2006 - Wetenschappelijke publicaties
Uricchio, W.C. & Roberta, R.E. (2006). Brushing up Shakespeare: relevance and televisual form in Great Britons and In Search of Shakespeare. In D.E. Henderson (Eds.), A Concise Companion to Shakespeare on Screen(pp. 197-215). Oxford: Blackwell Publishing.
Uricchio, W.C. (2006). Introduction. In W.C. Uricchio & S. Kinnebrock (Eds.), Media Cultures Heidelberg: Universitätsverlag Winter.
Uricchio, W.C. & Kinnebrock, S. (2006). Media Cultures. Heidelberg: Universitätsverlag Winter.
Uricchio, W.C. (2006). Peer-to-Peer Communities, Cultural Citizenship, and the Limits of National Discourse. In W.C. Uricchio & S. Kinnebrock (Eds.), Media Cultures(pp. 61-88). Heidelberg: Universitätsverlag Winter.
Uricchio, W.C. (2006). Phantasia and Techné at the Fin-de-Siècle. Intermédialités : histoire et théorie des arts, des lettres et des techniques, , 27-42.
2006 - Overige resultaten
Uricchio, W.C. (01-03-2006). High Connectivity: branding, community, and digital culture. Tokyo, Cultural Industry Conference.
Uricchio, W.C. (01-04-2006). Nation, Narrative and the Representation of 9/11. Nicosia, Cyprus, European Association of American Studies.
Uricchio, W.C. (01-05-2006). The Digitalization of Audio-Visual Culture. Bergen, Bergen University, Nordic Media Days.
2005 - Wetenschappelijke publicaties
Uricchio, W.C. (2005). Culture as Dynamic. Tijdschrift: tijdelijk onbekend, , 29-33.
Uricchio, W.C. (2005). Cyberhistory: Historical Computer Games and Post-Structuralist Historiography. In J. Goldstein & J. Raessens (Eds.), Handbook of Computer Games Studies(pp. 327-338). Cambridge: MIT Press.
Uricchio, W.C. (2005). Formierung und Transformation des frühen deutschen Fernsehens. Montage/AV, (1), 97-115.
Uricchio, W.C. & Roholl, M (2005). From New Deal Propaganda to National Vernacular: Pare Lorentz and the Construction of an American Public Culture. In R. Janssens & K. Delaney (Eds.), Over (T)here: Essays in Honour of Rob Kroes [European Contributions to American Studies, Vol 60](pp. 107-122). Amsterdam: VU Press.
Uricchio, W.C. (2005). Law and the Cinema. In R. Abel (Eds.), Routledge Encyclopedia of Early Cinema(pp. 373-377). New York: Routledge.
Uricchio, W.C. (2005). Masterclass: The Contours of Film Theory and History. Utrecht, OSL (The National Dutch Research School for Literary Studies).
Uricchio, W.C. (2005). US Patent Wars. In R. Abel (Eds.), Routledge Encyclopedia of Early Cinema(pp. 654-655). New York: Routledge.
2005 - Overige resultaten
Uricchio, W.C. (01-09-2005). American Culture in Europe: Moving Beyond the Text. Amsterdam, Over (T)here: American Culture in Europe.
Uricchio, W.C. (2005). Modernity and Early Cinema. Ann Arbor, University of Michigan.
Uricchio, W.C. (01-11-2005). Rethinking the Ephemeral in Digital Culture: A Radical Proposal. Den Haag, UNESCO: Preserving the Digital Heritage.
Uricchio, W.C. (01-06-2005). Television – the Quiet Revolution: Reflections on a Media Ensemble. Bonn, One More Thing: History, Writing and Everyday Objects.
Uricchio, W.C. (2005). The Rebirth of the Televisual. Jeruzalem, The Smart Family Institute of Communications.
2004 - Wetenschappelijke publicaties
Uricchio, W.C. (2004). Beyond the Great Divide: collaborative networks and the challenge to dominant conceptions of creative industries. The International Journal of Cultural Studies, 7(1), 79-90.
Uricchio, W.C. (2004). Cultural Citizenship in the Age of P2P Networks. In L.B. Bondebjerg & P. Golding (Eds.), European Culture and the Media(pp. 139-164). Bristol: Intellect Press.
Uricchio, W.C. (2004). Television’s next generation: technology / interface culture / flow. In L Spigel & J. Olsson (Eds.), Television After TV: Essays on a Medium in Transition(pp. 231-261). Durham: Duke.
Uricchio, W.C. (2004). The Unstable Text and Some of its Consequences. In J. Fullerton (Eds.), Screen Culture: History and Textuality(pp. 161-168). Eastleigh: John Libby.
