Below you find the course descriptions of New Media & Digital Culture. The programme consists of compulsory courses, electives, an internship and a Master's thesis. Read more about the curriculum.

Note: the curriculum will change in 2022-2023, but the current course descriptions give a good impression of our programme.

Research Lab 1: Situating Research (compulsory)

Only open to students enrolled in the MA programme New Media & Digital Culture.

This module will re-introduce students to the methods and methodologies that are viable in the field of new media studies in the humanities at Utrecht University. On top of this, students wil engage in meta-reflection about the conceptual underpinnings these methods; ie. they will learn about the traditions, assumptions and the explicit or implicit connections with certain new media theories in the humanities that are taught in the concomitant New Media Theories module. In connection with learning to identify the assumptions and traditions behind these methods, students will learn to assess the possible ethical issues involved in the application of each individual method and the justification in light of research ethics when formulating a methodology or research question.

Research Lab 2: Designing Research (compulsory)

This course is open only to students enrolled in the MA programme New Media & Digital Culture.

This module focuses on further developing your research skills and competencies, with the aim of reaching a high level of academic professionalisation. It will challenge you to formulate appropriate research questions, methods and methodologies; to combine such methods with appropriate theoretical frameworks; and to think through the ethical implications of such methods. The end result of all this will take the shape of an individual research proposal which can serve as the foundation for your thesis research. This module will also incorporate various other forms of academic professionalisation, such as pitching your research ideas to fellow scholars and setting up a conference.

New Media Theories: Thinkers, Debates, and Questions (compulsory)

Only open to students enrolled in the MA programme New Media & Digital Culture.

This module will get students acquainted with the state-of-the-art controversies, insights and debates around the cluster of new media theories in the Humanities taught at Utrecht University. Such controversies may involve the tensions between issues of representation and/or processuality/functionality; technological determinism and the social construction of technology; and media as potential instruments of empowerment and oppression, but may also segue into other points of philosophical or epistemological debate. The module will delve into the various traditions of thought that underlie these new media theories, and help students to determine which theories are appropriate for their own research project that they will further develop in the Research Lab 2 module. The module will also, when relevant, draw connections to the academic research skills and methods taught concomitantly in the Research Lab 1 module.

The Ludification of Culture (compulsory)

Only open to students enrolled in the MA programme New Media & Digital Culture.

We will take Games for Change (, and its yearly Festival as a starting point. Founded in 2004, G4C focuses on game, play and VR creators and social innovators with the aim to drive real-world change using games and technology that help people to learn, improve their communities, and contribute to make the world a better place. Like the Utrecht Center for Game Research (, G4C focuses on Civics & Social Issues, Knowledge & Literacies, and Health & Wellbeing. This MA course expresses Utrecht University’s focus on and contribution to societal challenges.
In three thematic weeks student groups are asked to present tackle a topic from G4C to fellow students and engage in a critical discussion on the discursive practices surrounding games for change. For the individual assignment, students are asked to take this critical discussion, formulate a theoretical framework, and analyse a specific playful media object using approaches from game and play as well as software studies.

The Datafied Society: Networks, Software, and Politics

This course is open only to students enrolled in the MA programme New Media & Digital Culture.

In almost all areas of our contemporary society and culture, data collection, databases, algorithms and software emerge as crucial actors in processes of social (inter)action, cultural production and decision-making. This profoundly affects our understanding of authorship, consumption, cultural participation and political agency.
Existing approaches to digital phenomena including software studies, platform studies, critical code studies and game studies provide theoretical framing and place related research endeavours in the broader field of science & technology studies. Within the humanities, the computational turn labeled as 'digital humanities' builds on that foundation: it expands the research abilities by valorizing the existing debates in combination with novel, genuinely digital methodologies.

Urban Mobile Media: The Myth and Messiness of Connectivity

Only open to students enrolled in the MA programme New Media & Digital Culture.

