand, Berlin: Akademie Verlag, 2007. De Gids, 8, 666-678.
Dupré, S. (2008). Preistoria dell’ invenzione del telescopio. In G. Strano (Ed.), Il telescopio di Galileo. Lo strumento che ha cambiato il mondo (pp. 19-31). Giunti.
Dupré, S. (2008). The Prehistory of the Invention of the Telescope. In G. Strano (Ed.), Galileo’s Telescope: The Instrument that Changed the World (pp. 19-31). Giunti.
Dupré, S. (2008). Aguilón, Vitruvianism and his Opticorum libri sex. In P. Lombaerde (Ed.), Innovation and Experience in Early Baroque in the Southern Netherlands: The Case of the Jesuit Church in Antwerp (pp. 53-66). (Architectura Moderna; Vol. 6). Brepols.
Dupré, S. (2008). Images in the Air: Optical Games, Magic, and Imagination. In C. Göttler, & W. Neuber (Eds.), Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture (pp. 71-92). (Intersections; Vol. 9). Brill.
Dupré, S., & Kusukawa, S. (Eds.) (2008). The Circulation of News and Knowledge in Intersecting Networks. (History of Universities; Vol. 23.2). Oxford University Press.
Dupré, S., & Kusukawa, S. (2008). Introduction: the Circulation of News and Knowledge in Intersecting Networks. History of universities, 23(2), 1-5.
https://dspace.library.uu.nl/bitstream/handle/1874/33313/0-19-955032-8.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/33313/0-19-955032-8.pdf?sequence=1
Dupré, S. (2008). Newton's Telescope in Print: the Role of Images in the Reception of Newton's Instrument. Perspectives on Science, 16(4), 328-359. https://doi.org/10.1162/posc.2008.16.4.328
https://dspace.library.uu.nl/bitstream/handle/1874/33286/16.4.dupre.pdf?sequence=1
https://dspace.library.uu.nl/bitstream/handle/1874/33286/16.4.dupre.pdf?sequence=1
2007
Wetenschappelijke publicaties
Dupré, S. (2007). Book review: Mario Biagioli, Galileo’s Instruments of Credit: Telescopes, Images, Secrecy, Chicago and London: The University of Chicago Press, 2006. Renaissance Quarterly, 60, 223-225.
Dupré, S. (2007). Playing with Images in a Dark Room: Johannes Kepler’s Ludi inside the Camera Obscura. In W. Lefèvre (Ed.), Inside the Camera Obscura: Optics and Art under the Spell of the Projected Image (pp. 59-73). Max-Planck-Institut fuer Wissenschaftsgeschichte.
Dupré, S. (2007). Rheita, Antonius Maria Schyrleus de Schyrle [Schierl, Schürle]. In T. Hockey (Ed.), The Biographical Encyclopedia of Astronomers (pp. 965-966). Springer.
2006
Wetenschappelijke publicaties
Dupré, S. (2006). Book review: Jean-Vincent Blanchard, L’ optique du discours au XVIIe siècle: de la rhétorique des jé suites au style de la raison moderne (Descartes, Pascal), Québec: Les Presses de l’ Université Laval, 2005. Isis, 97, 746-747.
Dupré, S. (2006). François de Aguilón, Optica en Vitruvianisme. Scientiarum Historia, 32, 17-36.
Dupré, S. (2006). Visualization in Renaissance Optics: The Function of Geometrical Diagrams and Pictures in the Transmission of Practical Knowledge. In S. Kusukawa, & I. Maclean (Eds.), Transmitting Knowledge: Words, Images and Instruments in Early Modern Europe (pp. 11-39). Oxford University Press.
Dupré, S., & Korey, M. (Ed.) (2006). The Use and Re-use of Optical Instruments: Creating Knowledge in the Dresden Kunstkammer. In B. Grob, & H. Hooijmaijers (Eds.), Who Needs Scientific Instruments? (pp. 75-80). Museum Boerhaave.
Dupré, S. (2006). Optica est ars bene videndi: From Gemma’s Radius to Galileo’s Telescope. In M. Folkerts, & A. Kühne (Eds.), Astronomy as a Model for the Sciences in Early Modern Times: Papers from the International Symposium Munich 10-12 March 2003 (pp. 355-368). (Algorismus: Studien zur Geschichte der Mathematik und der Naturwissenschaften; Vol. 59). Dr. Erwin Rauner Verlag.
2005
Wetenschappelijke publicaties
Dupré, S. (2005). Review essay: Arnaud Maillet, The Claude Glass: Use and Meaning of the Black Mirror in Western Art, New York: Zone Books, 2004. Aestimatio, 2, 24-32.
Dupré, S. (2005). Ausonio’s Mirrors and Galileo’s Lenses: The Telescope and Sixteenth-Century Practical Optical Knowledge. Galilaeana: Journal of Galilean Studies, 2, 145-180.
Dupré, S. (2005). Optics, Pictures and Evidence: Leonardo’s Drawings of Mirrors and Machinery. Early Science and Medicine, 10(2), 211-236. https://doi.org/10.1163/1573382054088132
Dupré, S. (2005). Introduction.The Hockney-Falco Thesis: Constraints and Opportunities. Early Science and Medicine, 10(2), 125-136. https://doi.org/10.1163/1573382054088141
Dupré, S. (2005). The Optics of Ettore Ausonio: Instrument Design and Optics in Sixteenth Century Italy. In J. J. Saldaña (Ed.), Science and Cultural Diversity: Proceedings of the XXI International Congress of the History of Science (pp. 475-491). Sociedad Mexicana de Historia de la Ciencia y de la Tecnologia.
Dupré, S. (Ed.) (2005). Optics, Instruments and Painting, 1420-1720: Reflections on the Hockney-Falco Thesis. (Early Science and Medicine; Vol. 10.2). Brill.
2004
Wetenschappelijke publicaties
Dupré, S. (2004). Book review: The Ambassadors’ Secret: Holbein and the World of the Renaissance, London and New York: Hambledon and London, 2002. Isis, 95, 487-488.
Dupré, S. (2004). Book review: Gérard Simon, Archéologie de la vision, Paris: Editions du Seuil, 2003. Archives Internationales d'Histoires des Sciences, 54, 192-194.
2003
Wetenschappelijke publicaties
Dupré, S. (2003). The Dioptrics of Refractive Dials in the Sixteenth Century. Nuncius, 18, 39-68.
Dupré, S. (2003). Galileo’s Telescope and Celestial Light. Journal for the History of Astronomy, 34(4), 369-399. https://doi.org/10.1177/002182860303400402
Dupré, S. (2003). Renaissance Optics: Instruments, Practical Knowledge and the Appropriation of Theory. Max-Planck-Institut fuer Wissenschaftsgeschichte.
2001
Wetenschappelijke publicaties
Dupré, S. (2001). Galileo, Mathematical Instruments and Orthographic Projection. Bulletin of the Scientific Instrument Society, 69, 10-20.
Dupré, S. (2001). De Optica van Galileo Galilei: Interactie tussen Kunst en Wetenschap. (Verhandelingen van de Koninklijke Vlaamse Academie van België voor Wetenschappen en Kunsten, Nieuwe Reeks; No. 5). Royal Flemish Academy of Arts and Sciences.