Uricchio, W.C. (2004). Zaznam, simultaneita a medialni technologie modernity. In P. Szczepanik (Eds.), Nova Filmova Historie: Antyologie soucasneho mysleni o dejinach kinematografie a ausiovizualni kultury(pp. 452-471). Praag: Nakladatelstvi Herrmann & synove.
2004 - Overige resultaten
Uricchio, W.C. (2004). A View From the Inside. Royal Dutch Academy of Sciences, Symposium Anti-Americanism.
Uricchio, W.C. (2004). Artful Engineering. Amsterdam, (chair) Society for the History of Technology.
Uricchio, W.C. (2004). Circumventing Tradition: P2P Challenges to Traditional Cultural Industries. Frankfurt, Department of Media Studies and Department of American Studies.
Uricchio, W.C. (2004). Distinctions Between Film and Television: An epistemological inquiry. Utrecht, Dutch Media History Seminar.
Uricchio, W.C. (01-10-2004). New Media and Policy: The Role of Intermediality in Moving Picture Regulation. Coleraine, University of Ulster, Centre for Media Research.
Uricchio, W.C. (2004). Redefining Consumers and Citizens: Challenges to American and European Constructions of Culture. In R. Kroes & R. Janssens (Eds.), Post-Cold War Europe, Post- Cold War America [European Contributions to American Studies, Vol 55](pp. 132-145). Amsterdam: VU Press.
Uricchio, W.C. (2004). Shifting Identities: a century of representing the city, from living postcards to computer simulations” (keynote and organizer). Cambridge, Filming Cities Conference.
Uricchio, W.C. (2004). Turning Media Genealogies on Their Heads. Nottingham, Institute for Film Studies.
2003 - Wetenschappelijke publicaties
Uricchio, W.C. & Roholl, M (2003). From New Deal Propaganda to National Vernacular: Pare Lorentz and the Construction of an American Public Culture. In P Zimmermann & K Hoffmann (Eds.), Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich Konstanz: UVK Verlagsgesellschaft.
Uricchio, W.C. (2003). Historicizing Media in Transition. In H Jenkins & D. Thornburn (Eds.), Rethinking Media Change: The Aesthetics of Transition Cambridge, MA: MIT Press.
Uricchio, W.C. & Pearson, R. (2003). How Many Times Shall Caesar Bleed in Sport: Shakespeare and the Cultural Debate about Moving Pictures. In L Grieveson & P Kramer (Eds.), Silent Cinema Reader London: Routledge.
Uricchio, W.C. (2003). Old Media as New Media: Television. In D Harries (Eds.), The New Media Book London: British Film institute.
2003 - Overige resultaten
Uricchio, W.C. (01-10-2003). "Identities Adrift: thinking about new media and citizenship". Londen, European Science Foundation, Changing Media-Changing Europe.
Uricchio, W.C. (01-01-2003). Changes and challenges. Film Archives in the Digital Era: New Concepts and New Policies. Nederlands Filmmuseum Amsterdam, Archimedia Film Archivists Conference.
Uricchio, W.C. (01-05-2003). Convergence and Diffusion: The struggle to define media practice at the dawn of the 21st century. Bayerische Amerika Akademie, Media Culture (theme: BAA annual conference).
Uricchio, W.C. (01-01-2003). The Peer-to-Peer Challenge. Brisbane, Australia, Creative Industries.
2002 - Wetenschappelijke publicaties
Uricchio, W.C. (2002). Coming to Terms With New York City's Moving Picture Operators, 1906-1913. The moving image, 2(2), 73-93.
Uricchio, W.C. & Roholl, M.L. (2002). From New Deal Propaganda to National Vernacular: Pare Lorentz and the Construction of an American Public Culture. Triumph der Bilder: Kultur- und Dokumentarfilme vor 1945 im internationalen Vergleich(pp. 155-173). Konstanz (Switserland): UVK Verlagsgesellschaft mbH.
Uricchio, W.C. (2002). Medien, Simultaneitaet, Konvergenz. Kultur und Technologie im Zeitalter von Intermedialitaet. In R. Adelmann, J.O. Hesse, J. Keilbach, M. Stauff & M. Thiele (Eds.), Grundlagentexte zur Fernsehwissenschaft: Theorie -- Geschichte -- Analyse Konstanz: UNK Verlagsgesellschaft mbH.
Uricchio, W.C. (2002). Technologies of Time. In J. Olsson (Eds.), Allegories of Communication: Intermedial Concerns from Cinema to the Digital Berkeley: University of California Press.
Uricchio, W.C. (2002). TeleVisionen. Historiografien des Fernsehens. Österreichische Zeitschrift für Geschichtswissenschaften, 12(4), 42-59.
Uricchio, W.C. (2002). There's More to the Camera Obscura Than Meets the Eye. In F. Albera, M. Braun & A. Gaudreault (Eds.), Arret sur image, fragmentation du temps Lausanne (Switserland): Editions Payot.