In a relatively short time span, our communication patterns and computing habits have been thoroughly ‘mobilized’. Mobile and social media have rapidly become part and parcel of urban life. They shape how we live, work, travel, spend leisure time, and meet. This has profound consequences for our sense of place, social relationships, how we interface with the city, and our sense of self. Moreover, digital media technologies today are part of the infrastructures, practices, and institutional arrangements on which urban life itself is based. So-called “smart cities” experiment with digital media, like sensors, data, the Internet of Things and digital dashboards, to help improve urban life. In this course we focus on this amalgamation of telecommunications devices, portable computational devices, 'smart technologies' and connected objects in urban settings. Students develop an in-depth understanding of the ways in which these urban mobile media shape city life. They become familiar with the main themes, concepts and approaches in this emergent multidisciplinary field of urban new media research, and adjacent fields of research.

Cultural Analytics: Data Mining of Cultural Corpora

This course is for students in the MA New Media; students from other MA programmes who want to engage with data-related research of large cultural corpora should check with the course coordinator before enrolling. Only this way participation can be granted. The entrance requirements for Exchange Students will be checked by International Office and the Programme coordinator. You do not have to contact the Programme coordinator by yourself.

This course provides an introduction in the analysis of digital and digitized culture. It opens up – and scrutinizes – the methodology concerning data practices and digital methods for the inquiry of cultural corpora. Students are introduced to text mining and database exploration with programming language R, Jupyter notebook, Gephi, modes of Distant Reading or analysis, and to discipline of Cultural Analytics as coined by Lev Manovich. The objective is to develop the students skills in the computational analysis of corpora of cultural objects, be it new media, traditional media, art or beyond, and gain a critical understanding of what the epistemological implications of these digital methods may be. At the end of this module the students will be able to analyse various corpora of cultural data (e.g. social media data, text files, images, or time based files), while addressing underlying assumptions and outcomes of large data queries, quantification, and datafication. The students are expected to find their own topic during the first weeks of this course, which will determine their trajectory during the second part of it, ending with a small research and a corresponding research paper.


Only open to students enrolled in the MA programme Film- en televisiewetenschap and the MA programme New Media & Digital Culture.

‘Transmedia’ has in recent years become one of the key buzzwords in the digital media landscape. Transmedia storyteling most commonly refers to a process of dispersed storytelling: using multiple media working in tandem to tell a single story. While this narratological approach has remained one of the main paradigms for understanding the term, ‘transmedia’ has also come to relate more broadly to diverse immersive uses of multiple media working in conjunction with each other, either to facilitate bottom-up media production or to increase the reach of top-down media franchising. In this course, students are introduced to transmedia as a narrative form ("world-building"), transmedia as a part of participatory culture (fan studies), and transmedia franchising as an industrial process (the "convergence culture industry"). Each year, the course will have a thematic focus on a topic of current societal and scholarly relevance, such as gender, politics, or climate change.

Master's Thesis in New Media & Digital Culture (compulsory)

The MA thesis is a scholarly text in which you are expected to contribute, on the basis of independent research, to a debate within the field of new media and digital culture. It should be structured around a central research question which is clearly formulated in the introductory chapter and has a strong relevance to active scholarly discussions. The body of the text should show the methodology you employed to answer this question, the theoretical considerations you have made, and what your findings were. In your conclusion you should analyze your findings in the light of your original question and explain the broader implications of your conclusions.

Research Internship New Media & Digital Culture (compulsory)

The MA internship gives you the opportunity to test actual new media practices against new media theory. During a period of three months you will work within a company, a governmental, educational, cultural organization, an NGO or any other place where new media and digital culture play a significant role. What you do during the research internship consists, by definition, of two parts: practical duties and research activities. The practical duties consist of the work that the organisation took you on for: editorial work, advice, logistics, etc. Usually this results in delivering a specific product (like a report or website) or pursuing a specific assignment (like organizing an event or editorial duties). Concurrently with these duties, you carry out academic research that is embedded in your specific work environment. You will be asked to reflect upon both practical and academic activities by producing an internship research report, based on a carefully designed research proposal. This report should be the result of a critical analysis of the working experience from an academic perspective.