2002 - Overige resultaten
Uricchio, W.C. (01-05-2002). Back to the Future: learning from 'old' media. Cambridge, MA, USA, Media in Transition 2.
Uricchio, W.C. (01-10-2002). Cyber-citizenship: Political Identity, On-Line Games and Virtual Worlds. Copenhagen, Denmark, Media and Democracy in the Network Society (MODINET).
Uricchio, W.C. (01-11-2002). European Identities and Diasporas. Berlin, Germany, Changing Media, Changing Europe.
Uricchio, W.C. (01-12-2002). Re-Thinking Cultural Production. Brisbane, Australia, Cultural Industries, Queensland University of Technology.
Uricchio, W.C. (01-09-2002). Where Do We Go From Here?. San Francisco, California USA, Seybold Seminars.
2001 - Wetenschappelijke publicaties
Uricchio, W.C. (2001). Boekbespreking [Bespreking van het boek Batman Unmasked: Analysing a Cultural Icon]. Intensities : the journal of cult media, 2
Uricchio, W.C. (2001). Cultural Studies: una visione d' insieme. In G.P. Brunetta (Eds.), Storia del cinema mondiale: Theorie, strumenti, memorie Torino: Giulio Einaudi editore.
Uricchio, W.C. (2001). Filmvorführer in New York, 1906-1913. Kintop, 9(1), 91-108.
Uricchio, W.C. (2001). Medien des übergangs und ihre Historisierung. Archiv für Mediengeschichte- Mediale Historiographien, 1(1), 57-72.
1999 - Wetenschappelijke publicaties
Uricchio, W.C. (1999). Film History at the fin de siecle. Iichiko intercultural : an annual journal for transdisciplinary studies of pratiques, 64, 112-123.
Uricchio, W.C. (1999). Intermedial Challenges to Television's Definition. In Ib Bondebjerg & Hella Haastrup (Eds.), Intertextuality &Visual Media [Sekvens 99: Arborg for Film- & Medievidenskab 1999] Kopenhagen: IFM.
Uricchio, W.C. (1999). Media and war ... beyond propaganda. Tijdschrift voor mediageschiedenis, 2(2), 160-169.
Uricchio, W.C. (1999). Nation, Taste and Identity: Hollywood remakes of European originals. Groniek, 146, 51-61.
Uricchio, W.C. (1999). Panoramic Visions: stasis, movement, and the redefinition of the panorama. In L. Quaresima, A. Raengo & L. Vichi (Eds.), La nascita dei generi cinematografici / The Birth of Film Genres Udine: Forum.
Uricchio, W.C. (1999). Technologies of Time. In A. Herzog, L. Nijenhof, N. Noorman & N. Vink (Eds.), What's New? Essays over het belang van de nieuwe media voor de beeldende kunst Groningen: Academie Minerva.
1999 - Overige resultaten
Uricchio, W.C. (1999). Beyond 'High' and 'Low': Shakespeare and Taste Formations at the Turn of the Century. University of Bergen, Bergen, Disorderly Cultures.
Uricchio, W.C. (1999). Electrifying the Camera Obscura: what film and photography have obscured from representation. Groningen, Symposium on New Media and the Visual Arts.
Uricchio, W.C. (1999). From Early Television to the Internet: Learning from emerging media. Hilversum, Internet Symposium, Rondom Tien, NCRV-Televisie.
Uricchio, W.C. (1999). Intermediality and Media History. Cambridge, M.A., M.I.T., Media in Transition.
Uricchio, W.C. (1999). Intertextuality and Textual Networks. Lublin, Polish-American Studies Conference.
Uricchio, W.C. (1999). Nation, Taste and Identity: Hollywood Remakes of European Originals. San Francisco, International Communications Association.
Uricchio, W.C. (1999). Re-Writing the Past: Hypertext and Post-Structuralist Historiography. Kopenhagen, Nordic Studies Association.
Uricchio, W.C. (1999). Television's Forgotten Decade: the 1930s. Den Haag, Societeit voor Culturele Samenwerking.
Uricchio, W.C. (1999). Television's Next generation: Technology / Interface Culture / Flow. Stockholm, Approaches to Television Studies.
Uricchio, W.C. (1999). Televisual Transformations. Palm Beach, Society for Cinema Studies.
Uricchio, W.C. (1999). Thoughts on an Unstable Medium. Copenhagen, Intertextualities in the Visual Media.
1998 - Wetenschappelijke publicaties
Uricchio, W.C. (1998). Bic Picture, Small Screen. The relations between film and television. Tijdschrift voor mediageschiedenis, 1, 125-126.
Uricchio, W.C. (1998). Criminality, Corruption and the Moving Pictures. In J. Fullerton (Eds.), Celebrating 1895: the Centenary of Cinema Londen: John Libby.
Uricchio, W.C. (1998). De Camera Obscura, Lady Di, en de Leeuwenkooi. Feit & fictie: tijdschrift voor de geschiedenis van de representatie, 4(2)
Uricchio, W.C. (1998). Grensgebieden: feit, fictie en het picturesque in de vroege western. TvL : tijdschrift voor literatuurwetenschap, 3(2), 99-109.
Uricchio, W.C. (1998). Meer dan propaganda. Media in Oorlogstijd. Kunst en Wetenschap, 7(3), 11-13.
Uricchio, W.C. (1998). Television, Film, and the Struggle for Media Identity. Film, History, An International Journal, 10(2), 118-127.
1998 - Overige resultaten
Uricchio, W.C. (16-04-1998). From Markets to Audiences: interactive design implications. Eindhoven, New Media Division, Philips Natlab.
Uricchio, W.C. (16-03-1998). Media as a Weapon. Utrecht, Oorlog en Media, Studium Generale.
Uricchio, W.C. (10-12-1998). Technologies of time. Stockholm, Technologies of Moving Images.
Uricchio, W.C. (20-06-1998). The Bard, Beerbohm-Tree, and the Cinema. Utrecht, Screening Shakespeare, Shakespeare Society of the Low Countries.
Uricchio, W.C. (26-03-1998). The Panorama and the Implications of its Cinematic Variations. Bologna/Udine, Genre in the Silent Cinema.
Uricchio, W.C. (13-02-1998). Towards a Historiography of Audience Research: the Case of New York's Nickelodeons. Londen, Reconsidering the Audience, University of London.
1997 - Wetenschappelijke publicaties
Uricchio, W.C. (1997). Cinema as Detour? Towards a reconsideration of moving image technology in the late 19th century. In K. Hickethier, E. Muller & R. Rother (Eds.), Der Film in der Geschichte Berlin: Edition Sigma.
Uricchio, W.C. (1997). Det forflutna som prolog. En omprovning av mediahistorien. Aura Filmvetenskaplig tidskrift, 1997, 6-20.
Uricchio, W.C. (1997). Film Studies: Anglo-amerikanische Methoden der Filmforschung. In H.-M. Bock & W. Jacobsen (Eds.), Recherche: Film. Quellen und Methoden der Filmforschung München.
Uricchio, W.C. (1997). Filmgeschiedenis in het fin de siecle. Jaarboek Mediageschiedenis, 1997, 9-32.
Uricchio, W.C. (1997). Media, Simultaneity, Convergence: Culture and Technology in an Age ofIntermediality. Utrecht: Universiteit Utrecht.
Uricchio, W.C. (1997). Storage and Simultaneity. Reconsidering 20th century media, culture and technology. De Nieuwste Tijd, 9, 5-12.
Uricchio, W.C. (1997). Television studies shifting disciplinary status: Anglo-American developments. In H. Schanze & P. Ludes (Eds.), Qualitative Perspektiven des Medienwandels: Positionen der Medienwissenschaft im Kontext 'Neuer Medien' Opladen: Westdeutscher Verlag.
Uricchio, W.C. (1997). Vom Wohnzimmer zum Desktop. Eine medienwissenschaftliche Perspective. Montage/AV, 1997, 114-118.
Uricchio, W.C. (1997). Ways of Seeing: the new vision of early non-fiction film. In D. Hertogs & N. de Klerk (Eds.), Uncharted Territory: Essays on nonfiction film Amsterdam: Stichting Nederlands Filmmuseum.
1997 - Vakpublicaties
Uricchio, W.C. (1997). Aktualitäten als Bilder der Zeit. Kintop, 1997, 43-50.
Uricchio, W.C. (1997). Film's Fate: a storage medium in a culture of simultaneity. Impact 1997 Catalogue, 1997, 6-8.
Uricchio, W.C. (1997). La notte de San Lorenzo. Gronik Historisch Tijdschrift, , 246-248.
Uricchio, W.C. (1997). Media, Culture, Education. PostAV, 1997, 14-15.
Uricchio, W.C. & Pearson, R. (1997). New York? New York! William Uricchio and Roberta E. Pearson comment on the Singer-Allen Exchange. Cinema journal, 1997, 98-102.
0 - Wetenschappelijke publicaties
Uricchio, W.C. (0). Old Media as New Media: Television. In D. Harries (Eds.), The New Media Book British Film Institute.
Uricchio, W.C. (0). Starwars, Videogames, and War. In J. Schoeman & J. Weerdenburg (Eds.), Oorlog en de media Utrecht: Studuim Generale.
Uricchio, W.C. & Pearson, R. (0). 'The Formative and Impressionable Stage': Discursive constructions of the nickelodeon's child audience. In Richard Maltby & Melvyn Stokes (Eds.), American Movie Audiences: from the Turn of the Century to the Early Sound Era Londen: BFI.